Foreign Golden Globes Winners

Hard times after a major war- De Sica and the neo-realists had great motivation and material. Everyone is on edge and hates to be accused of being a thief. Some have given everything they can and made sacrifices to improve their family's life. Most people probably cannot imagine what they would do if a tragedy occurred and desperation set in within this environment. The church and fortune tellers cannot really help with the practical matters of life, and police may try to help keep the peace but they can only do so much. So you can only count on yourself and still you may fail. Yes, that's lonely and isolating, but you are the one who has to search and put one foot in front of the other on the journey. Hopefully there will be someone (like Bruno) by your side when you need them.

I don't remember much of the specifics of this film, but I remember I enjoyed it. It was the first film with Sophia Loren that I watched and one of the first foreign pictures. I knew that Loren was generally considered a sex symbol, so I was impressed by the ravaged emotion she portrayed. De Sica continues to show the realism and tragedy of war.

want to see this because it won best foreign-language film in a tie at the golden globes and was nominated for best comedy picture at the golden globes as well

want to see this because it won best foreign-language film at the golden globes and was nominated for best foreign film by NBR

want to see this because it won best foreign-language film at the golden globes and was nominated for best picture by NBR

want to see this because it won best foreign-language film at the golden globes

want to see this because it won best foreign-language film at the golden globes

want to see this because it won best foreign film with the NBR, best foreign-language film with the NYFC, and best foreign-language film at the golden globes

I wasn't very interested in the characters. The story was slow and the version I saw on video had really bad voices dubbing the English. You could especially tell that the voices of the kids of the man and woman were being dubbed by adults talking in a higher pitched voice to try to sound like children.

want to see this because it won best foreign-language film at the golden globes and was nominated for best foreign film at the oscars

Tolstoy philosophy, epic panoramas of the landscape, and upper class human drama from early 1800's Russia combine in this nearly 7 hour four part film.

Film 1 Andrei Bolkonsky

This part is itself split into two parts as well, but both focus on Prince Andrei Bolkonsky. He has lived a privileged existence with his sister under his father's harsh and disciplined hand. Prince Bolkonsky finds out that his wife is pregnant just as he is preparing to leave for war. His father does care and wishes that Andrei would stay safe at home, but Andrei wishes to make a name for himself through his own work leading men into battle. Pierre Bezukhov is also introduced as played by the director of the picture, Sergei Bondarchuk. Pierre is friends with Prince Andrei and they often go for walks talking about the meaning of life and the purpose of war. Pierre serves as our narrator for much of Tolstoy's philosophical observations, but we also hear the interior monologue of several characters as they ponder things and make decisions. Pierre openly describes himself as the illegitimate son of a wealthy Count or some such nobility. He doesn't see the point of going off to fight Napoleon. He feels he doesn't quite fit in to the rest of the upper crust society. Bondarchuk plays him appropriately as an awkward melancholy fellow who is the main connecting thread through the length of the film. Pierre is related to the Rostova family, the other main players in the story. We briefly meet Natasha Rostova in this part as an energetic, playful young girl. We jump back and forth from the festivities and grandly decorated homes of the well-to-do to the dirt and smoke and death of the battlefields. Andrei and Pierre both lose their wives, but in different ways. They end up by expressing philosophies about the purpose of life that are at odds with each other until Prince Andrei sees what the oak tree has to teach us. This movie has amazing period detail. This is a great piece of Russian literature adapted into an epic movie by Russian filmmakers, and so a lot of effort has been put into all the performances to bring this time in history to life. This movie has absolutely awe inspiring panning and tracking shots. The scenes that take place in locations of a grand scale are shot with seemingly never ending fluid camera movement!

Film 2 Natasha Rostova

As you would guess, this part is focused on Natasha. She has grown up a little bit, but is still quite giggly and childish. She is a debutante at her first ball where she worries that no one will ask her to dance. Finally Pierre suggests that Prince Andrei dances with her. They share a magical dance and fall madly in love. But it takes months for Andrei to come to call at the Rostova house. When Natasha is at her wits end and the Prince finally shows up, he is concerned because she is so much younger than he is and has hardly experienced life, so he determines to wait a YEAR before marrying her. This only drives the girl more crazy. When Natasha is confiding to her mother she acts so young. I would call it something more annoying than charming, which is how she describes herself. I can kind of see why Andrei's romantic passion has cooled a bit and his reasons for wanting to wait. When Natasha goes to see a ballet, the picture gets a little surreal and I had trouble following exactly what was going on. Well, eventually Natasha shows how easily love can change by falling for another dashing young man in a uniform. This part ends with a little poetry about a comet as the war of 1812 starts to get under way. Again we are treated to sweeping camera work and plenty of artistic flourishes.

Film 3 1812

Prince Bolkonsky's father begins to go demented because Napoleon and the French keep advancing through Russia. The senior Bolkonsky feels his soul and the mother country Russian die as one. Pierre and Natasha share a moment where it is obvious something more could develop between them if circumstances were different. But then it is off to war with Kutuzov taking a larger role in the story. Prince Bolkonsky has taken a more active role leading a battalion of soldiers instead of being an aid to the general. Pierre finally becomes curious about war and shows up on the battlefield in a gentleman's dress white suit. The horrors of war are stunningly captured in yet more epic panoramas of fire, smoke, horses, and men. Pierre and Prince Andrei do have one final conversation before the big battle, in which I found Andrei's dialogue to be movingly poetic. "War is not a polite recreation, but the vilest thing in life. And we ought to understand that and not play at war. We ought to accept it solemnly as a fearful necessity. Enough lying: if it's war, then it's war and not a game. They meet together to murder one another, as we shall do tomorrow; they slaughter and mutilate tens of thousands of men, and then offer up thanksgiving services for the number of men they have killed, and even add to it in the telling, and glorify the victory, supposing that the more men killed the greater the achievement. One who succeeds in killing the most people, gets the greatest rewards. How God can look down from above and hear them?" Though the Russians had great losses, Tolstoy writes that they won metaphorically. Our narrator believes that through the men's love of their country and their fighting at Borodino, which led to the turn around in Napoleon's success, that they were victorious. This is the shortest part with the least amount of one on one relationship drama.

Film 4 Pierre Bezukhov

So, God and Country! Though Tolstoy's words try to suggest that this story is about all of humanity, about life, in the previous parts, I didn't really see it as anything other than a polemic against Napoleon and a defense of faith and nationalism. That is until this conclusion constructed by the filmmakers. Kutuzov struggles with thoughts of failure. Prince Andrei faces death and he and Natasha rediscover their love for each other. The French invade Moscow and plunder everything. As the ash is whipped around by the wind and flames when Moscow burns down, you can feel your eyes watering as you see it all through Pierre. Pierre finally fights for something and nearly faces death, but comes to appreciate life in more than an intellectual way. Winter brings the end of the war because the French aren't accustomed to the extreme weather and the Russian soldiers are compassionate to the French survivors. A sense of brotherhood between soldiers from the opposing countries is shown. There are a few more beautifully surreal dream-like sequences. Triumphant symbolism of waters, clouds, fields of grass, forests of rustling trees, and general nature are used to portray a celebration of life! Tolstoy's words conclude with, "My idea, in its entirety, is that if vile people unite and constitute a force, then decent people are obliged to do likewise; just that."

The three leads are excellent. The supporting characters and bit parts are all believable. The music is grand. Sure it is long. It takes quite a commitment of time and energy to get through all the melodrama and deliberate pacing, but it is a rewarding story. My favorite special features on the 5 DVD set are the interview with cinematographer Anatoly Petritsky and the Making the Film documentary. There are many many special features from set design illustrations to text giving some important historical context. Well worth it, if you have the time and patience.

want to see this because it won best foreign-language film and was nominated for best picture at the oscars, won best picture with the NYFC, won best foreign-language film at the golden globes, and won best picture with the NSFC

want to see this because it won best foreign-language film at the golden globes

want to see this because it won best foreign-language film at the golden globes and was nominated for best foreign film at the oscars

want to see this because it won best foreign-language film at the golden globes, was nominated for best foreign film by NBR, and was nominated for both best foreign film and best picture at the oscars

want to see this because it won best foreign-language film at the golden globes and was nominated for best foreign film at the oscars and by NBR

want to see this because it won best foreign-language film at the golden globes and was nominated for best foreign film at the oscars and by NBR

want to see this because it won best foreign-language film at the golden globes, best picture with the NSFC, and was nominated for best foreign film by NBR

want to see this because it won best foreign-language film at the golden globes and was nominated for best picture by NBR

want to see this because it won best foreign-language film at the golden globes and with the LAFC, and was nominated for best foreign film by NBR

want to see this because it won best foreign-language film at the golden globes and was nominated for best foreign film by NBR and at the oscars

want to see this because it won best foreign film with the NBR and best foreign-language film at the golden globes

want to see this because it won best foreign film with the NBR and best foreign-language film at the golden globes

want to see this because it won best foreign-language film at the golden globes and was nominated for best picture by NBR and at the oscars

want to see this because it won best foreign film with the NBR, at the oscars, with the NYFC, at the golden globes, and with the LAFC

Directed by Lean and based on a novel from later in E.M. Forster's career, the common themes of Forster's writings are clear. A young woman accompanied by an older woman in British society before either of the world wars, encounters something exotic and wants to burst out of the stuffy tight collared restraint that polite society of the time required. In this case the exotic location is India among the British ruling class. It is arranged for the young woman to marry a man, but she learns he does not satisfy her. She is still afraid of total wildness and severing ties with her culture, but in meeting a young Indian doctor who is excited to impress, and an English professor who has been immersed in the foreign culture, she finds adventure. The story and film show the ugliness of racism, injustice, and militant oppression. The movie ends with a court case that could have gone terribly wrong. But instead we are presented with a court system in which we can have faith, if intelligent people who know what they are doing are running the show, and those involved in the case find the courage to be truthful!

want to see this because it won best foreign-language film at the oscars, at the golden globes, and with the LAFC, and was nominated for best foreign film by NBR

want to see this because it won best foreign-language film at the oscars and best foreign-language film at the golden globes

want to see this because it won best foreign-language film with the NYFC and at the golden globes, and it was nominated for best foreign film by NBR

want to see this because it won best foreign-language film at the oscars and at the golden globes, and was nominated for best foreign film by NBR

want to see this because it won best foreign-language film at the oscars, best foreign-language film at the golden globes, and best Foreign film from BAFTA

want to see this because it won best foreign film with the NBR and best foreign-language film at the golden globes, and was nominated for best foreign film at the oscars

want to see this because it won best foreign film with the NBR, best foreign-language film with the NYFC, and best foreign-language film at the golden globes

want to see this because it won best foreign film with the NBR, best foreign-language film at the oscars, and best foreign-language film at the golden globes

want to see this because it won best foreign film with the NBR, with the NYFC, at the golden globes, with the LAFC, and from BAFTA

want to see this because it won best foreign-language film at the golden globes

want to see this because it won best foreign-language film at the golden globes

want to see this because it won best foreign-language film at the oscars and best foreign-language film at the golden globes

want to see this because it won best foreign-language film at the golden globes

want to see this because it won best foreign film with NBR, best foreign-language film at the golden globes, and best Foreign film from BAFTA

want to see this because it won best foreign film with the NBR, at the oscars, with the NYFC, at the golden globes, with the LAFC, and from BAFTA

want to see this because it won best foreign-language film at the oscars, at the golden globes, and with the LAFC

want to see this because it won best foreign-language film at the golden globes

want to see this because it won best foreign film with the NBR, best foreign-language film at the oscars, and best foreign-language film at the golden globes

want to see this because it won best foreign film with the NBR and best foreign-language film at the golden globes

want to see this because it won best picture with the NBR, best foreign-language film at the golden globes, and best picture with the LAFC

want to see this because it won best foreign film with the NBR and best foreign-language film at the golden globes