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Arianeta's Rating |
My Rating |
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Kiss under the rain....Holly Golightly (Audrey Hepburn), as the theme from "Moon River" played, went over to Paul and they breathlessly kissed and embraced in the pouring rain in the alleyway; the rescued Cat was squished between them, as the camera zoomed in for a closeup, and then pulled away for medium and far shots; the film's last line was: "Cat! Cat! Oh, Cat... ohh..."
A great film by Blake Edward based on Truman Capote Novelle "brakfast at Tiffany's". Audrey is fantstic in his role one of her best I think. Amazing also and the music score. With one word magic.
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There were a number of touching, oft-remembered kissing scenes in this tearjerker romance but real great was the Last Kiss Before GoodBye
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Cactus Flower is a 1969 comedic film directed by Gene Saks and starring Walter Matthau, Ingrid Bergman, and Goldie Hawn. The film is adapted from an earlier Broadway stage play, written by Abe Burrows, which in turn was based upon the French play Fleur de cactus. A middle-aged dentist finds himself wild about a kooky young girl, while his nurse/assistant finds herself falling in love with him. Goldie Hawn won an Oscar for her performance as a Greenwich Village free spirit in this movie and is a treat to watch. Never heard about the film before but I was pleasantly surprised by the entire package. Cactus Flower is a beautifully crafted and executed comedy perfect for a lazy Sunday afternoon.
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The film is based upon the novel A Room with a View by E.M. Forster and stars Maggie Smith (Charlotte Bartlett), Helena Bonham Carter (Lucy Honeychurch), Denholm Elliott (Mr. Emerson), Julian Sands (George Emerson), Simon Callow (Mr. Beebe), Judi Dench (Miss Eleanor Lavish), Daniel Day-Lewis (Cecil Vyse), and Rupert Graves (Freddy Honeychurch).
Lucy (Elena Bonham Carter), won't admit her true feelings and lies to everyone about it. She gets engaged to Cecil (Daniel Day-Lewis in a great early performance) who is really annoying and stuffy. However she is really in love with George, who is much more laid back and romantic. There is really funny scene of three men running around totally naked in the woods and also a passion kiss between Lusy and George in a wheat field. James Ivory directed a realy poetic, charming, funny, romantic and sensual film with characters full of life, passion, love and hope. A great story about the courage to face our true feelings and to risk intimacy, fully knowing and being known by another person. The musical score on this movie is beautiful, especially in the last scene.
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Take my breath away... Lt. Pete "Maverick" Mitchell (Tom Cruise) - a naval ace fighter pilot entered into a romance with surprise! -- his intelligent, civilian-contracted instructor Charlotte "Charlie" Blackwood (Kelly McGillis) whom he first met at a bar and serenaded karaoke-style with You've Lost That Lovin' Feeling -- amidst the aerial scenes and muscle-bound volleyball game scenes; in one dark scene, they kissed each other during a make-out session, to the tune of "Take My Breath Away"
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Flower Kiss....A completely romantic kiss at long last -- revealingly in front of the back of a floral warehouse delivery truck filled to bursting with vividly colorful flowers (the door was lifted open as their lips touched), between ex-con Apollo Restaurant short-order cook Johnny (Al Pacino) and pretty blonde waitress Frankie (Michelle Pfeiffer) in NYC
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In this overly long romantic film, Joe Black or "Death" (Brad Pitt) was introduced by dying corporate tycoon Bill Parrish (Anthony Hopkins) to his lovely daughter Susan (Claire Forlani) -- and they soon would fall in love, accompanied by a few protracted, intensely slow and tender kisses between the couple, first in the library of the home, and then a lingering love-making scene in which the two slowly undressed each other and stood naked kissing, and then reclined back and made love for the first time.
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Death Kiss...After one of the asylum's laundry girls, Madeleine (Kate Winslet) was attacked and killed by one of the inmates of the Charenton Asylum for the Insane, her body was discovered - and put on display with a very filmy cloth over it; the asylum's head priest Coulmier (Joaquin Phoenix) pulled back the sheet and started to kiss and fondle her naked body - he appeared to want to make love to her, climbed on top of her -- and then was startled when her eyes opened; she kissed him and held him as they started to make love, until a pounding at the door awakened him from his dream
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Two Cowboy Kisses
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Very Long Kiss
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romantic and sizzling kiss
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Masked Kiss
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Proposal kiss on stage. "I'm asking you to marry me. I love you, June."
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Long, protracted passionate kiss from Jack and Elizabeth
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Never Let You Go Kiss
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The film was filled with kisses, including the most memorable one: a rain-soaked kiss after an idyllic afternoon rowboating through a spectacular duck-filled setting, as she learned for the first time that he had written her 365 love letters (one each day for a year) - although her domineering mother had intercepted them;
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While Kissing the Phandom
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Rick and Ilsa share a forbidden kiss in this classic film.
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Set in the weeks leading up to the attack on Pearl Harbor, this classic film features one of the most iconic love scenes in movie history. Sergeant Warden and Karen Holmes, the wife of Warden?s superior, linger in a passionate embrace while the ocean surf crashes around them.
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After years of friendship, Harry decides he and Sally can no longer be friends because of a single night of passion. Weeks later Sally, terribly hurt by the rejection, is alone at a New Years Eve party when Harry walks in and declares his love for her. They ring in the New Year with a kiss.
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This steamy, erotic thriller featured sordid, obsessive, and dangerous attraction between American software and website-designer Alice Loudon (Heather Graham), who was in London and engaged in heated and fiercely passionate love-making with seductive yet brooding celebrity mountain climber Adam (Joseph Fiennes); their kisses were explosive, voracious, needy and over-the-top.
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Pride & Prejudice is a 2005 film based on the Jane Austen novel of the same name. This second major motion-picture was produced by Working Title Films, directed by Joe Wright and based on a screenplay by Deborah Moggach. It was released on September 16, 2005 in the UK and on November 11, 2005 in the US.
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In this film's rousing romantic finale (often considered cheesy and tearjerking), graduated trainee Zack Mayo (Richard Gere) walked through the paper factory and greeted surprised factory worker/lover Paula Pokrifki (Debra Winger) with a kiss - from behind; then he planted a second kiss on her as she placed her arms around his neck; he hoisted her up and spun her around, kissing her over and over again; then he carried her away from her job, still in his arms, the film ended in a freeze-frame as she placed his cap on her head, with the credits displayed to the tune of "Up Where We Belong"
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After a nightclub riot, King Marchand (James Garner) and Victoria (Julie Andrews) escaped police arrest. Hiding in a dark alley, the romantic attraction King felt towards Victoria came out - the night before, he had learned that "he" was a "she" - he exclaimed: "I don't care if you are a man" and impulsively kissed her; she breathed, "I-I'm... not a man", to which he replied: "I still don't care" and they kissed again, more passionately.
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"I love you. I've loved you since the first moment I saw you. I guess maybe I even loved you before I saw you"
In one of the most romantic performances ever filmed, in an extended scene of budding romance, this film captured the sensuous and electrifying romantic interplay between rich socialite Angela Vickers (Elizabeth Taylor) and poor factory worker George Eastman (Montgomery Clift)
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This dramatic film also won MTV's Movie Awards Best Kiss honors for the kiss in the discreetly-filmed, inter-racial love scene between two Chicago dancers: 17 year-old would-be Julliard ballerina Sarah Johnson (Julia Stiles) and inner city black high school African-American student and hip-hopper Derek Reynolds (Sean Patrick Thomas)
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Bartender Brian Flanagan (Tom Cruise) working at a Jamaican bar found romance with vacationing aspiring NY artist/waitress Jordan Mooney (Elisabeth Shue); during a waterfall swimming scene, they both kissed and then their passions ignited when both removed their swimming suits underwater and kissed again; in the next scene, their kissing silhouettes were seen before a nighttime fire, and then they hugged each other and dreamed about idylically living on the beach together
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Love me if you dare is a storng and also a charming and sometimes bittersweet tale about a pair of life-long friends, Julien and Sophie. I've never seen anything quite like this film that melds the magic of childhood memories with the pain of unrequited love. The director armed with a colorful and daring visual palette that often veers into fantasy, spins a touching movie tale about the childhood friends who can't connect as lovers. The enduring image is a toy carousel box, which is first exchanged between Julien (Guillaume Canet) and Sophie (Marion Cotillard) as children. So begins the game - the friend who accepts the box must also perform a dare. Although the boy and girl always remain close, their game stands in the way of romantic involvement but the colors getting darker as the characters age
and their games grow As competitors, neither wants to give in and acknowledge they're in love. Instead, the energy is channeled into ever-more dastardly deeds. Eventually they start to play rough, and the results are personally devastating for both. Julien plays a particularly cruel trick on Sophie at a restaurant, and she strikes back by setting him up for arrest.
Julien's response is particularly clever, and perhaps the meanest thing he does in the movie. Many romance films lose momentum near the end, when the characters are forced into predictable patterns. But the finest moments of Love Me if You Dare occur in the final 20 minutes, when Julien and Sophie finally grapple with the idea of losing each other forever. There's nothing like the joy of watching a movie like this It gaves me a lot sweet emotions and a lesson also "don't play games" it could be distroyed for your life but I don't think that I'm going to follow it..............
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Frozen time kiss "Cashback is the name of two films directed by Sean Ellis: a 2004 short film and a 2006 feature film. The short film won 14 awards at international film festivals and was nominated for the 2006 Academy Award for Live Action Short Film."
After a long time I saw last nigth a new movie (2006). Realy strainge for me to leave behind the past(old movies that I realy love) But I couldn;t reasisted after I saw the trailer that sent me a friend of mine(logan) So my first thought after I saw the movie was "how can the critics has been writting bad critics for a movie like this" My heart was overflowed with sentiments and I havend stopped thinking about it!!! I haven't seen a film like that since a long time... It was like to opened infrond of my eyes a secret window throught the males soul and brain (realy have males thoughts like that about females)?. A very romantic portrait of a young artist as he ponders love, beauty and living in the moment. Ben discovers his ability to stop time, a phenomenon that gives him a new appreciation for the beauty around him. He wanders the aisles of the store undressing the drop-dead gorgeous women around him then sketches their portraits. I think to have the power to capture the momments to pause the time and enjoy all that small things you throw away the beauty araoud you is realy fantastic. Slickly charming, genteelly erotic and directed with supreme polish, "Cashback" is a conventional romantic comedy that plays unconventional games with time and memory. Ben's philosophical voiceover plays under nearly every minute of "Cashback" yet never becomes smothering. In the end, pic's ideas about art and love aren't much more than skin-deep, and third act goes through some unnecessary convolutions. Final shot, however, is a dazzler. With immeasurable assistance from editors Scott Thomas and Carlos Domeque, Ellis is clearly having tremendous fun behind the camera, slowing down, speeding up and freezing the frame to highly entertaining effect. Flashbacks to Ben's childhood are introduced via seamless transitions that enhance pic's themes about the mutability of time.
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Rebecca
(1940, Unrated)
Rebecca (1940) is a psychological thriller directed by Alfred Hitchcock as his first American project, and his first film produced under his contract with David O. Selznick. The film's screenplay was an adaptation by Joan Harrison and Robert E. Sherwood from Philip MacDonald and Michael Hogan's adaptation of Daphne du Maurier's 1938 novel of the same name, and was produced by Selznick
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ChrisChristoferson posted 55 days ago
an kai den eimai eidikos outen me trelainoun oi "kiss" scenes stis tainies..nomizo yparxoyn k alles..oraio skini einai ston Arxonta ton Daxtylidion 3 meros Aragorn Arwen stepsi...Allo,,,spiderman me M.j. sti vroxi 1 meros.. dyskolaki..pantos..den moy rxontai...