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Plot: A divorced painter escapes to a small island in the Great Barrier Reef inhabited by an old woman, her granddaughter, and an aging spinster.
I watched all the way through this movie before I found out that the "child" in this movie was Helen Mirren. Who knew she was young once. Actually I didn't like the movie that much. I would have preferred that the painter stayed true to his art and not thrash around with the kid at the end.
As always, Helen Mirren is delightful to see. And James Mason finally gets to be with his Lolita. And oh, I did find Mason's mate more aggravating than an Australian fly. For those who haven't experienced them, Australian flies will just never leave you alone. They're aggressive little insects who are attracted to any body with water. Don't sweat, and yet, how can one help but sweat when Helen Mirren is around. She's a gorgeous woman, always has been and will be. A great actress too. This romp does her justice as a start in film. Don't forget to her her cameo appearance in "Oh Lucky Man", made around this same time.
Michael Powell's last directorial endeavor, the resurrection of James Mason's career, and the role that put Helen Mirren on the map. This beautiful little film is a must-see for a stunning Mirren alone, although it is a great comment on the 60s. Thinking about it now, as Powell's last, I see parallels with Shakespeare's The Tempest and even, perhaps, with Faulkner's The Reivers. I say again, flixster friends, this is a true must-see.
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