Recalling the ground-breaking first-person documentaries of Ross McElwee, this movie focuses on filmmaker Nina Davenport's deeply conflicted feeling towards weddings. On one hand, she feels a strong sense that she is meant for spinsterhood; on the other, she has a burning heterosexual lust for guys. To make matters worse, she works as a wedding videographer, which only reminds her of this internal conflict. This film was screened at the 2000 L.A. Independent Film Festival.