Franchot Tone mini-bio: In 1930, he joined The Theatre Guild and later became a founding member of the famed Group Theatre, together with Harold Clurman, Cheryl Crawford, Lee Strasberg, Stella Adler, Clifford Odets, and others. These were intense and productive years for him: among the productions of the Group can be mentioned Green Grow the Lilacs (later to become the famous musical Oklahoma!) (1931), 1931 (1931) and Success Story (1932). Franchot Tone was universally regarded by the critics as one of the most promising actors of his generation.
The same year, however, Tone was the first of the Group to turn his back to the theatre and go to Hollywood when MGM offered him a film contract; nevertheless he always considered cinema far inferior to the theatre and recalled his stage years with longing (he eventually came back from time to time to the stage after the 1940s). His screen debut was in the 1932 movie The Wiser Sex. He achieved fame in 1933, when he made seven movies in a single year, including Today We Live, written by William Faulkner, where he first met his future wife Joan Crawford, Bombshell, with Jean Harlow (with whom he co-starred in three other movies), and the smash hit Dancing Lady, again with Crawford and Clark Gable. In 1935, probably his luckiest year, he starred in Mutiny on the Bounty (for which he was nominated for the Academy Award for Best Actor), The Lives of a Bengal Lancer and Dangerous opposite Bette Davis, with whom he was rumoured to have an affair.
He was married October 11, 1935 in New Jersey to actress Joan Crawford; they were divorced in 1939. They made seven films together: Today We Live (1933), Dancing Lady (1933), Sadie McKee (1934), No More Ladies (1935), The Gorgeous Hussy (1936), Love On The Run (1936) and The Bride Wore Red (1937).