Jamie Foxx Quotes


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The Quotable Jamie Foxx
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Jamie Foxx's Famous Lines
flixster.actor.standard.02.162652975 - flixsterMovie/TV title:
Ray

Character name:
Ray Charles

Quote(s):
Ray Charles: I hear like you see. Like that hummingbird outside the window, for instance.
Della Bea Robinson: I can't hear her.
Ray Charles: You have to listen.
Della Bea Robinson: [closes her eyes, hears the hummingbird] Yes!
Ray Charles: Yeah. Yes, you can. Uh-oh. Did you hear that?
Della Bea Robinson: What?
Ray Charles: Her heart just skipped a beat.

Ray Charles: Don't jive me, man.

Ray Charles: I want you to promise me something. Promise you won't feel sorry for me just because I'm blind.
Della Bea Robinson: How can I pity someone I admire?

[Della Bea has just discovered Ray's drug problem]
Della Bea Robinson: That stuff kills people, Ray. Now you've gotta stop it.
Ray Charles: I don't have to do a goddamn thing!

Ray Charles: There's some things you're not understandin'...
Della Bea Robinson: Well, make me understand, Ray!
Ray Charles: Baby, when I walk out that door I walk out alone in the dark. I'm trying to do something ain't nobody ever done in music and business. But I can't do it if I'm alone everywhere I go. I don't wanna be alone here, Bea. Not in my own home. Look, Bea, if you don't understand me, then who will?

Ray Charles: From now on you guys are gonna be called the Raylettes.
Margie Hendricks: Does that mean we have to "let Ray"?

Ray Charles: I love the stories. You know, about fallin' in love, and having love knock you around, and then the pressures of the world on you so tough it makes you feel small. You just want to give your soul to God. You might as well, your ass belongs to him.

Della Bea Robinson: The only thing that can help you is God, Ray!
Ray Charles: Don't you talk about God! You have any idea how it feels to go blind and still be afraid of the dark? And every day, you stand and pray just for a little light, and you don't get nothing. Cause God don't listen to people like me.
Della Bea Robinson: Stop talking like that.
Ray Charles: As far as I'm concerned, me and God is even, and I do what I damn well please.

Della Bea Robinson: I'm having second thoughts about this. I don't know nobody in L.A.
Ray Charles: Look, Bea, I don't want my kids growing up in the South. Now L.A. is where, you know, a Negro can spread his wings and fly.
Della Bea Robinson: Ray, my whole family is in Texas.
Ray Charles: That's why we're moving to L.A.

Jerry Wexler: Ruth Brown's got a tour booked in Georgia. She needs a band.
Ray Charles: I'll take it. I could write the charts for her, I could do backup, and I could also be an opening act.
Ahmet Ertegun: Okay. But you're gonna be financially responsible. You're gonna have to make it work, Ray.
Ray Charles: Yeah, yeah. I'm gonna make it do what it do, baby.

Ray Charles: Man, you told me if I think pennies, I get pennies. I'm thinking dollars, man.

Della Bea Robinson: Let me call you a cab.
Ray Charles: I got it. Three blocks up, left for two, right for one, fifteen giant steps and I'm at the Crystal White Hotel. Hello!

[last lines]
Della Bea Robinson: If only your mama was here.
Ray Charles: She's here. She ain't never left.

[after Ray accuses Jeff of stealing]
Ray Charles: How could you do that? We've been through so much. We were like brothers.
Jeff Brown: Ray... if we were like brothers, why are you paying Joe more than you're paying me?
Ray Charles: Damn all that. You broke my heart.
Jeff Brown: Well you know what, Ray? You broke mine a long goddamn time ago.
Ray Charles: Well, there it is.
Jeff Brown: You know something, Ray? You're gonna get yours one day. And I pray to God he has mercy on your soul, you son of a bitch!

Ray Charles: You know what they're saying about me? Said I lost something. Said I've gone middle-of-the-road. They might as well say the same thing about you. You were the soul of this band, now every time you're around you're just drunk. The drunk soul of a blind junkie. What a lovely couple.

Ray Charles: Marge is drunk, Jeff. Go home and sleep it off.
Jeff Brown: Let me take you home.
Margie Hendricks: No. I'll leave when I'm good and goddamn ready to.
Ray Charles: She's good and goddamn ready right now.

Ray Charles: Don't worry about it, man. If this monkey gets too heavy on my back, I will get an organ grinder and put him to work.

Jeff Brown: Where you from Ray?
Ray Charles: North Florida.
Jeff Brown: Old North Florida boy. Your people still down there?
Ray Charles: Naw.
Jeff Brown: All right. Hey, pardon me for asking, but how do you get around so good without a cane or a dog?
Ray Charles: How do you get around so good without a cane or a dog?
Jeff Brown: I'm sorry, I didn't mean to pry.
Ray Charles: My ears gotta be my eyes, man. Everything sounds different, you know? That's why I wear hard sole shoes so I can hear the echo of my footsteps off the wall. When I pass by an open doorway the sound changes.
Jeff Brown: Wow, that's cool.
Ray Charles: You gotta learn pretty quick if you want to get around on your own.

Gossie McKee: You need watching out for and he ain't got time to look after you the way I been looking after you.
Ray Charles: Is that what you been doing, Gossie, watching out for me? Is that why you get paid double what I do?
Gossie McKee: Who told you that?
Ray Charles: Well it's true, ain't it? You and Marlene been gaming me ever since I got here.
Marlene: Ray, baby, listen...
Ray Charles: I ain't got to listen to you!
Gossie McKee: Listen, Ray, I been meaning to talk to you about that.
Ray Charles: Then why aren't you talking?
Gossie McKee: Look, Ray, let's not do nothing stupid.
Ray Charles: I might be blind, but I ain't stupid!

Jack Lauderdale: So Ray, we got to talk about your name, man. Robinson. I mean, Sugar Ray got to Robinson franchise all sewed up. So I'm thinking we go with your middle name: Charles. As in "Ray Charles."
Ray Charles: I don't care what you call me, man, just as long as my name is on the record.

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Jamie Foxx Quotes
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  • [2005 Academy Awards acceptance speech for Best Actor in a Leading Role for Ray (2004/I)] I guess we got to do it again. "Oh, ah!" Yeah, you're ready. That's for Ray Charles. Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living. I got so many people to thank tonight. First I want to start it out with Taylor Hackford. Taylor, you took a chance, man. I mean that love for Ray Charles was deep, down in the earth. It's cracked open. And it's spilling. And everybody's drowning in this love. I thank you for taking a chance on this film. And thank you for waiting 15 years to get me to do it. I want to thank you. I want to thank Crusader. I want to thank my agents. I want to thank Rick Kurtzman. I want to thank Kim Hodges. I want to thank 'Steve Smooke'. I want to thank my managers, Jaime King [Jaime Rucker King] and Marcus King. Let's live this African-American dream. It's beautiful. I'm glad I'm with you. I ain't never leaving you. I'm glad I'm with you. I got a chance to meet a whole lot of people, experiencing this. And other people I want to thank, I want to thank my sister. Four feet, eleven inches of nothing but pure love. I want to thank my daughter for telling me just before I got up here, "If you don't win, dad, you're still good. I'm just ... I see Oprah [Oprah Winfrey] and I see Halle [Halle Berry]. I just want to say your names. I want to talk to you later. Both of you. Because Oprah got -- allowed me to meet somebody by the name of Sidney Poitier. And, yes, Sidney Poitier said, "I saw you once. And I looked in your eyes and there was a connection." And he says, "I give to you responsibility." So, I'm taking that responsibility tonight. And, thank you, Sidney. This is probably going to be the toughest part of this speech. My daughter shares my grandmother's name, "Marie." My grandmother's name is Estelle Marie Talley. She's not here tonight. And this is going to be the toughest part. But she was my first acting teacher. She told me to stand up straight. Put your shoulders back. Act like you got some sense. We would go places. And I would wild out. And she would say, "Act like you've been somewhere." And then when I would act the fool, she would beat me. She would whup me. And she could get an Oscar for the way she whupped me because she was great at it. And after she whipped me, she would talk to me and tell me why she whipped me. She said I want you to be a southern gentleman. She still talks to me now. Only now, she talks to me, in my dreams. And I can't wait to go to sleep tonight because we got a lot to talk about. I love you.
  • [On wearing prosthetic eyelids which made him blind in Ray (2004/I)] "After six hours of being blind, you lose the sense of how a person is physically. It was amazing to hear the little buzzing voices all around you."
  • I'd like to say I'm R&B's savior. Whether that's the truth or not, I'm definitely going out there with my mic and my shield to declare, "I am here to save R&B." I will have the people saying, "Sire, there is a man at the musical gates saying he is here to save R&B."
  • CCH Pounder taught me one thing. She said, "Characters are like putting on a coat. You put the coat on while you work, you take the coat off after it's over." You need that freshness. I know people who stay in character, and it's the worst thing in the world. You can't go out. They're still in their character and the character residue is too much. I like to go do it, flip it on like a light switch and then flip it off. Then, when we come back in the next morning I flip it back on. That's what keeps things fresh for me.
  • "You know what? I never really factor Hollywood into anything. I'm a black actor, so I can't really control what Hollywood thinks. I gotta go do my thing, and my jokes have got to be funny. Whatever I do has got to be great."

Quotes About Jamie Foxx
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