Just Asian for sleepykiss

Director Yibai Zhang's got a real knack for capturing a city on film. His previous work "Longest Night in Shanghai" showed the glamour of that city at night. This one captures the gray industrialism of Chongqing. There's a mystery brewing beneath this slice of life low-key indie that's never fully explained, only suggested. Solid performances from Karen Mok's beautiful legs and especially Wenli Jiang. It's great to see mature independent minded stuff like this coming from the mainland.

sitenoise at the movies: Lost, Indulgence (Mi Guo) (2008) China

A debt collector offers Fumiya an opportunity to erase his debt: walk with him around Tokyo. What we get is a road movie, a very funny road movie, where the unlikely duo walk instead of drive. There's eventual male bonding, marvelous footage of Tokyo, and a smorgasbord of odd characters and situations along the way. Very enjoyable.

sitenoise at the movies: Adrift in Tokyo [2007]

Song Kang-ho as the Weird is great as always, steals the show. Jung Woo-sung is huggable as the Good, though under-developed. But Lee Byung-hun as the Bad has a contemporary look and swagger that are wrong, misplaced As the Bad, he's more arrogant than evil. The cinematography and editing are great and the action is in high gear but the film can't escape the fact that, with very few exceptions, movies with lotsa gun fights are really fucking stupid.

A gripping thriller with a bewildered sense of humor made possible by the kick-ass performance of Yun-seok Kim. Highly recommended. There are a handful of groan out loud plot moves in The Chaser, but so what. There are also more than a handful of plot moves this film doesn't do, moves that most people will be guessing it will do, that it more than makes up for it. This is a film I know I'll watch again just for the performance of it. The plot won't matter. It's that good.

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sitenoise at the movies: The Chaser

"Because it is only when we make love that you understand that I'm gentle."

That's all the character development I need. This is an ambitious film about the stalled maturation of an idealistic but troubled young woman flanked by the Tiananmen Square protests, the collapse of the Berlin Wall, and the handover of Hong Kong to mainland China. The direction is a little chaotic but it reflects the nature of the film. The soundtrack is impeccably chosen and the film is ultimately very sad. I was glued to this 140 minute masterpiece.

More: sitenoise at the movies: Summer Palace

Absolutely beautiful! Brilliantly assembled simple story of a writer in search of his muse, told with rich colors and lots of black, dream logic, humor, inspired editing, and a soundtrack that matches it beat for beat. I wanted to applaud almost every scene. Arty without pretension and a poet's attention to detail.

sitenoise at the movies: M (2007)

This is a beautiful film, a colorful love poem to, about, and starring, Chinese actress Zhao Wei. The woman is photographed so adoringly it's almost creepy. She plays two different and distinct roles in the film: a bespectacled graduate student and a sultry piano lounge singer--so librarian fetishists and jazzy drunks alike can fantasize out loud. The funny part, though, is that we're supposed to play along with the notion that donning a pair of bookish glasses suddenly makes Zhao one of those women "who become attractive over time", ya know, ugly. Yeah, right.

sitenoise at the movies: Green Tea (Lü cha) [2003]

Lost in Beijing is banned in China and its filmmakers are banned for two years from making films in China. What kind of nonsensical time-out is that? I want more of them to fall through the cracks and make films like Lost in Beijing--which is nothing like Farewell My Hero's Kingdom of Flying Yellow Flowers.

sitenoise at the movies: Lost In Beijing

This film stars two of my favorite Korean actors, Do-yeon Jeon and Kang-ho Song, and is written and directed by Chang-dong Lee, of OASIS fame.

The plot in a nutshell: Jeon's character moves with her son Jun to Miryang, the town where her recently killed husband was born. As she tries to start her new life another tragic event turns her world upside down. She looks for comfort in god and religiousness, and then turns a critical towards that.

The scene where Jeon's character goes to the prison to forgive the man who committed the most heinous of crimes against her is one of the strongest and smartest statements on religious belief I've seen.

It's a long, slow paced film, but the performances are extraordinary. Do-yeon Jeon won best actress at Cannes for her performance.

A thoroughly engaging film on the surface. The creative camera angles, the mostly gray/green color palette accentuating a sense of disease or decay, the original music and sound design, and the beauty of the actors add up to a sensuous ninety minute delight.

Charlene Choi is magnificent as the schizophrenic, sad and lonely Winnie.

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sitenoise at the movies: Diary (Mon seung)

No surprise to learn director Xiaoshuai Wang studied painting before becoming a director. This is a marvelously composed film. The screenplay is brutal sharp with one large unnecessary gimmick toward the end. I'm glad this theme was done art-house and not commercial melodrama, which it could easily be. The four main performers are solid and compelling, with lots of shots of faces on bodies doing nothing but carrying burden within. And they all pull it off.

An engaging movie that takes a bleak, but also beautifully hopeful look at the lives of four young women who live on the margins of life in contemporary Tokyo. Sex in the City it's not. The portraits of these women are, almost unnervingly, complete. Great great independent film for adults.

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sitenoise at the movies: Strawberry Shortcakes

It's a buddy cop comedy mystery thriller melodrama. Typically over-the-top Korean style done very very well. World of Silence peels off layer upon layer, uncovering about five film's worth of internal demons and other dramatic tragedies, but it ends, and it seems to end a few times, like a sportscaster screaming "No! No! I don't believe it! Don't ..." and then "Great shot!" when it goes in.

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sitenoise at the movies: World of Silence

It must be chauvinistic to suggest that a film about a young man accused of touching a young girl's hip and right buttock under her skirt on a crowded train doesn't sound like a compelling two and a half hour legal drama, but this film is compelling and impeccably done. Japan's 99.9% conviction rate is the star of this show and it's scary stuff.

A magnificent character study of a woman who has retreated.

An amazing love story. Outstanding performances!

Jong-du is a social misfit, heading for retarded. When his brother tells him he should think before he acts, he responds "I don't know what you mean", and he doesn't. He can't see the need to.

Gong-ju has cerebral palsy. Jong-du doesn't see it, or he sees right through it. Clearly. It registers nothing in him.

Sadness is seldom more unrelenting than on ONE FINE SPRING DAY, a film with no plot and very little dialog. I was riveted by the intelligence and realism depicted on screen, knowing that the film plays differently depending on the viewers own experience. Masterfully done!

Pretty darn good for a debut effort. Good characters, insightful on relationships, especially the main one as it hits its seven year mark with complications. Zhang Yibai maybe tries to be a little too offbeat to tell this simple story, a few too many fade-to-black moments, but he is trying to make the realities dream like and ever so slightly jolting. His characters break the fourth wall and address the audience. He does a number of things that I generally dislike but its a sign of his talent that when all is said and done I really enjoyed the film.

Korean comedy, of the mildly mature kind, at its finest. The casting made this loads of fun. Jin-seo Yun as the innocent who wants an affair but comes up with a reason to postpone consummation every time is desirable in spite of it and genuinely adorable. Hye-su Kim enjoys her virginal conquest and her sexual maturity shines. Easy to share why the male characters didn't just hang up.

This is just what a guy wants from a Japanese movie: bizarre humor, twisted family relationships, a little sexual deviance, beautiful women. Most guys will probably go for robo-babe Eriko Sato, who does a great job playing mean and self-centered, but it's Hiromi Nagasaku who shines in this film--a multiple award winning performance. Nagasaku plays the innocent, an outsider who has married into a crazy family and she is the only character any one should relate to (or pity). Check out her filmography, she always elevates a film. This one is stylized decadence with a sweet filling. Not for mainstream lovers.

Thoughtful K-comedy, slightly risqué, wins with wit, good acting, and a good (award winning) screenplay filled with surprises. There is adult humor in the presence of a child so delicacy is warranted. Props to young actress Woo Seo for taking it all in stride, reminding us that kids are usually hip to the things adults think they should be protected from. Hyo-jin Kong, as the frumpy high school teacher is surprisingly accomplished in her comic timing. The director seems aware of all the cheap ways to make us laugh but instead of utilizing them he steps back and winks at them. This is smart and funny ... not a goof-ball comedy even though it plays like one on the surface. NY Asian FilmFest 2009.