Tom Bowler's Top 100
my top 100 movies that i've seen.
- Page Views
- 166
- Comments
- 0
| TomBowler's Rating | My Rating | |
|---|---|---|
| 1 |
Pulp Fiction (1994, R)
It's difficult to follow an act like Reservoir Dogs. Either you make a film so brilliant that it becomes legend, or you never make anything ever again. Quentin Tarantino made Jackie Brown, a film which didn't quite showcase his directing and writing skills to their fullest extent and left critics in doubt as to his brilliance. Then he made Pulp Fiction. With an incredible cast of almost forgotten actor John Travolta, uber cool Samuel L Jackson, the undisputed master Harvey Keitel and relatively new Tim Roth, Tarantino wrote one of the most groundbreaking scripts for its time, filled with dizzying monologues, intense back and forth and a lot of swearing. The reason that Pulp Fiction is so highly regarded by critics around the world is the fact that it changed the way that films were made everywhere and brought into light an entirely different segment of society. In one film school, the story goes that after Pulp Fiction, 90% of the film assignments that were handed in featured hitmen, drugs or a lot of swearing, often a combination of all three. One film involved two hitmen sitting in a diner talking about the idiosyncracies of the Brady Bunch before shooting each other. The strength of Pulp Fiction lies in Tarantino's brilliant script and incredible instinct for the weird and wonderful. Some of the strangest scenes (see Jack Rabbit Slims) have now become some of cinema's most recognised worldwide. The reason that many people don't understand this film or don't see the point is because today's films have conditioned them to do so. Michael Bay, I'm talking about you. Many of today's directors prefer to leave their audience nothing to assume and nothing to figure out for themselves, dropping the biggest hints they can so that you will understand. Tarantino, on the other hand, trusts his audience to fill in the blanks or to wait until the moment of revelation, forcing you to pay attention throughout the film's entirety. Some of the sets and scenery in this film are amazing in their own right (once again, see Jack Rabbit Slims) but are modestly glossed over by Tarantino. Unlike Kubrick who wants his viewers to experience his location choice or set design to its fullest capacity, and with good reason, this plays second fiddle in a Tarantino film, showcasing instead the almost poetic dialogue, and giving the audience an intimate viewing of the characters, forcing them to sit through "uncomfortable silences" and drawn out war stories. Even though this may sound uninteresting, there is never a boring moment in the film. But whether you love it or hate it, and many people will hate it, there is no denying the impact this film had and still has upon the entire world. Incredible film. |
|
| 2 |
Star Wars: Episode IV - A New Hope (1977, PG) |
|
| 3 |
Reservoir Dogs (1992, R)
Quentin Tarantino is one of my favourite directors. His great blend of violence, swearing and drugs always manages to create a darkly comic film which leaves you apalled at yourself every time you laugh. Reservoir Dogs is the perfect example of Tarantino for me. It brings together a whip smart script, a seasoned ensemble and a macho gangster tale and creates a film which takes you from one extreme to the other in the space of a few seconds. After laughing in disbelief at the opening "Like a Virgin" sequence and the inspired slow motion walk to "Little Green Bag," you are suddenly plunged into a sympathetic, almost shocked state as the sounds of Tim Roth wailing about being shot slowly fade in over the sounds of the Hits of the 70s on the radio. Similarly, the flashback sequnces are included without any great aplomb, prefaced by a quick title card and then getting straight down to business. This style of narrative, with questions first and answers later, is much more rewarding than a linear narrative and much more satisfying. The cast's performances are also brilliant, with the close to death Tim Roth shining out brightest. Steve Buscemi is fantastic as well, speeding through lines like, "somebody stuck a red hot poker up our asses and I wanna know who's name is on the handle" at a breakneck pace. Harvey Keitel diplays and movingly genuine performance as gangster turned father figure Mr White, from the "You're gonna be okay!" scene to beating Buscemi's ass all up and down the rendevouz. Michael Madsen is as believable as it is possible to be when playing an ear hating psychopath while dancing to Stuck in the Middle WIth You. The fact that Tarantino's debut added renewed vigour to violence in film debate only goes to show the impace that this movie had worldwide. Great film. |
|
| 4 |
A Clockwork Orange (1971, R)
unnerving is the term. disturbing, even. kubrick proved to the world that he was a genius of filmmaking with this masterpiece. the confronting yet elegantly shot scenes are some of film history's most poignant. Malcolm McDowell was apparently under the impression that they were making a comedy while they were filming. hahahaha, er, hmph. hilarious. |
|
| 5 |
What's Eating Gilbert Grape (1993, PG-13) |
|
| 6 |
Fight Club (1999, R) |
|
| 7 |
The Godfather (1972, R) |
|
| 8 |
Donnie Darko (2001, R) |
|
| 9 |
The Matrix (1999, R) |
|
| 10 |
Star Wars: Episode V - The Empire Strikes Back (1980, PG) |
|
| 11 |
Aliens (1986, R) |
|
| 12 |
The Princess Bride (1987, PG) |
|
| 13 |
GoodFellas (1990, R) |
|
| 14 |
Alien (1979, R) |
|
| 15 |
The Lord of the Rings - The Return of the King (2003, PG-13) |
|
| 16 |
Moulin Rouge! (2001, PG-13) |
|
| 17 |
Kill Bill: Volume 1 (2003, R) |
|
| 18 |
A Night at the Opera (1935, Unrated) |
|
| 19 |
The Departed (2006, R) |
|
| 20 |
E.T. - The Extra-Terrestrial (1982, PG) |
|
| 21 |
Psycho (1960, R) |
|
| 22 |
The Dark Knight (2008, PG-13) |
|
| 23 |
Serenity (2005, PG-13) |
|
| 24 |
Eternal Sunshine Of The Spotless Mind (2004, R) |
|
| 25 |
Pirates of the Caribbean - The Curse of the Black Pearl (2003, PG-13) |
|
| 26 |
The Royal Tenenbaums (2001, R) |
|
| 27 |
King Kong (2005, PG-13) |
|
| 28 |
Catch Me If You Can (2002, PG-13) |
|
| 29 |
Shaun of the Dead (2004, R) |
|
| 30 |
Seven (Se7en) (1995, R) |
|
| 31 |
Ocean's Eleven (2001, PG-13) |
|
| 32 |
The Lord of the Rings - The Fellowship of the Ring (2001, PG-13) |
|
| 33 |
Kill Bill, Volume 2 (2004, R) |
|
| 34 |
Drop Dead Gorgeous (1999, PG-13) |
|
| 35 |
Gladiator (2000, R) |
|
| 36 |
When Harry Met Sally (1989, R) |
|
| 37 |
Star Wars: Episode VI - Return of the Jedi (1983, PG) |
|
| 38 |
Memento (2000, R) |
|
| 39 |
10 Things I Hate About You (1999, PG-13) |
|
| 40 |
Monty Python and the Holy Grail (1975, PG) |
|
| 41 |
The Phantom of the Opera (2004, PG-13)
andrew lloyd webber is an absolute genius. plain and simple. emmy rossum, playing christine, is sumptuous, however, it is her counterpart, gerard butler, who is the real focus of the piece. surprisingly adept at singing, butler makes the hair all over your body stand on end when he goes from beautiful falsettos to incredible full bodied sound. a masterpiece. |
|
| 42 |
Monty Python's Life of Brian (1979, R) |
|
| 43 |
Romeo + Juliet (1996, PG-13) |
|
| 44 |
Airplane! (1980, PG) |
|
| 45 |
Close Encounters of the Third Kind (1977, PG)
close encounters is a brilliant film, with lavish sets, incredible special effects and five notes which will stick in your head for weeks. richard dreyfuss is fantastic. close encounters is not as well known as spielberg's other films, mainly because it came out around the same time as star wars and was slightly overshadowed. it is however, a great film. |
|
| 46 |
The Color Purple (1985, PG-13) |
|
| 47 |
Saving Private Ryan (1998, R) |
|
| 48 |
2001: A Space Odyssey (1968, G) |
|
| 49 |
Blade Runner (1982, R) |
|
| 50 |
Munich (2005, R) |
|
| 51 |
The Blues Brothers (1980, R) |
|
| 52 |
The Dark Crystal (1982, PG) |
|
| 53 |
Crouching Tiger, Hidden Dragon (Wo hu cang long) (2000, PG-13) |
|
| 54 |
This Is Spinal Tap (1984, R) |
|
| 55 |
Superman (1978, PG) |
|
| 56 |
The Usual Suspects (1995, R) |
|
| 57 |
The Terminator (1984, R) |
|
| 58 |
Terminator 2: Judgment Day (1991, R) |
|
| 59 |
Rain Man (1988, R) |
|
| 60 |
The Castle (1999, R) |
|
| 61 |
Fargo (1996, R) |
|
| 62 |
The Shawshank Redemption (1994, R) |
|
| 63 |
Casablanca (1943, Unrated)
this film is filled with so many one liners that it's incredible to think that most of the script writers were being fired throughout production. the bogey is brilliant as rik and ingrid is stunning as always. the film itself is incredible, not to mention the greatest film ending in all of cinema history. |
|
| 64 |
To Kill A Mockingbird (1962, Unrated) |
|
| 65 |
The Crow (1994, R) |
|
| 66 |
Young Frankenstein (1974, PG) |
|
| 67 |
Babel (2006, R)
this is such a gritty, brilliant movie. brad pitt is playing his most underplayed role yet and cate blanchett, though in the film for a little while, lights up every scene she takes part in. the interconnecting stories, remeniscent of crash, weave such a tangled web which somehow make sense in the end. the girl playing the deaf-mute japanese girl is brilliant. some of the hardest hitting scenes which will never fail to shock the audiences abound in this film. |
|
| 68 |
Zoolander (2001, PG-13) |
|
| 69 |
Breakfast at Tiffany's (1961, Unrated) |
|
| 70 |
Edward Scissorhands (1990, PG-13) |
|
| 71 |
The Truman Show (1998, PG) |
|
| 72 |
Mission Impossible (1996, PG-13) |
|
| 73 |
Die Hard (1988, R) |
|
| 74 |
Casino Royale (2006, PG-13) |
|
| 75 |
The Silence of the Lambs (1991, R) |
|
| 76 |
The Lion King (1994, G) |
|
| 77 |
The Bourne Identity (2002, PG-13) |
|
| 78 |
The Lord of the Rings - The Two Towers (2002, PG-13) |
|
| 79 |
Spider-Man (2002, PG-13) |
|
| 80 |
Back to the Future (1985, PG) |
|
| 81 |
Batman (1989, PG-13) |
|
| 82 |
Jurassic Park (1993, PG-13) |
|
| 83 |
V for Vendetta (2006, R) |
|
| 84 |
Raiders of the Lost Ark (Indiana Jones and the Raiders of the Lost Ark) (1981, PG) |
|
| 85 |
Jaws (1975, PG) |
|
| 86 |
Ferris Bueller's Day Off (1986, PG) |
|
| 87 |
The Birds (1963, PG-13) |
|
| 88 |
The Wizard of Oz (1939, G) |
|
| 89 |
Vertigo (1958, PG) |
|
| 90 |
Forrest Gump (1994, PG-13) |
|
| 91 |
Rear Window (1954, PG) |
|
| 92 |
Goldfinger (1964, PG) |
|
| 93 |
Finding Nemo (2003, G) |
|
| 94 |
Silent Running (1971, G) |
|
| 95 |
Regarding Henry (1991, PG-13) |
|
| 96 |
It's a Wonderful Life (1946, Unrated) |
|
| 97 |
The Passion of the Christ (2004, R) |
|
| 98 |
Bill & Ted's Excellent Adventure (1989, PG) |
|
| 99 |
Grease (1978, PG) |
|
| 100 |
Labyrinth (1986, PG) |




































































































