Oscar - Best Actor List
Winners of Academy Award for Best Actor
- Page Views
- 531
- Comments
- 0
| aughung's Rating | My Rating | |
|---|---|---|
| 1 |
The Way of All Flesh (1927, Unrated) |
|
| 2 |
The Last Command (1928, Unrated) |
|
| 3 |
In Old Arizona (1928, Unrated) |
|
| 4 |
Disraeli (Disraeli: The Noble Ladies of Scandal) (1929, Unrated) |
|
| 5 |
A Free Soul (1931, Unrated) |
|
| 6 |
Dr. Jekyll and Mr. Hyde (1931, Unrated) |
|
| 7 |
The Champ (1931, Unrated) |
|
| 8 |
The Private Life of Henry VIII (1933, Unrated) |
|
| 9 |
It Happened One Night (1934, Unrated) |
|
| 10 |
The Informer (1935, Unrated) |
|
| 11 |
The Story of Louis Pasteur (1936, Unrated) |
|
| 12 |
Captains Courageous (1937, PG) |
|
| 13 |
Boys Town (1938, Unrated) |
|
| 14 |
Goodbye, Mr. Chips (1939, Unrated) |
|
| 15 |
The Philadelphia Story (1940, Unrated) |
|
| 16 |
Sergeant York (1941, Unrated) |
|
| 17 |
Yankee Doodle Dandy (1942, G) |
|
| 18 |
Watch on the Rhine (1943, Unrated) |
|
| 19 |
Going My Way (1944, Unrated) |
|
| 20 |
The Lost Weekend (1945, Unrated)
The reason I give it such a low rating is mainly because of time difference: it's now more than 60 years after it's filming! Just like Rebel Without a Cause, alcoholism is no longer a grave concern in the 21st century, though Billy Wilder should have shocked the people in 1940s. Indeed, Ray Milland just keeps irritating me in this movie! |
|
| 21 |
The Best Years of Our Lives (1946, Unrated)
If you really want to appreciate this movie thoroughly, I guess you will have to explore the post-WWII history of the USA. But anyway, you will be moved by Harold Russell. The social messages behind, like the pain the war brought, the psychological change on US people and the hard life the veterans led, are well depicted. But, just slightly dated anyway...... |
|
| 22 |
A Double Life (1947, Unrated) |
|
| 23 |
Hamlet (1948, Unrated) |
|
| 24 |
All the King's Men (1949, Unrated) |
|
| 25 |
Cyrano De Bergerac (1950, Unrated) |
|
| 26 |
The African Queen (1951, Unrated) |
|
| 27 |
High Noon (1952, Unrated) |
|
| 28 |
Stalag 17 (1953, Unrated) |
|
| 29 |
On the Waterfront (1954, Unrated) |
|
| 30 |
Marty (1955, Unrated) |
|
| 31 |
The King and I (1956, G) |
|
| 32 |
The Bridge on the River Kwai (1957, PG)
The story is quite boring in general. But for the ending, it is just simply classic! Starting from the set up of the bomb and the discovery of the wire build up the tension. The climax is reached when general Colonel Nicholson discovered Joyce, followed by the quick killing of the chief Japanese commander. Then Shears quarreled with Nicholson and make him realised he should be loyal to the host country. But Nicholson wanted to show the soldiers were superior, so it was great to arrange him to become fainted and bombed the bridge down. I cannot get relieved before the bridge collapsed! |
|
| 33 |
Separate Tables (1958, Unrated)
Set in a simple hotel, but the messages behind are profound. My best moment comes from the friendship of David Niven and Deborah Kerr. The ending which Major Pollack wins over suspicion and prejudice, being accepted by the residents is moving. Yet I don't quite get Burt Lancaster and Rita Hayworth's storyline. |
|
| 34 |
Ben-Hur (1959, G)
Ridley Scott's Gladiator has adapted this story's main idea (staying alive to seek revenge) and an unfair competition with the weaker one wins. But gladiation is replaced by an excellent chariot racing. Also, Ben-Hur is far more religious, by adding Biblical characters (Jesus and Pilate) and incidents (discrimination against leprosy patients and miracles). Belief to God is always mentioned too. |
|
| 35 |
Elmer Gantry (1960, Unrated) |
|
| 36 |
Judgment at Nuremberg (1961, Unrated) |
|
| 37 |
To Kill A Mockingbird (1962, Unrated)
I haven't read the novel, so I find the part relating Robert Duvall quite mystic. The court scene is not lengthy, but definitely one of the greatest. The racial injustice is well depicted. Gregory Peck's performance is intriguing. He represents justice and fights against the whole society. Well-deserved for the reputation, "best courtroom drama" and "greatest hero" cannot conclude it. It's about innocence, courage and many more...... |
|
| 38 |
Lilies of the Field (1963, Unrated) |
|
| 39 |
My Fair Lady (1964, G) |
|
| 40 |
Cat Ballou (1965, Unrated) |
|
| 41 |
A Man for All Seasons (1966, G) |
|
| 42 |
In the Heat of the Night (1967, Unrated) |
|
| 43 |
Charly (1968, PG) |
|
| 44 |
True Grit (1969, G) |
|
| 45 |
Patton (1970, PG) |
|
| 46 |
The French Connection (1971, R) |
|
| 47 |
The Godfather (1972, R) |
|
| 48 |
Save the Tiger (1973, R) |
|
| 49 |
Harry and Tonto (1974, R) |
|
| 50 |
One Flew over the Cuckoo's Nest (1975, R) |
|
| 51 |
Network (1976, R) |
|
| 52 |
The Goodbye Girl (1977, PG) |
|
| 53 |
Coming Home (1978, R) |
|
| 54 |
Kramer vs. Kramer (1979, PG) |
|
| 55 |
Raging Bull (1980, R) |
|
| 56 |
On Golden Pond (1981, PG)
I doubt why couldn't it win those technical awards in Oscar. The scenery is marvellous. But Henry Fonda's performance is superb also. He tells you what people need most in their old age. His relationship with Billy is interesting and sentimental. Katharine Hepburn's performance is slightly less powerful than Fonda to me, but she still portrays an adorable decent old lady vividly. The ending is heartwarming to watch. |
|
| 57 |
Gandhi (1982, PG)
A wonderful biographical movie doesn't require an unforgettable plot. As long as it can tell the life of the protagonist accurately and make audience agree with him (or hate him in the case of villains) and have a clear image, it will be a masterpiece. Gandhi is one of them. Comparing with Milos Forman's Amadeus, Mozart will just be a talented and pitiful man in our eyes; Gandhi is, however, an adorable and memorable hero. We can observe his charisma and immortal spirit here. So once again, it's just amazing! Maybe together with Amadeus, they are the best and most deserved Oscar Best Picture winner for the 80s! |
|
| 58 |
Tender Mercies (1983, PG) |
|
| 59 |
Amadeus (1984, R) |
|
| 60 |
Kiss of the Spider Woman (1985, R) |
|
| 61 |
The Color of Money (1986, R) |
|
| 62 |
Wall Street (1987, R) |
|
| 63 |
Rain Man (1988, R) |
|
| 64 |
My Left Foot (1989, R) |
|
| 65 |
Reversal of Fortune (1990, R) |
|
| 66 |
The Silence of the Lambs (1991, R) |
|
| 67 |
Scent of a Woman (1992, R)
This movie is enlightening. Even if you think you have run out of goals to stay alive, there will always be an unique role tailored for you. We have the right to moan, but we shouldn't overlook the beauty near us. Al Pacino gives another one of his greatest performances, the Oscar is well-deserved. Just taste how he portrays a blind person and you will fall in love with this movie! |
|
| 68 |
Philadelphia (1993, PG-13) |
|
| 69 |
Forrest Gump (1994, PG-13)
Tom Hanks's finest performance and one of the masterpieces of the 1990s! Gary Sinise is awesome also. Many people criticize this movie of winning the Oscar Best Picture by beating The Shawshank Redemption and Pulp Fiction. Yet, it deserves the Oscar in all ways! Just look at the American History depicted and the American spirit revealed, why can't it be the winner of 1994? I'm a fan of Pulp Fiction as well, but in my opinion, it can and even should not win the Best Picture for the massive bloody violence and drug abuse content. I mean, how can a movie treating crimes as routine be the best picture of the year? In 1994, the social influence of Forrest Gump is much more than that of The Shawshank Redemption. It is therefore unquestonable that Forrest Gump, a politically correct movie, is the winner! Actually, it is just the same case for Rocky beating Taxi Driver and Network in 1976. I cannot agree that this film is "overrated", at least one should pay tribute to Tom Hanks and its storyline! |
|
| 70 |
Leaving Las Vegas (1995, R) |
|
| 71 |
Shine (1996, PG-13) |
|
| 72 |
As Good As It Gets (1997, PG-13) |
|
| 73 |
Life Is Beautiful (La Vita è bella) (1998, PG-13) |
|
| 74 |
American Beauty (1999, R)
It's very subtle in meaning. Freedom costs a price. One should always be responsible for what he has done. But we are all troubled by all sorts of things and want to get rid of them, and don't want to pay for it either. However, this will bring grief to us. So what should we do? Should we just accept the fate? Also, deceiving is not a good way to release pressure too. |
|
| 75 |
Gladiator (2000, R)
Wonderful ancient Rome atmosphere! The sword fights are bloody but superb! I guess everybody cannot help cursing Commodus and being sympathetic to the loyal Maximus. The ending is still positive as Commodus is killed as well and the Roman Empire is going to be republicanized. Most importantly, Maximus's will and soul will last forever, at least in my own mind. |
|
| 76 |
Training Day (2001, R) |
|
| 77 |
The Pianist (2002, R)
The plot is divided into 2 parts. The first part is about the pathetic life of the Jews under the rule of Nazism. Jews can only live without dignity and basic safety. The scene that the Germans threw an old man out of the window and they asked a row of Jews to lie on the floor and shot them afterwards are very shocking. The other part is the exile life of the pianist. The act of the German general doesn't bring him a good ending is quite sad actually. |
|
| 78 |
Mystic River (2003, R)
Another movie holding my breath from the opening till the end. The plot is twisted and stuffed with unexpectancy. Although there are quite a lot details, the development is still smooth and easy to follow. For casting, Sean Penn somehow acts well, but Tim Robbins is just speechlessly excellent! His role reminds me of Edward Norton in "Primal Fear", and this time the character is a tragic good guy instead. |
|
| 79 |
Ray (2004, PG-13)
For a biography, it is quite good. Ray Charles is a man with flesh here. Jamie Foxx's portrayal is excellent (comparable with Al Pacino in Scent of a Woman, perhaps even better) and deserves the Oscar. But for a drama, its opening part is a little bit slow-paced. For the remaining, it is touching but somehow too similar to "Walk the Line". |
|
| 80 |
Capote (2005, R) |
|
| 81 |
The Last King of Scotland (2006, R) |
|
| 82 |
There Will Be Blood (2007, R)
Many people says There Will Be Blood is too long. But to be an epic, that length is fine. Daniel Day-Lewis is brilliant here and deserves the Oscar. He portrays Daniel Plainview, whose character is a mix of Michael Corleone and Charles Foster Kane. His business is as successful as the 2's. He is greedy, cruel and ruthless like Michael, yet lonely and pathetic like Kane and late Michael. One another thing I find in common between Daniel and Michael is that both of them do stress how important family is meant to them, yet neither has a normal family relationship. Just look at how Daniel treats his son at the end, how awful and sad it is! Greed leads to destruction and regrets only. What's the use of money when you lose faith and humanity? For cinematography, the movie is very artistic. I love the long takes, scenery and the superb music! The scene which the oil platform burnt to collapse is really intriguing. Paul Dano is not bad, at least his false prophet role provides a funny platform for us to perform. But most memorably, Daniel drinks our milkshake, right? |
|
| 83 |
Milk (2008, R)
I start to like it very much when it is around half an hour remaining. It is a story about justice and fairness. They are costly to protect, especially for the discriminated groups. The ending is heartbreaking but bright as we see progress is being made. Sean Penn is excellent in portraying Harvey Milk - a homosexual character. Just look at his body language, eyesight and accent! You will think he is just Harvey Milk himself! The villainous Josh Brolin keeps reminding me of his reversed role in No Country for Old Men. |














































































