Benicio Del Toro Quotes


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The Quotable Benicio Del Toro
Benicio Del Toro
Do you hang on Benicio Del Toro's every word?

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Benicio Del Toro's Famous Lines
flixster.actor.standard.02.162652510 - flixsterMovie/TV title:
Che: The Argentine
(Part One - 2008)

Character name
:

Ernesto Che Guevara

Quote(s)
:

Ernesto Che Guevara: Homeland or death! Lisa Howard: What is the most important quality for a revolutionary to possess?
Ernesto Che Guevara: L'amor.
Cuban Diplomat #1: *translating* Love.
Lisa Howard: Love?
Cuban Diplomat #1: Love of humanity... of justice and truth. A real revolutionary goes where he is needed.

Ernesto Che Guevara: At the risk of sounding ridiculous, let me say, that the true revolutionary is guided by feelings of love.

Ernesto Che Guevara: *addressing the United Nations in Spanish* Executions? Yes, we have executed. We execute, and we'll continue to execute. Ernesto Che Guevara: Ours is a fight to the death.

flixster.actor.standard.02.162652510 - flixsterMovie/TV title:

Fear and Loathing in Las Vegas

Character name
:

Dr. Gonzo



Quote(s)
:
Dr. Gonzo: You drive. You drive. I think there's something wrong with me.

Dr. Gonzo: I hate to say this, but this place is getting to me. I think I'm getting the Fear.

Raoul Duke: Look, there's two women fucking a polar bear!
Dr. Gonzo: Don't tell me these things. Not now man.


Dr. Gonzo: Hello? Hi Lucy, God bless. Yeah it's me. What? I dont know, I taught that bastard a lesson he'll never forget. What? No, not dead. But he won't be bothering anybody for a while. Yeah, I left him out there. I stomped him. I pulled all his teeth out.
Raoul Duke: I remember thinking 'Jesus, what a terrible thing to lay on someone with a head full of acid'.

Dr. Gonzo: But we have a problem. That bastard cashed a bad cheque downstairs and gave you as a reference. They'll be looking for both of you. Yeah I know. You can't judge a book by it's cover... some people are just basically rotten. Well the last thing in the world you want to do is call this hotel again. They'll trace the call and put you straight behind bars. Yeah I'm moving to the tropicana right away... when I get a room I'll let you know which one it is... I gotta get off. They probably have this phone tapped baby... Yeah I know it's horrible but it's all over now.
*stomps foot*

Dr. Gonzo: Oh my God... there's someone at the door. There's someone at the door!
*yelling and knocking things over*

Dr. Gonzo: Ahh! Ahh! I'm innocent! It was Duke! It was Duke!

Dr. Gonzo: Ahh! Ahh! Don't put that thing on me! Aaah! Aaah! Aaah! aaah... aah... ah... *hangs up*

Dr. Gonzo: Well, that's the last we should be hearing from Lucy man. She's probably stuffing herself down the incinerator about now. You know what we need? We need some opium.


Dr. Gonzo: I have to go.
Raoul Duke: Go?
Dr. Gonzo: Yes. Leave the country.
Raoul Duke: Calm down. You'll be straight in a few hours. Just sit down, sit the fuck down.
Dr. Gonzo: Don't fuck around, man. This is serious. One more hour in this town and I'll kill somebody!

Dr. Gonzo: It's okay. He's just admiring the shape of your skull.

Dr. Gonzo: As your attorney, I advise you to take a hit out of the little brown bottle in my shaving kit. You won't need much, just a tiny taste.

Movie/TV title:
Excess Baggage

Benicio Del Toro

Character name
Vincent

Quote(s)
:

Uncle Ray: Why? Did I beat you? Did I shoot you? In the groin?
Vincent: Are those options?

Vincent: We can do this the easy way or the hard way.
Emily: What's the hard way?
Vincent: It's harder... it's harder than the easy way. That's what I know.
Vincent: How stupid do you think I am, huh?
Emily: How stupid is there?

Vincent: I once stole a Ferrari with a Chihuahua in the back. He made less noise than you do.

Vincent: I got a Twinkie in the car. It's all yours, if you want it. Just make this call for me.
Vincent: How old are you?
Emily: Twelve.
Vincent: Okay. If you say so.

Vincent: Do you know the best way to make a dream come true? Do you? It's to wake up.
Vincent: You don't know where you are, you don't know who I am, and you're cuffed to my bathroom pipe. Honey, don't do me like that.
Emily: You got a girlfriend?
Vincent: Nah, I gave that up.
Emily: Why?
Vincent: Because I always see the potential of failure.

Emily: Where are we going?
Vincent: Knotty Pines.
Emily: What do ya gotta go to Knotty Pines for?
Vincent: So I can meet my man, and tell him "Hey Greg! It's so nice to see you! I just got robbed for $200,000! I enjoyed it!" "Whaaat by who?" "Her uncle!" "Who?" "Her uncle?" I mean, is this science fiction or what?

Emily: Do you like my tummy?
Vincent: Yeah, it's nice.
Emily: Do you like my laugh?
Vincent: If you smile.

Vincent: *Uncle Ray is walking towards them with a gun* Think he's gonna shoot?
Emily: Yes, *yes*, Vincent! Run!
*both start running quickly*

Stick: She's got some ass, huh?
Vincent: Your mother's got some ass.

Vincent: Let's see... we've got rum, tequila and rum... Rum and tequila. What would you like?
Emily: You don't have to be drunk to kiss me.
Vincent: Well... I'm not drunk. *Kisses Emily*

Vincent: Come on, come on, come on, come on!
Movie/TV title:
Swimming with Sharks
a.k.a The Buddy Factor

Swimming with Sharks Movie Poster

Character name:
Rex

Quote(s):
Rex: This is not a business, this is show business. Punching below the belt is not only all right, it's rewarded.

*Buddy has just scolded Guy on his first day of work for giving him a packet of Equal when he asked for Sweet 'N' Low*
Guy: Fuck! Fuck! That's it, I'm screwed. It's over.
Rex: Ah, relax. He always does that. That's his thing. Tomorrow, he'll ask you for an Equal. You can't win. It's a lose-lose situation. The trick is to have everything ready.
Replace this image with a character photoMovie/TV title:
Character name:
Quote(s):

Benicio Del Toro Quotes
Help construct the ultimate crib sheet of quotes about career, costars, the Hollywood fame game, and more! Add an attribution, when possible.
I'm not Jack Nicholson. I'm not Brando. But I do mumble.
Benicio Del Toro

I've liked most of the films that I've been in and those are the kinds of films I like to see.
Benicio Del Toro

My goal as an actor has always been to reach a level where I can find a lot of interesting work, and I think I'm at that point now. The Oscar has given me a lot of recognition.
Benicio Del Toro
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There are a lot of good actresses out there.
Benicio Del Toro

There's a lot of Latinos right now, a lot of filmmakers and writers that are Latin too.
Benicio Del Toro

To be honest with you, I'd rather not be working. When you work, there are all sorts of deadlines and pressures. I like to do one thing and take my time to do the other one.
Benicio Del Toro
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When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
Benicio Del Toro

You have to kill to survive. People have been doing it forever. I eat meat, and I eat fish. If I were on a deserted island I would need that to survive.
Benicio Del Toro

Before I was ever in high school, I had dark circles under my eyes. The rumor was I was a junkie. I have dark circles under my eyes, deal with it.
Benicio Del Toro
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Hopefully, I can play both sides of the fence. That's probably what winning the Oscar gives me, the chance to do something with a studio and do other things that I really want to do.
Benicio Del Toro

I don't think I could be a foot soldier. I don't know if I could take orders too good. I'm a little lazy.
Benicio Del Toro

I trained as a theater actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.
Benicio Del Toro
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"It's the hardest thing I've done so far, logistically and historically and dramatically. It's an ambitious project. We're trying to tell the whole story of an Argentine named Ernesto who became a very different man named Che when he got to Cuba. It's not a story of some myth on a T-shirt, that's for sure."
Benicio on making The Argentine and Guerrilla — Free Press Movie Writer, October 2007

"I love working with kids, man. They're so real if you don't turn them into little robots, just let them react naturally. I thought it was important to show how comfortable he is with them because it reminds him of when he was really happy hanging out as a kid with their father."
Benicio on working with kids on Things We Lost in the Fire — Free Press Movie Writer, October 2007

"When you make movies, it's teamwork. You can't really be in your own world all the time or you'll drive people crazy. You have to be open to the actors you're working with, to the director, to the makeup people, everybody. You can't be like a rock of emotions, just waiting to do it in front of the camera. You have to be able to communicate and be there for the people, working with other people."
The Oprah Winfrey Show, October 2nd, 2007
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"Che [Guevara] symbolizes not selling out, staying true to what you believe in."
The NY Times, September 2007

"I'm not saying I'm a writer, but I've been in movies for a long time, and I think I could write a script for a movie. Writing and directing. I'd like to tell a story from the way I look at life because sometimes I think, well, I just saw that, and I see somebody else seeing it, so I think there are people out there who can see the same colors as I see. I'd like to tell a story that way."
The NY Times, September 2007

"I just didn't feel I was good at anything. Then, after this play, someone told me, ‘Hey, you've got talent.' And I thought, someone told me I could do this."
About winning a part in a play in his freshman year at the University of California, San Diego — The NY Times, September 2007
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"I still have that. Faith and hope, still burning. Not faith in God; faith in something. Something bigger than you and me. It could be humanity. Or the universe. It's not personal."
Guardian, February 2004

"The funny thing is, I was originally attracted to acting because I was a clown when I was younger. Still am a little bit. But hey," he adds, grinning, "I have an image to keep up."
W / Style.com, December 2003

"I think any character who goes against the grain is interesting. Maybe it's a romantic idea that I have about people standing up for what they believe in and ignoring the odds and not following… but I like people when they make choices for themselves. I like people who take chances."
W / Style.com, December 2003

"I'm not really a chitchat kind of guy, I'm kind of like, if I want to get into a conversation, I want to have a conversation."
W / Style.com, December 2003

"It's weird to have people looking at you all the time. And they come up to you, and you know, most of the time I don't mind. — Well, if they're drunk, I do mind, or if you're concentrating on doing something, and someone comes and says, 'Hey, can you come over here and take a picture with my sister?' It can be annoying, but you have to know that it comes with the territory."
W / Style.com, December 2003
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"When you do a movie, you do a movie based on the script, the director and the actors. And I hit the jackpot with this one."
About 21 Grams — The NY Times, December 2003

"Well, I like to get invited to parties. I don't like to invite myself." *Laughs*
Asked if there are any directors he wants to work with — Cinema Confidential, November 2003
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"Well when I was a kid, I asked Santa Claus for some toys. Santa Claus wrote me a letter that he lost his bag. He said he'd get back to me next year." *Laughter*
About bad Christmas memories — Cinema Confidential, November 2003

"Yeah, we wanted to show a little bit the contradictions and at the same time making him kind of like a simple guy. We wanted to show that contradiction of being hardcore and almost noble. The fact that he doesn't deserve to enjoy another day. There's something noble about it. He does the right thing most of the time but just a little too slow. But too fast, too."
About his character in 21 Grams — Cinema Confidential, November 2003

"If they have expectations for me to behave some way, or dress some way, or look some way, you know, I couldn't give a damn about that."
About people's preconceptions — Cinema Confidential, November 2003
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"It gives you more of a leverage on your career. It's like good for the business side. But I don't think it's much of the curse, unless it starts to change your approach of the work. And it hasn't with me. If you start thinking like, "Now I won the Oscar." I mean, and you start believing that now you don't have to like read the scripts or whatever. You might start to think, "I'm that talented." I never thought I was that talented."
About winning the Oscar for Traffic — IGN, March 2003
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"Hopefully, the recognition will allow me to have more freedom, more choices to do things that challenge me and challenge the audience. It would be scary if I didn't really know what got me here. But as long as I don't forget where I'm coming from, I'll be fine. — And I won't."
The NY Times, January 2001

"With my character in 'Traffic,' I knew where I was coming from, what I wanted and where I was going. When you know that, man, it's not easier to play, but it's clear."
The NY Times, January 2001
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"– I like to take things very slowly. When you start to become a movie star it's easy to believe that you are Superman. That can fool you. That's why I prefer not to pay much attention to fame. The truth is that I don't give it much thought. I don't suffer. I don't hang my photographs on the wall. Without realizing it, you can enter a vicious circle and think that you really are a superhero. It is at that moment that you are in great trouble."
The Miami Herald — El Nuevo Herald, October 1997
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"It's funny, but when I arrived in California to start college I was much more interested in becoming a surfer and cruise along in life from one beach to the next. I didn't plan out any huge career for myself. Now that I see that I have this career and it's worked out for me, it still feels like I'm surfing, only that it's on a different level. I feel very free and that's all that I've ever wanted out of life."
No source info


Quotes About Benicio Del Toro
"You know, he's immensely secretive, and I think you want to open that door. You want to know what that secret is, even if it doesn't exist."
Susanne Bier, Things We Lost in the Fire director
Los Angeles Times, October 2007

"He makes me cry with laughter. But he is a very serious artist. He makes no compromises. We had a few confrontations, which were very exciting. They were not about power games. They were about: Is this the truthful description of this moment? He manages to remain a good person while being completely fueled up by drugs. He does not make drugs sexy, even though he is very sexy."
Susanne Bier
The NY Times, September 2007

"He's an actor who plays dark and brooding really well, but his sexuality and his sex appeal have always shown through his work. As a woman, I was always intrigued by how this guy could be so brooding and menacing and be so sexy at the same time. — I learned a lot from watching his sort of fly-by-the-seat-of-your-pants, stay-in-the-moment method. And working that way, when it works, creates moments on screen that are just magical."
Halle Berry, Things We Lost in the Fire co-star
The NY Times, September 2007

"Benicio has that ineffable quality that some performers have. And for whatever reason, he has a very compelling screen presence. I think you're born with part of that. And if you're as smart as he is, you work hard, you develop your craft to a point where it's supporting that innate talent. — We actually tend to make a lot of jokes and really have a good time."
Steven Soderbergh, Traffic, The Argentine and Guerrilla director
The NY Times, September 2007

"We wrote that part [in Traffic] with Benicio in mind. I've always found him magnetic on screen, and we really didn't consider anyone else. The rhythm of his character is slowed down, and what I like best is his attention to detail. The design of the story demands that he play what he's thinking very close to the vest, because the stakes are so high. It's a towering performance."
Steven Soderbergh
The NY Times, January 2001

"Benicio Del Toro is a big man, more than two metres tall and suitably hefty. It's not until you look into his face that you get the full impact of his physical legacy. He looks like an angel. Unfathomably, ethereally, androgynously beautiful. A dark Lucifer, with wild black hair that seems to hold a lot of pale dust; soft, feminine lips and lidless eyes with irises the colour of mother-of-pearl. You expect him to tell you to fear not, and in a way he does. He keeps very quiet, lets you get used to it."
Sally Vincent, reporter
Guardian, February 2004

"He could do nothing onscreen and he would be interesting to watch. Those eyes are so soulful and deep. They express so much sadness and strength."
Naomi Watts, 21 Grams co-star
W / Style.com, December 2003

"– this big smoky-eyed 'Rican who has a great kind of stillness and dignity about him."
Sean Penn, 21 Grams co-star and The Pledge and The Indian Runner director
W / Style.com, December 2003

"The way that he thinks is just so uncommon. Everybody has their own truth in life, but the truth Benicio sees is a lot more fun to watch."
Sean Penn
W / Style.com, December 2003

"He's like an acting animal, this guy who comes out of the forest to make movies better. He's fearless, and he has a very distinctive imagination for character. He's one of the few actors who can make flamboyant choices that never just say, 'Look at me.' He's not showy. If he stands out, it's only because the rest of the people haven't risen as high to the bar."
Sean Penn
The NY Times, January 2001

"Benicio decided to record this version of 'Shake, Rattle and Roll.' He didn't sing it; he just read the words out loud. It was like a complete rediscovery of the song. It took on a whole new depth and meaning, and you'd say you'd never heard it before. That's what he does with his characters, too. He takes a story you think you've seen a thousand times and transforms it into something else entirely. He makes it new."
Alejandro González Iñárritu, 21 Grams director
W / Style.com, December 2003

"Del Toro is an exciting actor. He's obsessed with his work. He draws the camera like a magnet because he keeps coming up with things that are dark, brooding, dangerous and sexy."
Terry Gilliam, Fear and Loathing in Las Vegas director

"More than any other actor I've ever met, Benicio is not in pursuit of fame or recognition. I think he's a guy who has a great disdain for popularity. He's very resistant to playing a leading man. He would rather create a character."
Christopher McQuarrie,
The Usual Suspects writer, The Way of the Gun writer/director

"He's killed early into the movie and he probably has, like, nine lines. But I found it the most memorable performance of 1995. The guy just goes out and thinks, 'No one's gonna understand what I'm doing except for me, but I'm a f***ing genius.' "
Matt Damon on Benicio's performance in The Usual Suspects