James C. Morton

Bio: Bald-pated, raspy-voiced stage and vaudeville comedian James C. Morton came to films in 1930. Working almost exclusively in short subjects, Morton spent the better part of his movie career with the Hal Roach and Columbia comedy units. He provided support for such two-reel funsters as Laurel and Hardy, the Three Stooges, Andy Clyde, Charley Chase, ZaSu Pitts, Thelma… More Bio: Bald-pated, raspy-voiced stage and vaudeville comedian James C. Morton came to films in 1930. Working almost exclusively in short subjects, Morton spent the better part of his movie career with the Hal Roach and Columbia comedy units. He provided support for such two-reel funsters as Laurel and Hardy, the Three Stooges, Andy Clyde, Charley Chase, ZaSu Pitts, Thelma Todd, Patsy Kelly, Leon Erroll, and Our Gang. His film roles ran the gamut from bartenders to high-ranking military officers; he was frequently decked out with a lavish toupee, which inevitably ended up on the floor in a mangled heap. He was at his best as the cunning woodchopper who talks bandits Laurel and Hardy out of their money in The Devil's Brother (1933); as Paul Pain, "the heartthrob of millions," in Three Stooges' A Pain in the Pullman (1936), and frontier sharpster Quackenbush in Gene Autry's Public Cowboy No. One (1937), one of his handful of Western-feature assignments. Reportedly, James C. Morton served as director of the 1918 film A Daughter of Uncle Sam. ~ Hal Erickson, Rovi