Oscar - Best Actress List
Winners of Academy Award for Best Actress
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| aughung's Rating | My Rating | |
|---|---|---|
| 1 |
Seventh Heaven (1927) (1927, Unrated) |
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| 2 |
Sunrise: A Song of Two Humans (1927, Unrated) |
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| 3 |
Street Angel (1928) (1928, Unrated) |
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| 4 |
Coquette (1929, Unrated) |
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| 5 |
The Divorcee (1930, Unrated) |
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| 6 |
Min and Bill (1930, Unrated) |
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| 7 |
The Sin of Madelon Claudet (The Lullaby) (1931, Unrated) |
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| 8 |
Morning Glory (1933, Unrated) |
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| 9 |
It Happened One Night (1934, Unrated) |
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| 10 |
Dangerous (1935, Unrated) |
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| 11 |
The Great Ziegfeld (1936, Unrated) |
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| 12 |
The Good Earth (1937, Unrated) |
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| 13 |
Jezebel (1938, Unrated) |
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| 14 |
Gone With the Wind (1939, G) |
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| 15 |
Kitty Foyle: The Natural History of a Woman (1940, Unrated) |
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| 16 |
Suspicion (1941, Unrated) |
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| 17 |
Mrs. Miniver (1942, Unrated) |
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| 18 |
The Song of Bernadette (1943, Unrated) |
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| 19 |
Gaslight (1944, Unrated) |
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| 20 |
Mildred Pierce (1945, Unrated) |
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| 21 |
To Each His Own (1946, Unrated) |
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| 22 |
The Farmer's Daughter (1947, Unrated) |
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| 23 |
Johnny Belinda (1948, Unrated) |
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| 24 |
The Heiress (1949, Unrated) |
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| 25 |
Born Yesterday (1950, Unrated) |
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| 26 |
A Streetcar Named Desire (1951, PG) |
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| 27 |
Come Back, Little Sheba (1952, Unrated) |
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| 28 |
Roman Holiday (1953, Unrated) |
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| 29 |
The Country Girl (1954, Unrated) |
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| 30 |
The Rose Tattoo (1955, Unrated)
A decent Tennessee Williams adaptation. The show belongs to the great Anna Magnani, who plays a widow raising her child. Her role is quite similar to Sally Field's in Places in the Heart, only this time Serafina is not a pure woman of substance but needs love and care. The ludicrous Burt Lancaster steals the spotlight although with a limited appearance. |
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| 31 |
Anastasia (1956, Unrated) |
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| 32 |
The Three Faces of Eve (1957, Unrated) |
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| 33 |
I Want to Live! (1958, Unrated) |
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| 34 |
Room at the Top (1959, Unrated) |
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| 35 |
Butterfield 8 (1960, Unrated) |
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| 36 |
La Ciociara (Two Women) (The Woman from Ciociara) (1960, Unrated)A fine neorealist movie by De Sica. The story is set at World War II, which a widow tried every means to overcome hardships to protect her daughter. At first it is pretty graceful to watch. But when it comes to the ending, it becomes catastrophic and heartbreaking. Sophia Loren gives a magnetic performance here. Just take a look at the truck scene you can know how desperate she was. Her Oscar is well deserved. |
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| 37 |
The Miracle Worker (1962, Unrated) |
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| 38 |
Hud (1963, Unrated) |
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| 39 |
Mary Poppins (1964, G) |
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| 40 |
Darling (1965, Unrated) |
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| 41 |
Who's Afraid of Virginia Woolf? (1966, Unrated)
Elizabeth Taylor is flamboyant! She probably gives one of the best 10 Oscar Best Actress performances of all time! We are all convinced that she herself is the evil Martha who abuses his husband. Richard Burton is great as well. I think he gives a more Oscar-worthy performance than Paul Scofield. Not only the 4 characters become wild and hysterical, I am also pressurized. How can a couple be malevolent like that? Isn't it pathetic? A perfect drama discussing the psyche and relationship of couples. |
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| 42 |
Guess Who's Coming to Dinner (1967, Unrated) |
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| 43 |
Funny Girl (1968, G) |
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| 44 |
The Lion in Winter (1968, PG) |
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| 45 |
The Prime of Miss Jean Brodie (1969, PG)
Jean Brodie is a complex character as she is an inspiring teacher and flawed but naive abecedarian at the same time. Her way of instruction is a gift to students, but her political view is menacing though she doesn't mean harming her "loyal students". "Dead Poets Society" alike but Jean is not a pure heroine. Maggie Smith has mastered this character well and makes me feel sad for her at the end. Well deserved for her Oscar. |
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| 46 |
Women In Love (1969, R) |
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| 47 |
Klute (1971, R) |
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| 48 |
Cabaret (1972, PG)
One will always wonder how can this one beat Godfather and grasp 8 Academy Awards in 1972. But really, Cabaret deserves the honour, especially for Bob Fosse and Liza Minelli. Although it is not as moving as Moulin Rouge! or as funny as Chicago, it is still a milestone (it's in the 1970s!) in the genre of musicals. Those songs and dances are just amazingly enjoyable. Just don't miss it please! |
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| 49 |
A Touch of Class (1973, PG) |
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| 50 |
Alice Doesn't Live Here Anymore (1974, PG) |
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| 51 |
One Flew over the Cuckoo's Nest (1975, R) |
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| 52 |
Network (1976, R) |
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| 53 |
Annie Hall (1977, PG)
Woody uses an innovative approach to reveal this love story. For instance, he uses caricature and narrations with audience directly. Alvy Singer is a typical Woody Allen style character: paranoid, laughable and philosophic. However, the subject matters touched - love and lust are just too trivial for Woody's films. So, called to be Woody's best? I am heavily in doubt. |
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| 54 |
Coming Home (1978, R) |
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| 55 |
Norma Rae (1979, PG) |
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| 56 |
Coal Miner's Daughter (1980, PG) |
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| 57 |
On Golden Pond (1981, PG)
I doubt why couldn't it win those technical awards in Oscar. The scenery is marvellous. But Henry Fonda's performance is superb also. He tells you what people need most in their old age. His relationship with Billy is interesting and sentimental. Katharine Hepburn's performance is slightly less powerful than Fonda to me, but she still portrays an adorable decent old lady vividly. The ending is heartwarming to watch. |
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| 58 |
Sophie's Choice (1982, R) |
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| 59 |
Terms of Endearment (1983, PG) |
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| 60 |
Places in the Heart (1984, PG)
The best wlll be its spirit: endurance and courage towards hardship. The most intriguing scene is the one about tornado. The KKK part is furious to watch either. The other will be the acting: not only Sally Field gave one of the greatest performances, but John Malkovich was also great for his screen debut. The ending is somehow sad since the social harmony seems still far away...... |
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| 61 |
The Trip to Bountiful (1985, PG)
Like David Lynch's "The Straight Story", this movie is depicting the journey of a determined woman who wishes to return to her homeland. Geraldine Page gives a strong performance here by showing her anxiety and strong will through restless facial expressions and dialogues. Well deserved for her Oscar. |
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| 62 |
Children of a Lesser God (1986, R) |
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| 63 |
Moonstruck (1987, PG) |
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| 64 |
The Accused (1988, R) |
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| 65 |
Driving Miss Daisy (1989, PG) |
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| 66 |
Misery (1990, R) |
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| 67 |
The Silence of the Lambs (1991, R) |
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| 68 |
Howards End (1992, PG) |
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| 69 |
The Piano (1993, R)
Stunning cinematography. I can hardly find a comparable decent scene for Anna Paquin's dance at the beach. The piano score "The Heart Asks Pleasure First" and costume design are beautiful as well. The opening and twisted ending impress me most. Artistic and rich in symbolism (sinking piano, silence in the deep deep sea, you name it). Holly Hunter, who reminds me of Marlee Matlin, but being more determined with a more subtle performance, and Anna Paquin both deserved the Oscars. |
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| 70 |
Blue Sky (1994, PG-13)
This movie belongs to Jessica Lange. She is the centre of attention. Carly Marshall is even more powerful than Frances Farmer, though both of which are somehow flawed. But Lange mastered them well. Its subplot concerns about nuclear testings, which is rarely touched in films. The trust, love and support in the Marshall family is something we should learn. |
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| 71 |
Dead Man Walking (1995, R) |
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| 72 |
Fargo (1996, R) |
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| 73 |
As Good As It Gets (1997, PG-13) |
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| 74 |
Shakespeare in Love (1998, R) |
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| 75 |
Boys Don't Cry (1999, R) |
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| 76 |
Erin Brockovich (2000, R) |
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| 77 |
Monster's Ball (2001, R) |
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| 78 |
The Hours (2002, PG-13) |
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| 79 |
Monster (2003, R) |
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| 80 |
Million Dollar Baby (2004, PG-13)
At first I think it is just another Rocky, but I am wrong. The twisted development is attractive to watch. It tells us that how to lead a shiny life. Yet, the ending is so tragic to watch, just like "Madison County", "Mystic River" and Eastwood's forthcoming film "Letters from Iwo Jima". Hilary Swank gives another electrifying performance here. Those boxing scenes are memorable. Her Oscar is well deserved. Eastwood once again showed that he is probably one of the best directors as well as actors despite his age. |
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| 81 |
Walk the Line (2005, PG-13) |
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| 82 |
The Queen (2006, PG-13) |
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| 83 |
La Vie en Rose (La Mome) (2007, PG-13) |
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| 84 |
The Reader (2008, R)
At first it doesn't impress me much until the court room scene, for which I know what is actually going on. I love the cassette scene most. It is really touching. Then it starts to remind me of The Shawshank Redemption. Kate Winslet is great here, as well as her makeup. Yet, I still don't know if I should like the massive sex scenes at the beginning. |













































































