I'm an admirer of Patrick Stewarts enormous body of work for stage, TV and film, and this version of A Christmas Carol is no exception. This 1999 production spun from his very successful one man show of A Christmas Carol, and they simply added a fine supporting cast to make this… More
I'm an admirer of Patrick Stewarts enormous body of work for stage, TV and film, and this version of A Christmas Carol is no exception. This 1999 production spun from his very successful one man show of A Christmas Carol, and they simply added a fine supporting cast to make this version complete. It hones very close to the book, and portrays the various ghosts as Dickens described: Joel Gray is interesting as the wispy Ghost of Christmas Past, and other familiar stage and screen British actors round out the cast. The movie was originally made for television, and the smaller budgets for a TV film certainly show up. However, this is balanced by Patrick Stewart, who growls and grumbles his way in fine Shakespearian style through the character of Scrooge. Of all the Scrooges portrayed, Stewart is probably the most cranial of the actors that have done the role. He's got all the tones of light, dark, and gray that a classically trained actor ought to use with a character like Scrooge. His face is wonderfully expressive - one of his real strengths as an actor.
The Cratchits (Richard E Grant) and the various supporting characters all support his fine performance with equal gusto. Best of all, the story doesn't descend into overdone holiday sentiment, so for those looking for a slightly darker tone to the film, this might be the right one to see. The special effects for the supernatural sequences are pretty good for a TV movie, (Turner Broadcasting) with one or two minor exceptions. Scrooge's journeys with the spirits are a nice blend of reminiscences and guilt. Likewise, his eventual redemption seems real enough, and is embodied in the church sequence. The Dickensian atmosphere is strong here, and hasn't been dumbed down for purposes of understanding. The lines are largely lifted right from the pages, and luckily, the actors are all up to the task of speaking in "Victorian". A good one. Not as iconic as Alistair Sim, or as coldly practical as George C. Scott, but one of my top 3, for certain.