Georgia Caine

Birthday: Oct 30, 1876

Bio: Georgia Caine is best remembered today by film buffs for her work in most of Preston Sturges's classic films for Paramount Pictures, as well as the movies he subsequently made independently and at 20th Century Fox. She was practically born on stage, the daughter of George Caine and the former Jennie Darragh, both of whom were Shakespearean actors. As an infant and… More Bio: Georgia Caine is best remembered today by film buffs for her work in most of Preston Sturges's classic films for Paramount Pictures, as well as the movies he subsequently made independently and at 20th Century Fox. She was practically born on stage, the daughter of George Caine and the former Jennie Darragh, both of whom were Shakespearean actors. As an infant and toddler, she was kept in the company of her parents as they toured the United States. Bitten by the theatrical bug, she left school before the age of 17 to become an actress and she started out in Shakespearean repertory. Caine quickly shifted over to musical comedy, however, and became a favorite of George M. Cohan, appearing in his plays Mary, The O'Brien Girls, and The Silver Swan, among others. In 1914, she also starred in a stage production of The Merry Widow in London. Caine was a favorite subject of theater columnists during the teens and '20s. By the end of that decade, however, after 30 years on stage, her star had begun to fade, and that was when Hollywood beckoned. The advent of talking pictures suddenly created a demand for actors and actresses who could handle spoken dialogue. She moved to the film Mecca at the outset of the 1930s, and Caine worked in more than 60 films over the next 20 years, usually playing mothers, aunts, and older neighbors. She also occasionally broke out of that mold to do something strikingly different, most notably in Camille (1937), in which she portrayed a streetwalker. Starting with Christmas in July in 1940, she was a regular member of Preston Sturges' stock company of players (even portraying a bearded lady in The Sin of Harold Diddlebock), appearing in most of his movies right up to his directorial swan song, The Beautiful Blonde From Bashful Bend (1949). ~ Bruce Eder, Rovi