Noah Baumbach

Birthday: Sep 3, 1969

Bio: A writer and director who, with two films, established himself as a disciple of the Whit Stillman School of Well-Heeled Post-Modern Post-Collegiate Anxiety, Noah Baumbach emerged as one of the more talented and literate young directors of the 1990s.The son of Georgia Brown, a film critic for the Village Voice, and Jonathan Baumbach, a novelist and film critic for… More Bio: A writer and director who, with two films, established himself as a disciple of the Whit Stillman School of Well-Heeled Post-Modern Post-Collegiate Anxiety, Noah Baumbach emerged as one of the more talented and literate young directors of the 1990s.The son of Georgia Brown, a film critic for the Village Voice, and Jonathan Baumbach, a novelist and film critic for The Partisan Review, Baumbach began writing and directing at a young age, first earning awards for his work during his senior year at Midwood High School. A native of Brooklyn, NY, he went on to attend Vassar, where he met Carlos Jacott, an actor who would appear in all of the director's films. Baumbach made his screenwriting and directorial debut in 1995 with Kicking and Screaming. An ensemble comedy starring Eric Stoltz, Olivia D'Abo, and Josh Hamilton, it focused on the growing pains of a group of graduates struggling to make the transition from undergraduate life to the real world. The film garnered a warm critical reception and became something of an art house success, paving the way for Baumbach's next feature, the 1997 Mr. Jealousy. Whereas Kicking and Screaming won over critics with its brand of wry neurotics, Mr. Jealousy earned a merely lukewarm reception, and was cited by a number of critics as being weighed down by a saggy narrative and annoying characters. However, the film's central performers -- Stoltz, Chris Eigeman, and Annabella Sciorra -- all earned positive notices for their work, which led a number of reviewers to praise Baumbach's facility with actors.Baumbach followed Mr. Jealousy with Highball (2000), a barely released drama that reunited him with Stoltz, Sciorra, and Eigeman. In addition to his other projects as a director, he kept busy as a writer, penning a series of short stories for the New Yorker. ~ Rebecca Flint Marx, Rovi