"That's Fucked Up!" Cinema
love my extreme and melodrama. This is going to be narrative film only; if I listed docs, we'd be here all day. Well knowns and obscures.
These are my top picks AND movies that may not have cut it for me, but would disturb a typical viewer. Each review eventually has what part of the movie I thought was the most "so fucked up", or if I wasn't impressed, I'll talk about what about the film is supposed to be "shocking", "tasteless" or "just plain wrong".
This list is new yet; always want suggestions.
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| Stinger839's Rating | My Rating | |
|---|---|---|
| 1 |
Sympathy for Mr. Vengeance (Boksuneun naui geot) (2002, R) |
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| 2 |
Visitor Q (Bijitâ Q) (2002, R)
Most fucked up movie and most fucked up fictional family I've seen yet. Anything extremely taboo is stacked together like a sandwich. Some incest, lactation fetish, forced defecation, rape with a microphone, impromptu murder, regular beatings, and corpsefucking combines with the theme of family values and the cycle of violence and bullying. I defy you to watch this entire movie. |
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| 3 |
Chinjeolhan geumjassi (Lady Vengeance) (Sympathy for Lady Vengeance) (2005, R)
the modern day equivalent of M. The best film in the Chanwook Park Vengeance trilogy. It took him two movies to get there - one that is very subdued and avant-garde (Sympathy for Mr. Vengeance) followed by one that is a formulaic action movie, Oldboy - and here in Lady Vengeance a perfect balance is struck between the script and image making for an excellent, much overlooked, film. |
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| 4 |
Bent (1997, NC-17)
Hot Gay Sex List Commentary: |
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| 5 |
The Short Films of David Lynch (, Unrated) |
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| 6 |
The Last House on the Left (1972, Unrated)
Wes Craven's debut has caused me to have many a debate with other horror fans, who think the movie doesn't have the same ability to shock in today's market, but I was freaked out, whereas most current stuff of this type just makes me laugh. I think the characters have alot, for me, to do with sustaining the fear this movie can generate. |
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| 7 |
Rampo Noir (Rampo jigoku) (2005, Unrated)
Horror Not to Miss List Commentary: |
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| 8 |
Cannibal Holocaust (1979, NC-17)
Horror Not to Miss List Commentary: |
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| 9 |
Dirty Pretty Things (2003, R) |
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| 10 |
Gozu (Gokudô kyôfu dai-gekijô: Gozu) (2003, R)
Builds to a great ending. a bit too obsessed with lactation. This is best described as a surrealistic thriller. As usual, Miike makes a list of extreme activities and mashes them together to make grotesquefest. Not as nasty as Visitor Q. Too slowly paced, but some full characters and obviously fantastic visuals. |
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| 11 |
Die You Zombie Bastards (2005, Unrated)
I had a gigantic article praising this cheese romp but it was either lost in the shuffle or removed because of the naughty language oooh |
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| 12 |
Koroshiya 1 (Ichi the Killer) (2001, R)
This is a landmark gorefest, with some of the most inventive torture scenes in cinematic history. The plot is a little convoluted but I believe that's because when this transfered from manga to script, alot of characters and unnecessary segments were kept which could have been condensed. |
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| 13 |
À l'intérieur (Inside) (2007, Unrated)
Must-see horror. Best to go into this knowing nothing. A new classic, with some of the most gripping gore to splatter the screen in decades. This is one of those movies where I feel the only substantial thing I have to say is, "Why haven't you seen this yet?" |
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| 14 |
Spun (2003, R)
It's been three years since I last screened this movie, so watching it last night and reflecting upon all the horror movies I've been watching, I realize that I've been letting too many movies get away with sloppy scripts. As SPUN demonstrates, a great script is easily achievable if there is any talent behind the effort. This film is more humorous to me now that I've seen the shock moments in the past, and can now view the film more objectively. Rourke is insansely awesome in this role, so much so that when I saw it first 3 years ago, I did not recognize him until the credits rolled. All the acting is top notch here. I really don't know who Brittany Murphy is other than she gets alot of press attention and people say she is overrated as an actress; I disagree based on her performance in this, if she is atrocious at other roles, at least she has "crankhead" to fall back on. Love the cinematography style, the realistic bent of the story and characters. |
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| 15 |
Dead Alive (Braindead) (1993, R) |
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| 16 |
Salo (Salò o le 120 giornate di Sodoma) (1979, NC-17) |
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| 17 |
Mysterious Skin (2005, NC-17)
It's a movie that lingers with you because of its taboo elements, but not to the overblown extent of Happiness or Visitor Q as this story follows a smaller number of characters. This is the sort of film where you don't want to discuss it in a simple review because it will give too much away. I will say that this movie falls into that rare category in which a graphic rape actually serves more purpose than audience-targeted shock value. The worst thing about the two main characters' arcs is that one goes through a complete evolution (Brian), but the other remains static (Neil). I feel this is a purposeful comment, but still unsettling as in we want to see some sort of more profound realization on Neil's part. The dangling end of this movie is frustrating not because it is vague (it isn't) but because the movie could stand to have another sequence or scene tacked on after it. Kudos to the creator's for showing me a new level of terrible with the "five dollar special". |
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| 18 |
Oldboy (2005, R)
Of the Chanwook Park Vengeance trilogy, Oldboy is the middle piece, the one with the least subtext and the most predictable, and not surprisingly the one with the most orchestrated glorified violence that the American market devours. And the one with the most pointless "twists" may I add, whereas plot "twists" in the other movies unravel like a perfectly dropped ball of yarn cascading in a straight line down a staircase. |
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| 19 |
Faster, Pussycat! Kill! Kill! (1965, R)
This is such a fun exploitation flick. It suffers from a few filming problems (jump cuts that don't reveal what just happened, esp the race against the random "Boy Next Door" at the beginning). A great thriller story, and you can clearly see the influence on today's directors, especially Tarantino, and the rumor that he would do a remake of this has been reported numerous times on cinephile sites, but he sort of did his version of this with Death Proof and the Kill Bill films. |
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| 20 |
Naked Lunch (1991, R) |
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| 21 |
Pink Flamingos (1972, NC-17)The shock value of this movie isn't there as much for me as film-goers of this film's time, because, well, I'm a product of the internet generation and a singing asshole is something I would casually download nowadays. That said, this is still a sick movie in many ways, as is intended, and it's WAY more fun than your average exploitation fare. Good to see some unflinching nudity without a care, and even better that a chicken died mid-coitus in order to make this movie. |
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| 22 |
Bonnie and Clyde (1967, R) |
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| 23 |
Battle Royale (Batoru Rowaiaru) (2001, Unrated)
Interesting premise, tight form. Hard to care about the characters except a select few - still better empathy here than in most gorefests like this. (Two weeks later) After two more watches, still feel the same amount of connection to characters (just enough but not that much). |
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| 24 |
13 Tzameti (2005, Unrated)
Brilliantly filmed in the b/w mode that is so consistent and effective that it suggests color at times (I often find that the best b/w or greyscale pieces play these optical tricks). I watched this with someone who ached before it began, "Am I gonna hafta read subtitles for this one?" , but twenty minutes into it, after declaring that the b&w "wasn't annoying" demanded that I not pause the film because he was "really into this now". This viewer, who I'd compare to your average 18-21 American movie watcher, had only one complaint of this movie: "They should have show n like more blood and stuff when the people get killed". So I think just based on that person's experience, I can safely recommend this movie to anyone who likes action/thrillers/noir even if they're the type that can't stand foreign films and would rather be watching "Shoot Em Up". |
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| 25 |
Suicide Club (2002, Unrated) |
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| 26 |
Dog Day Afternoon (1975, R) |
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| 27 |
Wrong Turn 2: Dead End (2007, Unrated)
It's great that Wrong Turn was made because that caused Wrong Turn 2 to be made! |
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| 28 |
Cube (1998, R)
Just finished re-watching the Cube series, and this is still my favorite entry. The drama is tight, and the production design is actually my favorite of the three Cube movies. This is a suspense movie that has broad appeal, whereas the sequels would only appeal to people fascinated with the "Cube" idea. This is solidly shot with great acting, and establishes a consistent mood of the many emotions one would experience inside the Cube: hopelessness, claustrophobia, frustration, exhaustion, and the lunacy that results. |
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| 29 |
Rosemary's Baby (1968, R) |
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| 30 |
Henry: Portrait of a Serial Killer (1986, NC-17) |
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| 31 |
Murder Party (2007, Unrated) |
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| 32 |
Planet Terror (Grindhouse Presents: Robert Rodriguez's Planet Terror) (2007, R)
7-27-08 |
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| 33 |
American Psycho (2000, R) |
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| 34 |
Dressed to Kill (1980, R) |
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| 35 |
Hush Hush Sweet Charlotte (, Unrated) |
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| 36 |
Angel Heart (1987, R) |
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| 37 |
The Hole (2001, R) |
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| 38 |
Frailty (2002, R) |
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| 39 |
C'est arrivé près de chez vous (Man Bites Dog) (It Happened in Your Neighborhood) (1992, NC-17)
An extremely impressive neo-realist film, worthy of several repeated screenings. Punctuated with just the right amount of naturalistic dialogue and humour, and the image has a flawless ability to make events which are sometimes too serendipitous for narrative film work incredibly well within this illusion that we are watching real footage. Beyond being a very raw portrait of murder, this film is extremely poetic and the main character is unforgettable. |
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| 40 |
Blue Velvet (1986, R)
UPDATE 7-30-08 |
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| 41 |
The Hills Have Eyes (1977, R)
I screened this for the second time today and its rating jumped a star. The first time I saw this was right after being stunned by "The Last House on the Left" and "Nightmare on Elm Street" so it was tough for me to be as stunned by this in comparison. Watching it now, it's a solid classic story and an extreme accomplishment of Craven's to make daylight in an open desert area as scary as a dark cramped place. I love the juxtaposition of the two families, and despite the production value (Craven didn't have) the shots are great and the editing is tight. This movie spun, not as big as Freddy but just as important, a world and story to be treasured (as much as you can treasure your cannibal serial killers). Great hard end. |
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| 42 |
Two Thousand Maniacs (1964, Unrated)
Horror Not to Miss List Commentary: |
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| 43 |
Crimes and Misdemeanors (1989, PG-13) |
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| 44 |
August Underground's Mordum (2003, Unrated)
I watched the whole August Underground series in one go, and this is the only movie I kept in my collection. It's the most extreme, feels the most natural and charged, and finally does the good deed of working with three killers. A vast improvement over the first and far better than its followup; perhaps that has something to do with the fact that Fred Vogel is no longer charged with directing. This is extreme for snuff even, with the most intense scene involving a severed penis rape. Perfect balance between camera quality and effects quality (effects are extremely high quality and better than most professional productions). The visual quality is compromised on purpose to capture the handheld/found footage aesthetic and of all three movies this strikes the best balance between overplanninng and underplanning in terms of shot composition and how much jerky hand tremble shooting is allowed. A great extreme movie, and the only entry in the August Underground series worthy of notice. |
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| 45 |
August Underground's Penance (2007, Unrated)
So this is a snuff love story, shot in handheld style, and it's only barely better than the first (only because the visuals are finally filmed at a better quality). I'm glad that there are the two characters exchanging things here, but this movie just can't compete with the extremity of the second August Underground movie. The biggest failure of the first movie was the lack of attempt at narrative or characterization, and this one tries to remedy that, but not convincingly so. Too many moments worth fast-forwarding through, and the induced shame scenes are not nearly as extreme as past entries. The gore is just as good, as now it is filmed so that it can be seen and one can truly appreciate the effects work. Like I said of the first one, better than your Saws and Hostels, but not this generation's Cannibal Holocaust. |
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| 46 |
August Underground (2001, Unrated)
The title and box suggest a subdued Euro horror verite, but this is old fashioned North American handheld homemade horror. For that genre, or just as a realistic spat of serial killing, there are some great scenes but nothing holding this together as a cohesive piece. The biggest problem with this one is focusing on the one killer and not exposing more of the cameraman's nastiness. This is a few steps above what is passed off as serial killer movies today in the mainstream market, and any of those tweens supporting crapstream horror who accidentally watch this won't be able to take it. Course the visuals are astonishingly terrible, leaving one longing for the fine lens of Miike to better film the snuff. Does the movie feel real during some spots? Yes. Does that make me any more impressed with it as an intentional piece of work? No, because it needs to have some more thought and composition behind it, at least in visual terms so that it hangs together. If you can't stand another mediocre PG-13 horror, then watch this mediocre extreme film instead for all the right sins. It's just that I've seen *real* snuff done more artfully than this. That, and considering how much that main actress in the chair got paid, these guys could have broken down and afforded a better camera. |
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| 47 |
Street Trash (1986, Unrated) |
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| 48 |
Long khong (Art of the Devil 2) (2005, Unrated)
This is standard Asian shock horror (or Asian Extreme as the dsitributor would like you to label this genre of new ultra-gory ultra-absurd, yet incredibly realistic towards the portrayal of absurd violence, movies). |
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| 49 |
Khon len khong (Art of the Devil) (2004, Unrated)
Instead of watching a crap modern American horror movie, indulge in this evenly paced supernatural thriller. The dubs on the version I saw surely did not do the actors justice (they dub screams and sobs as well as dialogue). The gore scenes are evenly placed from each other, but linked together by compelling setup scenes. When the gore does kick in, we are introduced to some incredible visuals and also truly inventive ways to be killed. My only genuine criticism of this movie is that it is not good as other modern Asian horror, but that still makes it five heads above any recent Lions Gate releases. |
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| 50 |
Happiness (1998, Unrated) |
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| 51 |
Event Horizon (1997, R) |
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| 52 |
À l'Intérieur (Inside) (, Unrated) |
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| 53 |
Twin Peaks: Fire Walk With Me (1992, Unrated) |
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| 54 |
O Fantasma (2000, Unrated)
My Logline: A Dirty Little Slut with a Forbidden Big Crush. A great art house portrait of loneliness, squalor, and sexual desire. Great anonymous sex scenes and some truly great erotic cinematography very partial to the callipygian lead. (I'd recommend a jerk before you watch this if you're ten percent the horndog that this main character is). There is very little dialogue but swimming pools of unspoken communication, tense as a hard-on and spread like petroleum jelly. The grungy filth is there though; this character is a garbage worker living in the streets, garbage warehouse, and rented rooms who steals from garbage bins for masturbatory articles of clothing and sneaks about his obsession's property. Don't read past the spoiler if you want to watch this. The problem with this film is the ambiguity of the pivotal point which causes the ending of the final act. It's not the (chronologically) non-linear editing of the scenes that bothers me, but the story; BIG SPOILER - I dislike the options of scenarios that are offered regarding the outcome of the capture and rape. Problem: in one scenario (the first scene actually) the guy is lovin Sergio pounding him in the kinky gear (when I first saw it, I didn't know it was non-consensual; I thought it was just some fetish stuff as both parties looked to be having intense pleasure.). In the other, Sergio just drags the guy out to street and leaves him somewhere, the only bit of action being Sergio dry humping him (without the zipper on the latex suit open) whilst securing his bonds. I want to know if Sergio degrades into the animalistic swine he is at the conclusion of the film because he has totally fulfilled his fantasy or he's completely pitifully failed at his attempt. Maybe the point is that both would lead to the ending's savage lack of humanity and loss of identity; that's pretty common of art house, but had I wrote it, I would have definitively picked one and explored THAT subsequent theory instead. Me myself, would be better that he got the more glorified version and fell into such utter despair that he no longer needs to function as a human so reverts to a primordial state, no longer able to exist in the human context, as opposed to failing at such a thing, stooping so low and doing something so primal, causes a human to lose their humanity (this answer is just flatter and more common sense as opposed to revealing like my choice). |
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| 55 |
Descent (2007, R)
Plot Spoilers Necessarily Throughout This Review |
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| 56 |
Requiem for a Dream (2000, R) |
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| 57 |
The Girl Next Door (2007, R)
A truly scary serious drama. Between the kids' acting and the timeless villainess of Ruth, this is a definite keeper. It's real, it's brutal, and it's well paced. There are a few plot holes, but that may have been lack of attention span on my part, in which case the detail was too subtle but some of the plot clumsiness is intentional (SPOILER: Who sent the main character that painting? is the biggest hole). I was also sickened by the forced sentimentality of the girl's death; it just ruined what could have been otherwise a hard and sickening scene. SPOILER OVER |
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| 58 |
The Stink of Flesh (2004, Unrated) |
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| 59 |
Rohtenburg (Grimm Love) (2007, Unrated)
This gets two stars for being made without any serious acting or editing flaws. And it has thoughtful cinematography. That is all it does well. The only people who will see this are probably those already familiar with the true story, which is SO ripe for some really ground-breaking rule-breaking film-making but this film just turns into a sort of made-for-TV version of the story. There are four treatments of the story, and I wanted to see at least one of those (Lommel's 'Cannibal') before reviewing this, but I'm not gonna. The story, if you don't know, is about cannibal serial killer Armin Meiwes who advertised for a victim online, and found a willing participant named Brandes whose fantasy was to watch his penis be bitten off and devoured. Meiwes videotaped the "slaughter" of his "victim", which is why authorities and the press know that Meiwes was unable to bite the penis off, so Brandes had to settle for a knife. They both wanted to eat the penis, but Meiwes overcooked it after Brandes commented that it was too chewy raw. The movie does a fair re-staging (I wonder if the director/creators were able to see the real tape) but all of the gore is left out. We don't see any filet of dicklet or any anxious biting.... which that's half the reason I watched this - guaranteed fucked up combo of two fucked up things - castration and cannibalism. I also wanted to feel the bond between these two characters and how this act was making them whole, but all I got was Keri Russell's preachy and transparent voice-over, which her character was attempting to show "a sane and empathetic look at madness" but all it does is interfere in the pacing and mislead the audience. The acting between the two leads hits stride at certain moments, but for the most part Kretschmann is walking blocks around his counterpart. I also dislike the flashbacks of the men's childhoods, which is actually the reason why Meiwes was able to have this film banned in Germany (he didn't like people talking about his mommy issues). And I didn't like the movie using his mommy issues to prop up a Norman Bates figure for us, as serial killing is FAR more complex than an overbearing mommy. And, I need to say it again. I wanted more gore. One thing I don't know about this case (and I'm the sort of sick fuck that REALLY wants to see the real tape) is when Meiwes sliced off the penis, did he leave Brandes' balls on him or cut the whole sort of penile bulb out all at once? There's no reason why a movie with this content couldn't have answered my question there. In "Pink Flamingos", Waters wasn't afraid to show that Divine had let the manservant keep his balls, so why is a foreign director afraid of frontal nudity (of which there is NONE in this film) in today's market where the audience applauds when Hostel 2's protagonist clearly and nonchalantly slices off a penis and tosses it to hungry dogs as the movie's climax? I guess the director wanted to make something more meaningful, but he didn't and I don't know if they were able to use real transcripts/emails from the case, but alot of the crucial lines could have been better written. |
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| 60 |
Three...Extremes (Saam gaang yi) (2005, R)
Still have to see Miike's portion. Will write or adjust a bit more if needed. |
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| 61 |
Hannibal (2001, R)
I just finished the novel and then re-screened this film. When I first saw it on its release year (pirated download then as well) I couldn't yet stomach much horror, and Oldman's makeup job creeped me out of seeing this. |
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| 62 |
Calvaire (The Ordeal) (2006, Unrated)
Survival horror for the art house crowd, Calvaire has a unique oddness that drives its deranged story straight into the eyeballs of viewers. The horror here is in the insanity of the captors and the atmosphere of the area where the main character is stranded. |
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| 63 |
Blood Sucking Freaks (Bloodsucking Freaks) (1976, R)
I haven't watched the whole thign yet, so I can't rate it. I was sort of burned out on horror and extremity that day and this movie made ME stop as it was just too much exploitation for one day, so it's an automatic add to my "Fucked Up" list. |
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| 64 |
The Killing Fields (1984, R)
An engrossing true account of living under the Khmer Rouge. I was first shown this movie as part of an American history class over four years ago, and the amazing cinematography and full force acting still stick in my mind. I will always remember the scene in which Dith Pran must pretend he doesn't understand what is being said on the radio. It is unfortunate that Mr. Pran is no longer living, as he was eager to correspond with anyone interested in his life and experiences; my teacher encouraged all of her students to e-mail him if they had questions, and various classmates staggered across the years had in-depth correspondence with him. |
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| 65 |
13 game sayawng (13: Game of Death) (13 Beloved) (2008, Unrated)
This is a well executed movie, and I would have given it a 4 if the dubs weren't so awful (the choice to dub screams and gasps is especially detrimental to the film). However, the story isn't compelling enough for me to seek out an original language subbed version, which is the only version you should be looking for (hard to find since Dimension Extreme re-released this stateside). Not a horror, but bloodier than your conventional thriller, this film fits nicely in the extreme category. |
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| 66 |
Trouble Every Day (2002, Unrated)
Minimal dialogue, a film that tells its story with images instead. At first the pacing and cinematography were hypnotizing, but an hour in, the slowness was effecting my viewing experience. It's clearly a very visually calculated movie, and obviously wants to be considered art house. |
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| 67 |
The Devil's Chair (2008, Unrated)
For a horror film, this is a four because of the split genre format and genre commentary in the main character's narrating voice-over, as well as the demon creature and related effects. The sets are interestingly bare and bleak, and the actors know how to overact on purpose. The gore is pretty great and the practical effects are fun, and I can also tolerate the bits of CG effects. |
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| 68 |
Snuff: A Documentary About Killing on Camera (2008, PG)
A decent documentary exploring the myth of snuff film, including an interview with producer Mark L. Rosen who saw a real snuff film while working as a distribution agent in the 70s. Also includes a thorough examination of filming war in the Iraq conflict and its impact on society. Some rare footage from the serial killers Lake and Ng who videotaped their torture sessions. A bit of debunking on the "Faces of Death" series and how this shows the delineation between death film and snuff film. Also cites some infamous exploitation films which simulate snuff. Good introduction to the concept and culture of snuff. |
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| 69 |
Cannibal (2008, R)
Another version of the Armin Meiwes story, except this one IS the ground-breaking film I expected from this story. |
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| 70 |
Audition (Ôdishon) (1999, R)
When people say that the film is predictable in their reviews, they MUST mean that they know the torture sequence is EVENTUALLY coming and that Asami is psycho, right? (SPOILERS) Yall don't mean that you knew Asami had to quit ballet because her uncle abused her, that Aoyama would meet this uncle character, that Miike would pull an "inside the dream" sequence, that he had cut crucial revelations Asami makes about her past out of the first versions of the dates to insert them in the replays in the dream, that the hotel scene really didn't end where it did? Because I'm DAMN good at predicting even small plot details, and I HIGHLY doubt that you dolts saw the majority of that stuff coming. One or two things, I grant you. I knew that the man in the bag would be either the record industry man or the man from the bar, and that his limbs would be severed, so I'll give you one or two odd details you could predict, but all to the point that it made the crucial details predictable? Wanna say the movie's predictable - okay, as long as you mean that everyone knows the synopsis of "a man meets a girl and she tortures him". You may know physical torture from Asami is coming, but you couldn't have anticipated the layers of psychological torture the main character puts himself through in addition to the physical torture. |
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| 71 |
Irreversible (2002, Unrated)
This is a hypnotic film utterly self-contained and deserving of the proclamation as genius. |
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| 72 |
Jungle Holocaust (Ultimo mondo cannibale) (Cannibal) (Carnivorous) (Last Cannibal World) (1977, Unrated)
Far tamer than Cannibal Holocaust, Last Cannibal World is better pegged as a jungle adventure thriller (with cannibalism, primitive people's rituals, and an overall harsher and realistic bite than a typical jungle adventure) than exploitation, and it's certainly not a horror. |
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| 73 |
Bloody Mama (1970, R)
Had this pre-dated Bonnie and Clyde, it would be hailed as a classic and taught in film schools everywhere. As it is, it is a very entertaining exploitation flick from Roger Corman, featuring Shelley Winters in the lead role. I personally prefer it to Bonnie and Clyde, as this odd family is far more complicated and just as socially radical. |
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| 74 |
Seed (2007, Unrated)
I feel that I must address the director before his film due to the incredible amount of shit he receives from the internet by people who haven't even seen his movies (or just House of the Dead). Yes, it's Uwe Boll time. Considering the amount of pure crap that emanates from the horror genre, Boll is making better than average flicks. For the horror genre, Boll nowhere near deserves the level of hatred and criticism he gets. All that aside, let me move on to this actual film. |
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| 75 |
Vacancy (2007, R)
This was an uber effective and fun treatment with a special twist on the "went down the wrong road and got stuck with serial killers" movie. In this one, the backwards serial killers make marketed snuff from all their victims, and this film's two protagonist victims discover this fact while waiting for their death on the same "set". |
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| 76 |
Teeth (2007, R)
This is why parents need to speak to their kids about sex: to insure that your kid doesn't have monster genitals and think it's normal because they have not been exposed to any proper sexual education. This is also why a hottie twink teenage boy shouldn't try raping his virgin and celibate girlfriend - he'll get his dick bitten off and the only sexual option possible after that will be to present his hot cornhole to me for proper deflowering (Yes kids, attempting hetero sex before marriage leads to penile loss and gay butt sex!). |
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| 77 |
Eden Lake (2008, R)
The introductory car scene is cinematically identical to Funny Games. |
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| 78 |
Stuck (2008, R)
After a brilliant montage of nursing home living set to thudding rap music, this film's story begins outrageously bleak and desperate, and certainly doesn't improve with each passing sequence. |
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| 79 |
Martyrs (2008, R)
Tentative rating of 4 on first screening. This is a movie that has to sink in and I need to watch again before I can give an accurate rating. |
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| 80 |
Snuff 102 (2007, Unrated)
"That's Fucked Up" commentary: This film shoots straight to the heights of fucked up cinema. This is the film Hostel wishes it could be. I defy you to watch the whole thing. The camera technique and effects are so well done that I kept feeling I was watching real snuff. |
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| 81 |
Deadgirl (2008, R)
This is a well executed serious take on the outrageous b horror-exploitation flicks this writer usually makes. |
















































































brent73rn posted 490 days ago
thanks for the list, looking forward to seeing some of these movies.
brad posted 428 days ago
excellent list.
alphabetsandnumerals posted 421 days ago
effing love this list :D am gonna work down slowly starting from the top
RCCLBC posted 412 days ago
Great list.
Have you seen Argento's 'Opera'?
There are some majorly "fucked-up" scenes in that film.
sleepykiss posted 402 days ago
31/66. Great list, Ill try to track some of these down :)
wyatte53 posted 302 days ago
check out "The Salton Sea"
76Majikat posted 285 days ago
There are many on here that I haven't yet seen, so favourited it to work through
bajsglad posted 219 days ago
yees. lovley first part of the list. miike is god!
toenailep posted 197 days ago
Devil's Diary!
Christina's House!
1408!
Pretty sure you can find something fucked up on these movies.
sportboy posted 97 days ago
I haven't seen any of these but I will start going through this list soon to try and see all these.