À cause d'un garçon (You'll Get Over It) (2003)
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63% of critics liked it
(16 reviews) -
61% of users liked it
(670 ratings)
Fabrice Cazeneuve's coming-out comedy drama You'll Get Over It (Tu Verras, Ca Te Passeras) was originally aired on television in France. Teenage Vincent (Julien Baumgartner) is the golden boy of his high school and family. He's on the swim team, has an adoring girlfriend in Noemie (Julie… More Fabrice Cazeneuve's coming-out comedy drama You'll Get Over It (Tu Verras, Ca Te Passeras) was originally aired on television in France. Teenage Vincent (Julien Baumgartner) is the golden boy of his high school and family. He's on the swim team, has an adoring girlfriend in Noemie (Julie Maraval), and a loyal best friend in Stephane (Francois Comar). However, he secretly sees an older Bruno (Nils Ohlund) for discreet sexual encounters. When the new kid at school, Benjamin (Jeremie Elkaim), tries to pick him up, everyone finds out his secret. His previously supportive network begins to falter, while his mean older brother Regis (Antoine Michel) eggs them on. You'll Get Over It was screened at the 2003 San Francisco Gay & Lesbian Film Festival. ~ Andrea LeVasseur, Rovi
- Directed By
- Fabrice Cazeneuve
- Written By
- Vincent Molina
- Genres
- Drama, Art House & International, Comedy
Unrated,
- In Theaters
- Mar 13, 2002 Wide
- Studio
- Picture This! Entertainment
Critic Reviews
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Matt Weitz, Dallas Morning News
You can see the emotions of the characters pass through the actors' faces and bodies. Mr. Baumgartner shines brightest, perhaps because his character is the most conflicted.
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Kevin Thomas, Los Angeles Times
There's a naturalness to the entire cast, yet there is considerable depth to the portrayals, and the interplay between the characters is exceptionally rich and nuanced.
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Stephen Whitty, Newark Star-Ledger
There are countless teenagers living secret lives right now, and they don't need hurrahs. They need honesty -- and better films than this.
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V.A. Musetto, New York Post
Does anybody care?
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Dave Kehr, New York Times
Well-meaning and hopelessly bland.
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