100 Greatest Tear Jerkers, Saddest Films
Tearjerkers or Melodramas are a sub-type of drama films, characterized by a plot to appeal to the emotions of the audience. Often, film studies criticism used the term 'melodrama' pejoratively to connote an unrealistic, pathos-filled tales of romance or domestic situations with stereotypical characters that would directly appeal to feminine audiences ("weepies" or "woman's films"). Post-modern version of the "woman's film" - gal films or 'chick' flicks.
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| smith44's Rating | My Rating | |
|---|---|---|
| 1 |
Imitation of Life (1958, Unrated) |
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| 2 |
Life Is Beautiful (La Vita è bella) (1998, PG-13) |
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| 3 |
Titanic (1997, PG-13)
My personal favourite film. Titanic broke my heart and keeps a peice still. 11 Academy Awards, Highest Grossing film ever. 'My Heart Will Go On' haunting soundtrack. Winner of my Greatest Disaster Films. Winner of mr Greatest Epics. Winner of my Best Film from the 1990's. Winner of my Greatest Romantic Period Film. |
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| 4 |
Bambi (1942, G) |
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| 5 |
It's a Wonderful Life (1946, Unrated)
One of the best films of all time. Christmas classic, Philosophical genius, each person's life touches many others. With the complex, engrossing, Everyman performance by Stewart as George Bailey. Every time a bell rings, an angel gets his wings. Winner of my Top Family Film. Winner of my Most Inspirational Film. Winner of my Best Christmas Movies. |
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| 6 |
Brief Encounter (1945, Unrated) |
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| 7 |
La Strada (The Road) (1954, PG)
La Strada, which is the Italian word for The Road. Fedrico Fellini's best film. La Strada won the Academy Award for Best foreign film, even though it is far better than most English films. I shall never forget Masina's face, the most remarkable of faces, she performs a moving protryal, and Quinn is egqually unforgettable both actors make the film crackle with their chemistry. La Stada is one of the most beautiful films and one of the most tragic films ever. |
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| 8 |
Sunrise: A Song of Two Humans (1927, Unrated) |
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| 9 |
Brokeback Mountain (2005, R) |
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| 10 |
West Side Story (1961, Unrated)
Generally considered to be one of the great Musicals made by Hollywood. Romeo and Juliet in 1950s New York, the best redition of an updated Shakespeare I have ever seen. The tale of Romeo and Juliet's undying love. With great songs like 'Somewhere' and 'America' and 'Tonight'. A Best Picture Classic. |
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| 11 |
Tokyo Story (Tôkyô monogatari) (1953, Unrated) |
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| 12 |
Schindler's List (1993, R) |
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| 13 |
To Kill A Mockingbird (1962, Unrated)
The greatest hero ever Atticus Finch in the greatest courtroom drama ever. Lives up to Harper Lee's novel, which I was inspired to read after watching the film. We all need a lesson in compassion and the evils of prejudice from time to time, and it is here to give it. Robert Duvall is really scary as recluse Boo Radley. Winner of my Classic Courtroom Films. |
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| 14 |
An Affair to Remember (1957, Unrated) |
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| 15 |
Now, Voyager (1942, Unrated) |
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| 16 |
Sophie's Choice (1982, R) |
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| 17 |
Steel Magnolias (1989, PG) |
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| 18 |
Ordinary People (1980, R) |
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| 19 |
Little Women (1994, PG) |
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| 20 |
City Lights (1931, Unrated) |
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| 21 |
Penny Serenade (1941, Unrated) |
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| 22 |
Shadowlands (1993, PG) |
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| 23 |
East of Eden (1955, PG)
East of Eden is the first film my favourite actor James Dean ever stared in. His performance this film is in many ways his best, his most soulful, most vulnerable and most complex, but not his most iconic, which would have to be Rebel Without A Cause. Riveting, moody and brooding Dean personifies the loveless, sad young man that yearns for the love of his cold father. Every time you want to pull away you are pulled back. Utimately the film deals with the struggle of good and evil and the psychology of childhood development, which shows that a boy needs to connect with his father in order to develop properly. Indeed this film offers the most moving protrayal of this kind of circumstances and results. One of the reasons why Dean was so brilliant was that he was play himself, his own relationship with his father. This film reached out and spoked to me in a way that few films can. Yet wether or not you personally connect with this film, the film it self is enough to move you and have an impact. A classic and a truly heart braking film. |
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| 24 |
Dark Victory (1939, Unrated) |
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| 25 |
Dumbo (1941, G) |
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| 26 |
E.T. - The Extra-Terrestrial (1982, PG) |
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| 27 |
The Passion of the Christ (2004, R) |
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| 28 |
Casablanca (1943, Unrated)
The Perfect Film. Casablanca is one of my favourite films. To me it represents everything a film should, i.e. the perfect film. The most quoted, and loved of films. A great love story, great action, mystery, suspence, sadness, comdey all in equal greatness. The greatest romantic drama of wartime sacrifice. The great Classic, with the classic song, "As Time Goes By" perfect cast, Bogart, Bergman, Rains, the Academy Award for Best Picture and more famous quotes than any other. "I think this is the begining of a beautiful friendship"and ".Here's looking at you, kid." and "Play it, Sam. Play 'As Time Goes By." and "Round up the usual suspects." and "We'll always have Paris." and "Of all the gin joints in all the towns in all the world, she walks into mine." Winner of my Best Film from the 1940's. Winner of my Top Romantic Films. |
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| 29 |
Breakfast at Tiffany's (1961, Unrated)
Although a classic and Audrey Hepburns definative role I feel that this film was lacking at times and pushing it at others. Some of the characters were flatly unrealistic, even Audrey's southern girl character just came off. And parts of the story dragged in it's own stupidity. Yet for all it's faults it is too moving and lovely not to be great. Most memorable song in a film, moonriver, and Audrey outside Tiffany's licking an ice-cream. With one of the greatest songs ever, the hauntingly beautiful 'Moon River'. |
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| 30 |
Rebel Without a Cause (1955, PG-13)
The best performance of James Dean's short legendary carrer. Rebel is by far the best 1950's film dealing with teenage rebellion. It seemed to define a generation of 1950s teenagers who felt lonely and isolated from their parents and sought solace with friends. It desperately wants to say something and doesn't know what it is. If anyone did know, it would lose its fascination. Winner of my Top Gay/Lesbian Themed Films. |
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| 31 |
Love Story (1970, PG) |
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| 32 |
In the Gloaming (1997, PG) |
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| 33 |
Romeo and Juliet (1968, PG) |
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| 34 |
Million Dollar Baby (2004, PG-13) |
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| 35 |
The Notebook (2004, PG-13) |
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| 36 |
Dead Poets Society (1989, PG) |
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| 37 |
Anna Karenina (1997, PG-13) |
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| 38 |
Braveheart (1995, R) |
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| 39 |
El Laberinto del Fauno (Pan's Labyrinth) (2006, R) |
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| 40 |
La Vie en Rose (La Mome) (2007, PG-13)
A Grand Portrait of the Soulful Little Sparrow. La Vie en Rose is a grand historical drama and one of the best biographical films I have ever seen. From the cradle to the grave, through the blissful 'rose coloured' highs to the sorrowful heart-wrenching lows, of a great singer, artist and woman, Marion Cotillard gives us Edith Piaf a life and love, a passionate, wild drama for the ages. Marion Cotillard gives a performance of a lifetime, one that I would count amongst the best of the decade, her triumph at the Oscars I am almost certain of. Best Actress of 2007 is Marion Cotillard. Her lipsinking of Edith Piaf's edyfing songs is perfect, such songs as the beautiful title song, La Vie en Rose (Life in Pink) a song about seeing life through rose coloured glasses, but the most soulful of all her songs, said to be her signature song Non, je ne regrette rien (No Regets) which the film ends with sums up everything about her life that words can say. An extreemly powerful moving experience not to be missed. |
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| 41 |
Gallipoli (1981, PG) |
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| 42 |
Moulin Rouge! (2001, PG-13)
Baz Luhrman, aussie, is always shocking and making unconventional movies, but with Moulin Rogue he reinvented the musical genre with one film. Beautiful music and visually stunning but story lacking, plot melodramatic and cliched. The songs "Diamonds are a girl's Best Friend" and more importantly "Come What May" make the film fantastically enjoyable. |
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| 43 |
The Truman Show (1998, PG) |
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| 44 |
The Shawshank Redemption (1994, R)
Shawshank Redemption is a Modern-Day, Moral Masterpeice. What struck me more than anything after watching the film, was how inspirational and philosophical it was, a modern Christian parable with true Christian principles, hope, salvation and redemption. In my belife the greatest films all acomplish the same thing, go transcend the escapism, the entertainment and the artificiality that most films are prone to and become a form of teaching, philosophy or guide to our everyday lives. The audience can take something with them out of the theatre into their personal lives and use it to battle the troubles and situations they faced. Shawshank Redemption is one such film. It's suberb acting, easy going 'let me tell you a story' mood and it's inspirational story cement it as a film without measure, as if taken from old Hollywood and mixed with modern events. One of the greatest films I have ever seen. "Get busy living or get busy dying that's goddamn right." |
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| 45 |
The Elephant Man (1980, PG) |
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| 46 |
Finding Neverland (2004, PG) |
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| 47 |
Bridge to Terabithia (2007, PG)
One of my most loved books as a child is faithfully adapted into a heart-braking family, fantasy that simply soars. Reading this book years ago as a child, I was moved to tears and it became one of my most cherished literary experiences. As such I had very low expectations for an adaptation that would be true to the book and would evoke the same emotions. Having seen it I was overjoyed and cried almost as much when I read the book all those years ago. Capturing the same fantasy and youthful imagination of the book without going overboard and whlist never losing touch with reality. As in the book the gap between the real world and the fantasy world of Terabithia are only a rope swing away. "Keep your eyes closed but your imagination wide open" Leslie says. However it is not the fantasy that makes this film and book great, it is the devestating tragedy that triumphs. A beautiful story of friendship and imagination but at it's heart a crushing story but life and loss mingled with hope. Bridge To Terrabithia is a family film, a fantasy an adventure but most of all a soaring tear jerker. |
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| 48 |
The Song of Bernadette (1943, Unrated) |
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| 49 |
Goodbye, Mr. Chips (1939, Unrated) |
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| 50 |
Gosford Park (2001, R) |
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| 51 |
The Wizard of Oz (1939, G)
"Somewhere over the rainbow, Way up high, There's a land that I heard of, Once in a lullaby, Somewhere over the rainbow, Skies are blue, And the dreams that you dare to dream, Really do come true." Simply the stuff that dreams are made of. The ageless, timeless words of the dreams of the young and the old, a dream that everyone is familiar with and surely has dreamt of once in their lifetime. The Wizard of Oz is a very much like a dream that really does come true. The ultimate family, fairytale and fantasy film that is universally loved and cherished. The journey down the Yellow Brick Road in search of the Wizard of Oz that tapped into the deep dreams and imagination of generations from the 1930s to today. A journey that made Judy Garland a star, along with the great characters of Scarecrow, Tin Man, and Cowardly Lion. A journey through the magical Technicolor Land of Oz, that made Hollywood the dream factory that it is famous for. A journey that reminds us that there is "There's no place like home," entered upon the world's cultural consciousness. Perennially ranked among the top ten best movies of all-time in various critics' and popular polls, and has provided as many indelible quotes such as: "Toto, I've got a feeling we're not in Kansas anymore," "There's no place like home" and "I'll get you, my pretty, and your little dog, too!" Yet more than anything in the film it's signature song "Somewhere over the rainbow," sung soulfully by the young Judy Garland and voted the greatest movie song of all time by the AFI, is what makes the Wizard of Oz one of the greatest films of all time. Winner of my Greatest Song Films. |
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| 52 |
Roman Holiday (1953, Unrated)
My first oversaes trip was to Rome, Italy and no other film could capture the feeling of Rome, or indeed travel in general than Roman Holiday. So much is this film loved by myself and my family that it has practically become part of our personal history. No matter how I may be feeling Roman Holiday always puts a smile on my face and makes me cry. The breakout Oscar winning performance of Audrey Hepburn, one of my all time favourite actresses and the ideal leading man role of Gregory Peck truly make the film what it is. My favourite scene, by far is the Mouth of Truth visit where Peck actually improvised an unscripted moment when he pretended to have his hand eaten off, always makes me laugh."I don't know how to say goodbye. I can't think of any words. Don't try." |
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| 53 |
The Pianist (2002, R) |
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| 54 |
Fantasia (1940, G) |
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| 55 |
The Lion King (1994, G) |
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| 56 |
The Miracle Worker (1962, Unrated) |
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| 57 |
Les Quatre Cents Coups (The 400 Blows) (1959, Unrated) |
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| 58 |
Cinderella Man (2005, PG-13) |
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| 59 |
Crash (2004, R) |
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| 60 |
Into the Wild (2007, R) |
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| 61 |
Sophie Scholl: The Final Days (2006, PG) |
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| 62 |
Captains Courageous (1937, PG) |
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| 63 |
Saving Private Ryan (1998, R) |
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| 64 |
The Grapes of Wrath (1940, Unrated) |
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| 65 |
Umberto D. (1952, Unrated) |
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| 66 |
On the Waterfront (1954, Unrated)
Crushing Classic, the Great Gritty drama of union corruption memorable, mainly, for Brando's best performance. The end scene on the docks is unforgettable. A must see Classic. Won Best Picture. "You don't understand! I coulda had class. I coulda been a contender. I could've been somebody, instead of a bum, which is what I am." |
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| 67 |
Cat on a Hot Tin Roof (1958, Unrated) |
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| 68 |
Sense and Sensibility (1995, PG) |
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| 69 |
My Own Private Idaho (1991, R) |
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| 70 |
Latter Days (2004, Unrated) |
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| 71 |
Children of Men (2006, R)
Great Ironic Sci Fi Dystopian Thriller. With birth rates falling in the world today a future without children is an ironic and fascinating prospect. A film that lures as a sci fi thriller and captures you as an almost unbearably bleak nightmare. The best cinematography of the year creates one of the clearest and darkest visions into the future ever put to film. Thought provoking and unforgettable, Children of Men will have your mind feasting with questions and wonders long after the credits. Loved this film so much it convinced me to read the book. |
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| 72 |
Far From Heaven (2003, PG-13) |
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| 73 |
Hamlet (1996, PG-13) |
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| 74 |
The Lord of the Rings - The Return of the King (2003, PG-13) |
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| 75 |
Mr. Smith Goes to Washington (1939, Unrated) |
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| 76 |
The Sixth Sense (1999, PG-13)
"I see dead people" Scared the living hell out of me. Haley Joel Osment was perfect in his role, as was Bruce Willis. The twist at the end was the most suprising twist I could imagine. I also liked this film because of it's philosphical connotations with regards to life after death, etc... Winner of my Top Supernatural Films. |
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| 77 |
What's Eating Gilbert Grape (1993, PG-13) |
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| 78 |
Midnight Cowboy (1969, R) |
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| 79 |
Rain Man (1988, R) |
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| 80 |
Paths of Glory (1957, Unrated) |
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| 81 |
Five Easy Pieces (1970, R)
One of the best films from the 70's. The Existential dilema, what is my vocation in life, a film about the social divide in America, the lives of the middle Americans and the lives of the intellectuals. With and unbelieveably powerful portryal from Nicholson, this film becomes a great through it's characters and it's heartbraking intensity. Nicholson is one of the most unforgettable characters in American movies. For nothing else this film is worth seeing for the pleasure of watching Jack Nicholson unable to gat an order of toast. |
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| 82 |
The Remains of the Day (1993, PG) |
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| 83 |
Three Colors: Blue (Trois couleurs: Bleu) (1993, R) |
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| 84 |
Snow White and the Seven Dwarfs (1937, G) |
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| 85 |
Doctor Zhivago (1965, PG-13) |
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| 86 |
Juno (2007, PG-13) |
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| 87 |
Forrest Gump (1994, PG-13)
A simple, kind man changes history. With flashbacks through some of the highlights of modern American history. It is such a fascinating story as he becomes central to the major events of the late 20th century. I thought it was very clever how, through the use of seamless digital visual imagery, Forrest appears to interact in scenes with famous historical people. "Mama always said life was like a box of chocolates. You never know what you're gonna get." |
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| 88 |
Atonement (2007, R) |
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| 89 |
Toy Story 2 (1999, G) |
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| 90 |
Gone With the Wind (1939, G)
Gone With The Wind stands as the most enduring symbol of the Golden Age of Hollywood. Arguably the most loved film of all time and one of the greatest; Gone With The Wind is clearly one of filmdom's greatest cinematic achievements. Winner of ten Academy Awards including Best Picture, it broke the records and created one that would stand for many decades. It has sold more tickets than any other film in history and adjusting for inflation, the film is the highest grossing of all time. Scanning the South's tragic history during the Civil War and the Reconstruction period, told from the view of Scarlet O'Hara, Gone With The Wind is primarily a star-studded Civil War epic drama. However it is so much more than that, it is one of only two films that truly represent America, the other being The Godfather. Set during the time when the nation was forged it has become etched in the American cultural psyche. Gone With The Wind is about war, history, social class, politics, race, work, fashion, the land, language, religion, romance, relationships, death, gender roles, regional distinctions all seen through the lens of the American experience heightened by the "Immortal tale of the old South". Scarlet O'Hara, the indomitable, selfish, fiery Southern belle, played by Vivien Liegh in her greatest performance steals the show and creates a character that encapsulates a great leading lady performance. What makes her character as great as it is, is her twisted romance with Rhett Butler, Clarke Gable, culminating in the greatest line in movie history 'Frankly My Dear I don't give a damn'. It also includes other great lines such as "After all, tomorrow is another day!" and "As God is my witness, I'll never be hungry again." Pure classic, pure great, pure cinema. Winner of my Best Film from the 1930's. |
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| 91 |
Little Children (2006, R) |
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| 92 |
Chinatown (1974, R) |
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| 93 |
Au Revoir Les Enfants (1987, PG) |
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| 94 |
In America (2003, PG-13) |
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| 95 |
Stand by Me (1986, R) |
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| 96 |
Edward Scissorhands (1990, PG-13) |
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| 97 |
White Christmas (1954, Unrated) |
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| 98 |
What Ever Happened to Baby Jane? (1960, Unrated) |
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| 99 |
Patch Adams (1998, PG-13) |
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| 100 |
Titanic (1953, Unrated) |



































































































