AFI's 100 Quotes
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| hypathio7's Rating | My Rating | |
|---|---|---|
| 1 |
Gone With the Wind (1939, G)
The use of color and the grandness of scale of this movie, particularly in filming the lavish interiors, is still amazing. I can hardly imagine what the original audiences must have thought in '39. I have heard some people say they do not like the main characters, so they cannot enjoy the movie. The main characters are flawed, but I found them intriguing to watch and still very much enjoyed the movie. |
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| 2 |
The Godfather (1972, R) |
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| 3 |
On the Waterfront (1954, Unrated) |
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| 4 |
The Wizard of Oz (1939, G)
I've read all the books, and even though it takes liberties with a few things, I still love it. In this most well-known adaptation, the special effects for the time, the technicolor, the quotable lines, and the simple values of brain, heart, courage, and home are what make it great. It'll always be my favorite! |
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| 5 |
Casablanca (1943, PG) |
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| 6 |
Sudden Impact (1983, R) |
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| 7 |
Sunset Boulevard (Sunset Blvd.) (1950, Unrated) |
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| 8 |
Star Wars: Episode IV - A New Hope (1977, PG) |
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| 9 |
All About Eve (1950, Unrated) |
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| 10 |
Taxi Driver (1976, R) |
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| 11 |
Cool Hand Luke (1967, Unrated) |
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| 12 |
Apocalypse Now (1979, R) |
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| 13 |
Love Story (1970, PG) |
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| 14 |
The Maltese Falcon (1941, Unrated) |
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| 15 |
E.T. - The Extra-Terrestrial (1982, PG) |
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| 16 |
In the Heat of the Night (1967, Unrated) |
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| 17 |
Citizen Kane (1941, PG) |
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| 18 |
White Heat (1949, Unrated) |
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| 19 |
Network (1976, R) |
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| 20 |
The Silence of the Lambs (1991, R)
Foster and Hopkins give star performances. Levine is creepy as Buffalo Bill. But, this movie simply did not impress me as much as the other two movies to hold the honor of winning the Oscar big five awards. The movie didn't give me a sense of release, a sense of "Oh Wow" when Foster finds her way to Buffalo Bill's house independent of her boss at the FBI. I didn't understand the prevalence of close up shots of the actors' faces. There are a lot of foreheads half cut off in this movie. I guess it heighten the suspense a bit to see the sweat and muscle twitches in the characters' faces. But for a thriller it didn't have any amazing twists that really make you appreciate the writing. At least I didn't think so. The lambs, the moths, the sewing, the cannibalism were all supposed to be mysterious elements that suggest a creative and disturbing story, but it didn't all add together to something greater than the parts. Dr. Hannibal Lecter making his escape was probably the most fascinating, terrifying, and shocking part. |
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| 21 |
Dr. No (1962, PG)
I've seen all the Bond movies including the unofficial Never Say Never Again and the Casino Royale with Woody Allen. Not reviewing any of them till I re-view them because I can't keep them straight in my head. I've seen this one more than once now, and man, I was surprised how much I had forgotten! There is a lot more to the plot, more of a traditional mystery, than I remembered. It doesn't get a full five stars 'cause there were some things that bothered me. The opening graphic now seems like a rip-off, because the body double with the hat is so obviously not James Bond. The Bond Theme with groovy sixties colored dots blinking around is cool, but then I forgot there are two more songs that you have to wait through before it gets to the story. You have to wait a lot longer still before Bond makes his appearance. Then it gets more exciting and suspenseful. Q was not yet developed and so there are not so many gadgets. Well technically I learned from a special feature that the character of Major Boothroyd who briefly gives Bond a new gun is Q's real name, but he doesn't have much of an impact. Connery shows he is a suave, cool, fit, always one step ahead of the villains kind of spy guy. The dragon tank/tractor thing is ridiculous and Joseph Wiseman and Zena Marshall playing part-Asians is embarrassing. The radioactive protective gear looks pretty silly today too. The design of Dr. No's living quarters and the radioactive laboratory almost makes up for the dated suits. Dr. No's underground chambers, conceived of by production designer Ken Adam, and Jamaica as the exotic locale set the standard for the look of future 007 films. These first Bond girls are beautiful as well. |
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| 22 |
Jerry Maguire (1996, R) |
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| 23 |
She Done Him Wrong (1933, Unrated) |
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| 24 |
Midnight Cowboy (1969, R)
Call me naive, as naive as Voight's character through most of the movie. Man, he runs into some messed up people as a male prostitute in New York. Hoffman gives another impressive performance. And by the end I was surprised by how much I cared for the two friends. When the song "Everybody's talkin' at me" comes on and Hoffman's character appears too sick to make it to their dream destination, it was more powerful than I expected. It brought a whole new meaning to that song. It made me think of Death of a Salesman and A Raisin in the Sun, two plays I had read recently also about the disappointment of lost dreams. |
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| 25 |
A Few Good Men (1992, R) |
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| 26 |
Grand Hotel (1932, Unrated) |
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| 27 |
When Harry Met Sally (1989, R)
Great romantic comedy! Well written! All the old couples being interviewed are cute. If you like this movie check out The More the Merrier from the 40's. For some reason I can't get the More Like This feature to work with this title or that title. Billy Crystal is a very different lead than Joel McCrea, but Meg Ryan has a lot in common with Jean Arthur in that movie. Every joke, every relationship nuance is funny and real. |
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| 28 |
To Have and Have Not (1944, Unrated) |
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| 29 |
Jaws (1975, PG) |
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| 30 |
The Treasure of the Sierra Madre (1948, Unrated) |
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| 31 |
The Terminator (1984, R) |
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| 32 |
The Pride of the Yankees (1942, Unrated) |
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| 33 |
Field of Dreams (1989, PG) |
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| 34 |
Forrest Gump (1994, PG-13) |
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| 35 |
Bonnie and Clyde (1967, R) |
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| 36 |
The Graduate (1967, PG)
Very sexy and at the same time awkward. The humor comes out more and more with repeated viewing. At least it did for me. Now that I'm done with school that feeling of just floating aimlessly in a pool or just sitting motionless under the surface is truly a scary thing to face in ones future. Sowing wild oats is just a distraction, but when considering what one will do for the rest of one's life, I feel that today as much as then in the 1960s many feel direction-less. |
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| 37 |
The Sixth Sense (1999, PG-13) |
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| 38 |
A Streetcar Named Desire (1951, PG) |
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| 39 |
Now, Voyager (1942, Unrated) |
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| 40 |
Shane (1953, Unrated) |
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| 41 |
Some Like It Hot (1959, Unrated) |
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| 42 |
Frankenstein (1931, Unrated) |
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| 43 |
Apollo 13 (1995, PG) |
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| 44 |
Dirty Harry (1971, R) |
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| 45 |
Animal Crackers (1930, G) |
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| 46 |
A League of Their Own (1992, PG) |
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| 47 |
Annie Hall (1977, PG) |
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| 48 |
Psycho (1960, R) |
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| 49 |
Wall Street (1987, R) |
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| 50 |
The Godfather, Part II (1974, R) |
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| 51 |
Sons of the Desert (Fraternally Yours) (1933, Unrated) |
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| 52 |
Scarface (1983, R) |
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| 53 |
Beyond the Forest (1949, Unrated) |
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| 54 |
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1964, PG) |
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| 55 |
The Adventures of Sherlock Holmes (1939, Unrated) |
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| 56 |
Planet of the Apes (1968, PG) |
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| 57 |
The Shining (1980, R) |
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| 58 |
Poltergeist (1982, PG) |
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| 59 |
Marathon Man (1976, R) |
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| 60 |
The Jazz Singer (1927, Unrated) |
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| 61 |
Mommie Dearest (1981, PG) |
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| 62 |
Little Caesar (1930, G) |
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| 63 |
Chinatown (1974, R) |
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| 64 |
Terminator 2: Judgment Day (1991, R) |
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| 65 |
Soylent Green (1973, PG) |
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| 66 |
2001: A Space Odyssey (1968, G) |
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| 67 |
Airplane! (1980, PG) |
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| 68 |
Rocky (1976, PG) |
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| 69 |
Funny Girl (1968, G) |
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| 70 |
National Lampoon's Animal House (1978, R) |
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| 71 |
Dracula (1931, Unrated) |
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| 72 |
King Kong (1933, Unrated) |
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| 73 |
The Lord of the Rings - The Two Towers (2002, PG-13) |
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| 74 |
Dog Day Afternoon (1975, R) |
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| 75 |
42nd Street (1933, Unrated) |
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| 76 |
On Golden Pond (1981, PG)
Henry Fonda is so crotchety and grumbly and yet so adorable, like an old hounddog. Katherine Hepburn is so strong and caring. I wasn't as impressed by Jane's performance in this one. But overall, the movie fills you with a sense of peace and love of life and acceptance of death and old age when it comes. |
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| 77 |
Knute Rockne - All American (1940, Unrated) |
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| 78 |
Goldfinger (1964, PG) |
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| 79 |
The Naughty Nineties (1945, Unrated) |
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| 80 |
Caddyshack (1980, R) |
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| 81 |
Auntie Mame (1958, Unrated) |
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| 82 |
Top Gun (1986, PG) |
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| 83 |
Dead Poets Society (1989, PG) |
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| 84 |
Moonstruck (1987, PG)
When Cher and Nic were talking about wolves without foots and brides without heads and they kiss and he carries her off to bed, I was thinking "What the hell?!" I didn't get it. Anyways... La Boheme the opera keeps on being referenced and the Bohemian notions of love surely make for common themes, but it is a character unexpectedly living at the end that makes things turn out alright. The moon also stirs the emotions repeatedly, which no one should be surprised by with the title. "Why do men chase women?" "But why would a man need more than one woman?" These are the questions asked by Olympia Dukakis as Loretta's mother Rose, which I really think this movie tries to address. Also the discussion between Loretta and Ronny about being in control of one's life and love not being like it is in the storybooks was really important. |
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| 85 |
Yankee Doodle Dandy (1942, G) |
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| 86 |
Dirty Dancing (1987, PG-13) |
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| 87 |
Titanic (1997, PG-13) |



















































































