Danielle Darrieux, Catherine Deneuve, Isabelle Huppert

One murdered man, eight women, each seeming to be more eager than the others to know the truth.

Flixster Users

75% liked it

19,069 ratings

Critics

78% liked it

111 critics

R, 1 hr. 43 min.

Directed by: François Ozon

Release Date: September 20, 2002

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DVD Release Date: February 11, 2003

Stats: 874 reviews

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Flixster Reviews (874)


  • February 19, 2009
    A fun dark comedy that is completely over-the-top, and in that way, completely French.
  • December 26, 2008
    "There is no happy love."

    As warm and charming as Gosford Park was cold and smug, as colourful and fun as Robert Altman's film was grim and dark, François Ozon's 8 Femmes is a delightful film for most of its length and a resounding victory of French over Br...( read more)itish sensibilities, at least as far as I'm concerned. Gorgeous actresses and visuals abound, as do witty and biting dialogue and ever more outrageous twists and revelations.

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    Ozon has linked his film with his childhood attraction to dolls, dressing and undressing them and putting them in all sorts of situations. Hence, 8 Femmes is a film populated with women of all ages and kinds. There is only one male character, man of the house Marcel (Dominique Lamure), but he's murdered as the film opens and even in flashbacks, we only see the back of his head. What Ozon is interested in is his "dolls," and you can't blame him. There's Catherine Deneuve as Marcel's pampered wife Gaby, Fanny Ardant as his "liberated" sister Pierrette, Isabelle Huppert, hilarious as the neurotic, never married Augustine, Virginie Ledoyen as daughter Suzon back from college for Christmas, Ludivine Sagnier as the absolutely adorable if mischievous 16-year-old Catherine, living legend Danielle Marrieux as Marcel's "alcoholic witch" of a mother-in-law, and Firmine Richard and Emmanuelle Béart as the not-so-discreet housemaids.

    The film's "doll house" is a big, lush mansion in which the 8 women and the male cadaver are stranded by a snowstorm. Adding to the theatricality is a nearly real-time narrative, a distinct '50s-era, predominant dialogue and musical numbers, but Ozon's film is very cinematic too, if old fashioned. He's manipulated his images to recreate the look and feel of Technicolor, and the result is eye-popping and beautiful. The song and dance numbers are a mixed blessing, ranging from priceless (like Sagniers "Papa, t'es plus dans le coup") to downright embarrassing (like Richard's lament). Yet despite corny lyrics and unimaginative arrangements, making 8 Femmes a musical on top of being a murder mystery and a comedy adds to the unpredictability.

    The film's main pleasure is watching all these great actresses bickering and bitching each other, with all the old secrets and tensions finally coming to the surface. Everyone is suspecting everyone, and everyone's got a different version of how things happened. Surprises abound, which is nice, but unfortunately Ozon doesn't always know when to stop and it can get to be a bit much. By the end, the film is more concerned with laughs and rhythm than plausibility, which you can accept if you take it as an anything-goes screwball comedy (which it sort of is). When it doesn't work is when Ozon seeks laughs AND drama, which doesn't quite pan out. Still, these are only nitpicks, as 8 Femmes as whole is a treat not to be missed, with a lot more hits than misses. Besides, the cast alone is worth it, and it's a neat flick to watch with your mum on Christmas.
  • March 26, 2008
    Introduced me to Pour Ne Pas Vivre Seul. I guess anyone's enjoyment of this would be contingent on their understanding of French since it's a musical, but the fact that it has all these actresses makes it an important watch. More honestly, I'm trying to say that I'm a slut...( read more) and I'll watch anything with Emmanuelle Beart in it.
  • December 25, 2006
    A bizarre and quirky French musical murder mystery. Each character reveals new plot points and has something to hide. The songs are beautifully written and well executed. The costumes and set design help to create a realistic atmosphere.
  • October 2, 2006
    Pretty odd french film , which I don't recomend.
  • October 28, 2009
    It was okay. I won't watch it again, though I did really want to know who killed the father, I didn't like the musical parts.
  • October 14, 2009
    Was lil'bit surprised when watching it in the cinema. But the film is just so camp, & colorful! 8 women- with 8 totally different distinctive characters: awesome!! Brilliant soundtracks & trailer. Superb directing, arts & cast.
  • August 2, 2009
    sacma sapan fantastik kadin oyunculu filmler. ben sinemadan anlamiyorum, sevmiyorum. erkek filmi.
  • July 13, 2009
    Such a fun and bizarre French musical. So friggin' bizarre...
  • May 20, 2009
    Catherine Deneuve is amazing and beautiful.

Critic Reviews


November 10, 2002
Anthony Lane, The New Yorker

Ozon's is the art of the white lie, told in blinding color, and tinged with surprising truths. full review

October 2, 2002
Nick Schager, Matinee Magazine

Beautifully constructed, unexpectedly touching, and gorgeous to behold, it's a swirling kaleidoscope of murder, intrigue, and musical numbers that cinematic bon vivants will eagerly devour. full review

September 27, 2002
Moira MacDonald, Seattle Times

It's a big puffy French pastry of a movie: light, airy, silly, not especially memorable, but delicious while it lasts. full review

September 27, 2002
Liam Lacey, Globe and Mail

Its silly, mannered contrivances nonetheless cast a nostalgic spell, and you find yourself drawn helplessly into the loopy, nonsensical story with strangely fretful anticipation. full review

September 27, 2002
Roger Ebert, Chicago Sun-Times

Watching 8 Women, you have a silly grin half of the time. full review

September 26, 2002
Peter Travers, Rolling Stone

Whatever you call this one-of-a-kind bonbon spiked with wit and malice, it's classic oo-la-la. full review

September 26, 2002
Stephanie Zacharek, Salon.com

Under the pretense of casting a spell of wonder, mystery, joy and despair, all Ozon has really done is set up a dry, lifeless environment in which ironic detachment -- the arch-enemy of all great art ... full review

September 19, 2002
A.O. Scott, The New York Times

Indefensible, cynical, even grotesque; it is also pure -- that is to say innocent and uncorrupted -- fun. full review

View more 8 Women (8 Femmes) reviews at RottenTomatoes.com

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