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Collin Wilcox has extended her given name twice over the duration of her professional acting career -- as Collin Wilcox-Horne and Collin Wilcox Paxton to be exact. She was born and raised in Highlands
, North Carolina. Her interest in theater was sparked by her parents, Jack H. and Virginia Wilcox, who founded the Highlands Community Theatre (now known as the Highlands Playhouse) in 1939. She made her acting debut there as a young girl and appeared in various productions, including "Our Town." In later years, Collin would dutifully return from time to time and perform at her theater alma mater in appreciation.
She attended high school in Knoxville, Tennessee and became the resident ingénue at the regional Carousel Theatre. She majored in drama at the University of Tennessee and studied performing at the Goodman School of Drama in Chicago, Illinois, as well as improv at The Compass (a forerunner of the Second City troupe) where Paul Sills was the director. There she worked alongside up-and-coming talents Mike Nichols, Elaine May, Barbara Harris, Severn Darden, and Shelley Berman. She eventually migrated to New York in 1957 and earned membership with Lee Strasberg's Actor's Studio, who saw great potential in her. She worked there for eight years.
Collins' Broadway debut came a year later with "The Day the Money Stopped" starring Richard Basehart and Mildred Natwick, which earned her the Clarence Derwent Award for "Best Supporting Actress." Slowly garnering notice for her growing quirks and interesting, edgy performances, Collin went on to work with the crème de la crème of Broadway eccentrics including Tallulah Bankhead in "Crazy October," Geraldine Page in "Strange Interlude" and Ruth Gordon in "La Bonne Soup." Neurotic Southern plays such as Tennessee Williams' off-Broadway productions of "Camino Real" and "Suddenly, Last Summer" fit her like a glove. In Los Angeles she appeared in "The Sea Gull" under the direction of John Houseman, "Period of Adjustment" with William Windom and "Getting Out" with Susan Clark. Williams himself chose Collin to repeat her leading role as "Isabel" in "Period of Adjustment" when the play went to London.
Collin's film debut came with her brilliant, award-worthy role as young Mayella, whose Southern white trash, under the duress of her racist father, falsely accuses black man Brock Peters of rape in "To Kill a Mockingbird". Her cross-examination courtroom sequence with Peters' hired attorney Gregory Peck is unforgettable. No other film role would have the same impact as that once-in-a-lifetime part. Prior to this, Mockingbird director Robert Mulligan personally selected the classically-trained Collin as his TV Frankie in a presentation of "The Member of the Wedding" for Playhouse 90. It was her first television role. For such a strong start, her later film career would prove strangely erratic, with a number of offbeat roles in The Baby Maker (1970), arguably her best post-Mockingbird part, opposite Barbara Hershey and Sam Groom, Catch-22 (1970), September 30, 1955 (1977), Jaws 2 (1978), Marie (1985), The Journey of August King (1995) and Midnight in the Garden of Good and Evil (1997), among them.
While Collin graced a number of quality TV programs such as the mini-movies The Autobiography of Miss Jane Pittman (1974/TV), Foxfire (1987/TV) and Wildflower (1991/TV) along with such established series as "Gunsmoke," "The Twilight Zone," "The Fugitive" and "The Waltons," it was the live stage that kept her fiery passion for acting alive. In the late seventies she returned to her hometown, met and married second husband Scott Paxton, and founded the multi-arts center The Highlands Studio for the Arts in 1981. She served as its artistic director for nine years as well as its resident playwright and improv teacher. She and her husband (who has been president of the Board of Directors) formed a troupe called "The Instant Theatre Company" (ITC) which reaffirmed her family's name in the commitment to its town's local theater. The company lasted for close to a decade before resurrecting again in 2003 with Collin and Rex Reed performing in a presentation of "Love Letters."
