Nikolai Cherkasov, Nikolai Okhlopkov, Andrei Abrikosov

The story of how a great Russian prince led a ragtag army to battle an invading force of Teutonic Knights.

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83% liked it

3,987 ratings

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94% liked it

16 critics

Unrated, 1 hr. 51 min.

Directed by: Dmitri Vasilyev, Sergei M. Eisenstein

Release Date: January 1, 1938

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DVD Release Date: November 3, 1998

Stats: 205 reviews

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Flixster Reviews (205)


  • March 20, 2008
    Eisenstein the Einstein
  • January 11, 2009
    Sergei is all about the framing, comrade. One message is clear: the Russians *really* hated the Germans! Interesting piece of cinema history/propaganda as this came out on the brink of WW II recounting the heroics of Alexander of Russia as he repelled the German invaders of 124...( read more)2. The German helmets and armor designs are not far off from Orc garb, and one religious leader looks like Marty Feldman in "Young Frankenstein," cowled robe and all. The battle scenes are staggering in scope, using hundreds or maybe even a thousand people and horses. Unfortunately they drag on too long, as does the time spent on an uninteresting romantic triangle subplot.
  • August 31, 2008
    Illustrious portrait of a heroic Russian figure demented by a dutiful force in a spiritual defense.The film may display images of pious behavior but haste not,this is an epic drama and the people are who matter most,not ideologies.Magnificent score by Prokofiev.
  • October 14, 2009
    I don't care what Teutonic Knights did 200 years ago. Wasn't Madaline Kahn in Blazing Saddles referred to as the Teutonic Titwillow? LOLOLOL!!!!
  • June 29, 2009
    "It's better to die for your country than to leave it."
    - Alexander Nevsky

    The Soviet Union's most eminent film director, Sergei Eisenstein, and its most remarkable composer, Sergei Prokofiev, were asked by Stalin to make a "film with a purpose" outlining the threat of t...( read more)he German invasion. These two geniuses, knowing their task was to make a popular film, used the historical tale of one of Russia's great heroes, the warrior-prince popularly known as Alexander Nevsky - who, in 1242, led a ragtag army to battle an invading force of Teutonic Knights.

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    Having an interest in historical drama/war films, I watched Alexandr Nevskiy (Alexander Nevsky) to find its historical value and see an example of one of Eisenstein's notable filming credits. And I feel like I was transported back to the 13th century to experience the event...and I was glad to see it. I already know some Russian history until watching this; throughout history the Motherland was open to invaders from the Mongols to the Nazis due to the lack of natural barriers. I see this film as an example of expressing nationalism with the director looking back to his country's historical glories, and it was notable that Nevsky was a leading hero in Russian history besides others such as Ivan the Terrible and Peter the Great. Though I'm more of a modern-day movie viewer, I find Alexander Nevsky as excellent work, with good acting performances from Nikolai Cherkasov and Nikolai Okhlopkov.
  • April 14, 2009
    Famously made in 1938 at a time when Nazi Germany was a growing threat to Stalin's USSR, one of the most significant features of this film is its evident age. Clearly, any film from the 1930's will feel somewhat dated, but "Alexander Nevsky" is cursed by the melodramatic posturin...( read more)g of its acting style - it looks more like a throwback to the era of silent movies, or even to the Victorian stage or early 20th century opera.

    Indeed, it is the operatic comparison which most intrigues me. The film is famous for its score by Prokofiev - a dynamic, passionate work in its own right. Eisenstein has a reputation for crafting films which have extraordinary visual quality - the battle on the ice is one of the great iconic images of cinema. What we get, here, is a spectacular black and white film, with a spectacular score, but the human element is a stereotyped presence ... a handful of principals backed by a solid chorus, but none of them bursting into song.

    The propaganda element is obvious. Alexander Nevsky was a Russian leader who fought off invading Swedes, Poles, and Germans, at a time when his country was most threatened by the Tartars - they exacted an annual tribute to ensure their continued passivity. Setting up a confrontation between Russian and Germanic forces was an obvious parallel in 1938. Nevsky inspired the peasantry to fight - the Communists could identify with that. And Eisenstein portrays the Germans, the Teutonic knights, as faceless creatures, heads encased in steel, rigidly uniformed with prominent crosses on their cloaks and shields.

    But the propaganda went wrong. Stalin signed a pact with Hitler. The film was hastily shelved ... then just as rapidly reproduced when the Germans invaded. Thereafter, it became a major propaganda tool, welcomed around the world, and draws parallels with Olivier's "Henry V" in England. Both films, of course, have iconic battle images (the French cavalry brought to their aristocratic knees by the longbow and English yeomen). Both films benefit from their artistic credentials - a Shakespeare script, a Prokofiev score. But the acting in "Alexander Nevsky" is execrable.

    Eisenstein's film is stylistically very dated - it retains that silent movie feel. He uses images to suggest the vastness of Russia, he uses images to suggest the potency of its vast population and their strength when they come together to resist tyrants. He uses the strength of the musical score to underpin his images and reduce the dialogue to a minimum. It makes the actors mere artefacts and reduces the conflict to a clash of empires and ideologies rather than a battle between flesh and blood.

    The battle scenes show their age - they are visually striking, but they are poorly choreographed by modern standards. What you are presented with are stereotypes of strength, courage, loyalty, duty, obedience, and the honour and righteousness of the Russian cause.

    "Alexander Nevsky" is an important film, a milestone in European cinema. It deserves to be watched, critically. It has elements which are extraordinarily potent, and acting which reduces much of the film to bland insignificance. It needs to be viewed in its context - political and historical - and to be recognised as a film which deserves respect, but which is not above criticism.
  • March 21, 2009
    One of the most impressive epic-movies you'll find
  • February 24, 2009
    No thankyou - Not interested
  • December 16, 2008
    my dad saw this movie and said it was good. i want to know if he's right!
  • September 19, 2008
    Eisenstein knew how to make a good movie--Battleship Potemkin was awesome. With Stalin overseeing production, however, the end product of this is a poorly-paced, lackluster, dreadfully-choreographed war film with tragically bad sound quality. while it had its brief moments of p...( read more)oignancy, resonance, and even humour, most of it just fell disappointingly flat.

Comments


  • Epicouros
    January 16, 2008
    WE must see the films of Eisenstein not as a part of propaganda of Soviet Union . this is an easy trap ...remember
    how Stalin was upset with the Ivan .
    Sergei was an illuminate artist..a man who under difficult and dictatorial ages , helped cinema to find a lot of new paths..

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