Artificial Eye

A witty,eccentric dialogue film,recalling the countless heroes of Rohmer's...aging as the protagonist jumped from a Clarie's Knee to the Canadian landscape.Brilliant method acting and improvisation at the same time,a touching screenplay and a great Croze,for it might not be the peak of Arcand but still fascinates with an intellectual quality of words and conceptions.

Let's be honest,few movies have grappled youth's troublesome occasions and personal scales.What forms this veil of coughing smoke is our social filth,the end of it all.Albert puts it in greater holocaust: "revolution will seize to exist".As is revolution ever occurred in the first place....

A breathtaking feature,supreme,challenging and tight inside the faculty and classroom anxiety,rhythm,call it whatever you wish.2008 Cannes Film Festival presented several great movies and one of them is this simple story unbound from prohibitions and puritan thoughts.The teacher as a means of knowledge and not just a strict individual.Anti-authoritative?Maybe reality is as disturbing as prismatic joy.

Cheap nuance of country struggle.Oh,but crowds loved Carion's (utterly dull) Merry Christmas,isn't that a genre delicacy?Seigner is trying,she really does,but I almost feel the overreacting melo at certain points,a thing I carefully avoid in modern films.

I am enraged.Furious of what's wrong with governments.How to let know Rosetta otherwise,despite being a fictional character she's a manipulative object of the political system subdued by North America/Europe,deliberately powerful for the ongoing "machine" producing puppets to serve the invisible king?For that and only complex reason,Rosetta won't escape her little canteen.

4,5 stars from me because it's explicitly Christian-like reminiscent (not mentioning the "menage-a-trois" hypothesis there) to Pickpocket by Bresson.Dardenne are modern cinema's hopes whatever the case may be.

Sublime foundation by Ferran,like a patient worker observing the everyday signs and wonders of Nature.The peasant's poetry could be an alternative title and despite a few interior frustrating paces,Hinds is more than enough.The overall achievement of this movie is to upgrade the classical novel adaptation and provide to Lawrence the best picture about Lady Chatterley.

Maybe the ultimate sometimes leaves you simply reconciled with the notion of superstition.The general chaos of classifying which is which.A tremendous,perfect sketch could be described as the salvation of animation.A perfect accusation could be a torch in the cavern.Hail Bashir,the frivolous phantom..

Bold cinema,you'd feel it was like some sort of nouvelle vague homage despite the monotony of the characters and their "rebellious" attitude.I was immensely surprised however by the self-destruction of the protagonist Louis Garrel (definitely talented) and the rest of the gang through the joy of life,opium,sex and lots of 60's hallucinatory references.A wonderful homage for whatever the case may be.

A stroll in the woods.Alternative title: how to face your demons,obey the unknown rules and express your gratitude by shutting up your pre-teen smile.Sorry,did I say shut up?To think it's a creepy achievement of elaborate shots and mysterioso atmosphere would be little.Arguably,a controversial subject carefully placed and a cathartic finale.

A haunting piece of art,Benny is like a neo-structuralist child of the remnants of Nazi youth.The repetitive violence he's self-subdued into,unbeknown to his parents leads us to a powerful question,that of the worth of human responsibility.

Kaurismaki's perfection of the 90's.Outinen is a goddess,convincing me that acting is silence,a soundproof collision merged into shattering pieces.Those pieces glued in the trembling-vengeful heart of Iris.Aye,and hard laboring.

Flamboyant project by a modernist of the Chinese avant-garde.Epic in scale and thrilling in craving proportions,I present you the end of youth,the ostentatuous pop art and the remnants.Yes,it can happen in the best of families.

France as an inseperate tablet of juggling conclutions lest salvation comes right into the blue haven of allusions and terrible notions.Binoche is the missing puzzle of her wan personal life,her heroine stuck in the past and as the cinematography focuses on little details,the need for communication becomes shockingly...enlightening.The first part of a grand auteur trilogy.

France as a lost identity and a preoccupied wall of diversifying wraiths frightened by their own disguise.Poland as the equilibrium of the black and white dreadfulness of both lands.Zamachowski pulls a very intense in its silence role and Delpy,the femme fatale by mistake.The second part of a grand auteur trilogy.

France as a ship slavery of restrained emotions entangled with a heavy carriage of lone obsessions.France as the antidote which cures the unbalanced reasons,human beings as unwilling engines loitering around with no cause or even future.Jacob is the deus ex machina by mistake of near-death stories,a symbol of constitutional upgrade and a severe hope in times of barren dissolution.The third part of a grand auteur trilogy.

Kieslowski's testament as an amateur film-maker.The movie shows that,not the movie as a whole.The movie within a movie is a brilliant characteristic executed perfectly by his alter ego Jerzy Stuhr.From the first frame to the last second we as audience feel the passion of one's dream and the consequences around his community.Special appearance by director Zanussi,another legend of Polish cinema.

My soul is Veronique and Weronika is my missing puzzle.No matter the sex you are,in the mood for love is the appropriate expression.This film grasps your sensitivity and personally woos me to make love to a woman.

Martel defies the canonized "Catholic" topics by alienating the values of love,detest and sickness.Inner sickness,vacant passion and finally,that tempest called teenage years.The languid pace of the film doesn't repulse the viewer,on the contrary...I felt more repulsed by the holiness of certain characters,thus giving me a reason to disrespect their religiousness.

Undoubtedly,it's one of the top 10 films of 2000.Justification knows no boundaries and female,psychological suffering is excellently displayed on this film.Real drama,nothing fake to cover the truth.Panahi eluding his road to "sacrilegious perdition" contrary to the customs of Iran,we can say with certainty it's a universal journey.A journey disastrous through the looking glass of a handful of women.

The sensuality in this movie derives from the vagabond lifestyle of both main characters,that supernatural entity inside their souls spreading like a favorable narcotic during their sexual excavations/lustful adventures and certainly,the minimal financial situation they have to deal with.Pialat just loves torturing emotions..

Nothingness is the path to victory and in any constant public reactions,this would be the doomsday of most motion pictures.I will admit that Reygadas uses no script whatsoever,but why should i erase his ability to project a serene environment in a hostile manner?

Unique experience,transparent penetration to the painter's workshop....Rivette on top of the worldwide mindfuck coalition.

Expressive qualities won't be needed in the afterlife,ouch...as to not reveal much,Rivette underlines the importance of being loyal and rampaging your beliefs.Julien is a despicable person and Marie is the angel in disguise,and these malicious creatures crave each other like animals.Rivette's poetic way to show it all prevents him from offering a true masterpiece but I forgive him because his subplot devices and fascinating tempos distinguish him.

One-shot and that's it....the course of the rich and wealthy empire of pre-communist Russia unfolds before us,nostalgic sequences towards the cultural landscape of the era,the museum as the pole of connection between distant seasons and timelines.And our host commenting and mingling with the people around him.Aspiring.

Art drenched in mythological symbols,yes?Most certainly,and poesie is included on the humanitarian cycle.Suleiman inherits the Tati syndrome and with a few Keaton persona strife,the facial expression reflects the round-up of his marvelous essence.Divine Intervention is a groundbreaking achievement,Kaurismaki must be jealous not for the political satire but for the deadpan environment!!!

I may not be religious but just as with Dies Irae,Rublev comes like a shocking rocket in its stillness and illuminates the cinematic horizon.Provoking and a tremendous onslaught to the social turmoils against it,a film with skepticism and serenity.

I can't describe it.It's an opus equivalent to what philosophy and opera really mean to anyone who's a fervent supporter of all types of arts.No mental delights,no gloominess,this is an attack to the senses by a long shot!
Whoever is against natural formations,better stay away...the hours and the times,literally.

A terrific depiction of the long-forgotten youth,it will crawl inside you and you don't have to be a Chinese to apply to what these dreams truly mean and focus on.The inches of respect and fervent ambition are but scaffolds for the proletarian class,most of the time their only way out from this bulk of stability.Yuanyuan is excellent in her role as the meek daughter and Xiaoshuai presents another great movie..