Greatest Mystery, Detective Films
Hercule Pioroit, Agatha Christie the master of the who dunnit, in this favourite genre. A genre that revolves around the solution of a crime. Steeped in the unpredictability of human nature and wrapped in a tangle of plot twists, mysteries inhabit a world where the secrets are dark and the agendas well hidden. Unlike the open-endedness that characterizes so much of real life, a movie mystery delivers the ultimate satisfaction of a solution in the final reel. Detective-mystery films are usually considered a sub-type or sub-genre of crime/gangster films (or film noir), or suspense or thriller films that focus on the unsolved crime (usually the murder or disappearance of one or more of the characters, or a theft), and on the central character - the hard-boiled detective-hero, as he/she meets various adventures and challenges in the cold and methodical pursuit of the criminal or the solution to the crime.
- Page Views
- 230
- Comments
- 0
| smith44's Rating | My Rating | ||
|---|---|---|---|
| 1 |
Sleuth (1972, PG) |
|
|
| 2 |
Rear Window (1954, PG) |
|
|
| 3 |
Vertigo (1958, PG) |
|
|
| 4 |
The Third Man (1949, Unrated)
Rated as the greatest British film by the BFI, I would hav to agree. One of the greatest villians ever to grace the screen Harry Lime (Welles) is the center of this twisty-turny mystery notable for its Academy Award-winning cinematography and distinctive, recurring strange music. A giant ferris wheel and a spectacular last chase scene in the sewers highlight this tale of intrigue. Set in a really tragic post-World War II Vienna. Winner of my Top Film Noir Films. |
|
|
| 5 |
Chinatown (1974, R) |
|
|
| 6 |
Murder on the Orient Express (1974, PG) |
|
|
| 7 |
Rebecca (1940, Unrated)
Daphne Du Maurier's 1938 novel Rebecca is ranked amongst the great novels written in the 20th century. It is only fitting that the film version be of similar rank and recognition. Rebecca is one of the greatest gothic mystery dramas ever brought to screen. it is the first Hitchock masterpeice. With the legendary cast of Fontaine, Olivier, George Sanders and Judith Anderson playing one of the greatest villians ever to creep on to the screen, Mrs Danvers. But all this comes second to unforgettable, infamous twist ending the truly makes Rebecca a timeless gothic classic without equal. Winner of my Grestest Film Plot Twists. |
|
|
| 8 |
Laura (1944, Unrated) |
|
|
| 9 |
The Maltese Falcon (1941, Unrated) |
|
|
| 10 |
North by Northwest (1959, Unrated)
One of Hitchcock's best second only to Psycho and Rear Window. Great mystery and cross-country chase. Cary Grant, my favourite actor is the Hitchcockian man caught up in a mystery. The best scenes include the thrilling crop-dusting airplane scene and the final mount Rushmore scene. Winner of my Top Road Films. |
|
|
| 11 |
The Big Sleep (1946, Unrated) |
|
|
| 12 |
Notorious (1946, Unrated) |
|
|
| 13 |
The Big Heat (1953, PG) |
|
|
| 14 |
Dial M for Murder (1954, PG) |
|
|
| 15 |
Death on the Nile (1978, PG) |
|
|
| 16 |
Evil under the Sun (1982, PG) |
|
|
| 17 |
To Catch a Thief (1955, Unrated) |
|
|
| 18 |
Gosford Park (2001, R) |
|
|
| 19 |
Gaslight (1944, Unrated) |
|
|
| 20 |
The Usual Suspects (1995, R)
The words masterpeice, unbelieveable thriller and best in it's genre are usually associated with The Usual Suspects, but they were not the words that came to my mind whilist watching this film. The words non-linear, puzzling, too self-consciously twisted, clever, and predictable, came to my mind. The hype surrounding this film far out wieghs the actual content. If anything the film is memorable for it's shocking ending and Kevin Spacey's performance as a great villian but that's about it. The rest of the film is a confusing labyrinth with the ending as the monster in the middle of the maze. As a fan of the detective mystery thriller genre I find it insulting when people consider this to be the best of it's kind. The most important element of giving the audience enough clues to work out the mystery is missing and the mystery at the end isn't worth knowing. Still a great crime thriller, but not an all-time great movie |
|
|
| 21 |
Touch of Evil (1958, PG-13) |
|
|
| 22 |
The Man Who Knew Too Much (1956, PG)
Hitchock's only remake of one of his own films raises the question of the superiority of his American work to his British work. This remak exceeds the original, more lavish with some of Hitchock's most powerful scenes ever. The films climaxes in the Albert Hall, one of Hitchock's best ever set peices. With the all time great song 'Whatever Will Be, Will Be (Que Sera, Sera)' performed by Doris Day. And the amazing score by Bernard Herrmann, who appears in the film directing the orchestra, is one of his best. |
|
|
| 23 |
Witness for the Prosecution (1957, Unrated) |
|
|
| 24 |
Charade (1963, G) |
|
|
| 25 |
The French Connection (1971, R) |
|
|
| 26 |
The Talented Mr. Ripley (1999, R) |
|
|
| 27 |
Lady Vanishes (1938) (1938, Unrated) |
|
|
| 28 |
Memento (2000, R) |
|
|
| 29 |
L.A. Confidential (1997, R) |
|
|
| 30 |
Sherlock Holmes - The Hound of the Baskervilles (1939, Unrated) |
|
|
| 31 |
The Fugitive (1993, PG-13) |
|
|
| 32 |
The Bourne Identity (2002, PG-13) |
|
|
| 33 |
Match Point (2005, R) |
|
|
| 34 |
Gattaca (1997, PG-13) |
|
|
| 35 |
Spellbound (1945, Unrated) |
|
|
| 36 |
Suspicion (1941, Unrated) |
|
|
| 37 |
The Mirror Crack'd (1980, PG) |
|


