Donal Logue, Earl Billings, Harvey Pekar

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of A...( read more  read more... )merican culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his "American Splendor" a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey's true soul mate as they experience the bizarre byproducts of Harvey's cult celebrity stature.

Flixster Users

85% liked it

11,924 ratings

Critics

94% liked it

171 critics

R, 1 hr. 40 min.

Directed by: Shari Springer Berman, Robert Pulcini

Release Date: August 15, 2003

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DVD Release Date: February 3, 2004

Stats: 1,938 reviews

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Flixster Reviews (1,938)


  • September 15, 2009
    Probably the best comic adaptation made so far. It made people take Giamatti a little more seriously too which helped his career no end. A great film!
  • August 9, 2009
    Nicely underplayed biopic of 'one of life's losers done good' . A successful early role for Giamatti who displays the appropriate brooding cynicism. Real people and comic animations are blended effectively into the narrative. Good to see such an unusual character given the biopic...( read more) treatment.
  • January 2, 2009
    American Splendor is its main character, Harvey Pekar. It's clever and innovative, sure, but it's also a dour asshole and it's up to the viewer to decide if it's something worth knowing. I would never choose to associate with someone like Pekar in the course of my lifetime. He re...( read more)presents the absolute nadir of the "self-absorbed, abrasive artist" archetype, and watching this supposed everyman bitch and whine his way through his entire life is not exactly appealing to me.

    There are some minor chuckles to be had here, but I took nothing away from the movie except a vague feeling of frustration. I didn't learn about the plight of an anti-social artist; those processes were not deepened or illuminated any way. All I did see was a trapped, angry man who thoughtlessly burned all his bridges for no real reason, except just to be a contrary grump. Paul Giamatti is great here, and successfully add a dash of leavening anguish to the movie's general atmosphere of chained-up rage once the cancer plot rolls around.

    If there's one sensation I don't like to feel when I'm watching a film, it's frustration. If you're frustrated FOR a character, that's fine; it means that the film is most likely doing its job. If you're frustrated BECAUSE of a character, it's either because that character is meant to or because they're just irritating. Harvey Pekar is presented here as an contrarian, sure, and I'm sure American Splendor doesn't mean to venerate his actions or artificially warm him to the audience. I don't think the film gave me enough to let me develop a positive opinion of him, in the end. It's good that it's trusting enough of a viewer's critical thought to not force him down our throat, but I still consider American Splendor a failure. It is 100 minutes of a man I never want to meet again.
  • November 30, 2008
    Paul Giamatti is brilliant and Harvey Pekar is actually allowed to be himself as he narrates this movie about his life that's part-documantary and part film with comic book elements scattered throughout. It's long and a bit drawn out, but if you like this kind of thing then you'l...( read more)l find the film extremely worthwhile. If not, then don't set the remote down too far away.
  • September 29, 2008
    A humbled rumination on the prospects of a hero and a celebration of the everyday man, American Splendor is a sweetly bleak tale of life at a simple, base level. For what can be easily perceived as cynical through its drab quirks moulds itself into a form of understanding - Harve...( read more)y Pekar is the everyman with ideas so relatable, and emotions so palpable. He's a strange man, who's life is more blurred between his comic persona and his real self than he would like to let on, but his unique imagination and outlooks make for film matter that is intriguing on both a thematic and stylistic level.

    We are constantly thrust into questions and comparisons. Not only are we relating the real Pekar to Giamatti's portrayal, but we are comparing the documenting of reality with the paintings of the fiction - or what could be considered the other way around. Giamatti's scenes are gritty and drab, while Pekar's are finely pencilled and polished - almost surreal. We witness the character of Pekar in his evolution into the real picture - a shining light of unique substance at the end of what was a very - ordinary - life. But nevertheless, it's an ordinary life that makes for an insightful and strangely captivating film.
  • November 4, 2009
    American Splendor is stylish, intelligent and original. Yet it is appropriately humble and honest to life, as bitter-sweet as it can be. The characters are given a lot of depth and the story builds in a way that pulls you in to life of Harvey Pekar. He is a seemingly likeable man...( read more), but he is presented in such an honest way, I feel as though I know him personally.
  • October 29, 2009
    Im not into the comic books but I definitely liked the movie even though I wasnt expecting to
  • September 25, 2009
    This film is lost on me. It mixes reality and fiction on topics I know little about - comics and a comic book writer. Also based on a true story, this tells the story of Harvey Pekar, an ordinary man leading a mundane life of nothingness. He writes a comic book based on his life ...( read more)and marriage to a strange woman. I thought it was rather dull, despite all the overblown innovation and creativity. Not a fan of this.
  • September 18, 2009
    One of the most originally-told, smartest and entertaining biographical tales I've ever seen. A masterpiece in modern cinema. American Splendor is definitely a sample of American brilliance.

    80/100
  • August 11, 2009
    Superman! Batman! The Green Lantern! And Josh Hutcherson, the hero of "Zathura" and "Bridge to Terabithia", as Robin! What film can boast of such a first shot! Only one: "American Splendor." Except the film is not about superheroes, but about the little guy on the left, Harvey Pe...( read more)kar, who is not getting any sweets this Halloween because he came as himself, as he does in this movie.

    "American Splendor" almost forms a trilogy with "Crumb" and "Ghost World", only the former is 100% documentary, the latter is full-fledged fiction, and "American Splendor" is about 95% docudrama, and 5% documentary. Its protagonist is roughly the same kind of individual as Crumb himself (without the polymorphous sexual perversity) or as Steve Buscemi's character. He is a socially maladjusted, obsessive-compulsive Jewish slob who lives the most ordinary life, working as a file clerk in a Veteran hospital, sharing a flat with his cat (who has almost made him a vegetarian, good for you!) and collecting jazz records. But with his gift of observation, he starts writing a comic book about his daily misfortunes which Crumb agrees to draw: the ironically titled "American Splendor." From then on, his life will... be about the same as before.

    The film is a dramatisation of some episodes from the comic strip and a biography of sorts, documenting the making of the comic, Pekar's third marriage (one of the best romances I have seen since "Ed Wood", and Hope Davis IS cute) and his "cancer year."

    What I loved about this film was its honesty and its brilliant use of deconstructionist devices to achieve that honesty. The real Harvey Pekar does the narration, and then the movie cuts to him completing his fourth take of the opening voiceover, and admitting he hasn't even read the script yet. You are introduced to the ultimate nerd, Toby Radloff (Judah Friedlander, brilliant), and you think: this guy is a real caricature, nobody can possibly talk like that. And then they show you the real Toby Radloff and he does talk like that.

    Pekar himself is very polymorphous (I know, it's the second time I've used this rare word in my review, but watch the film and find your own synonyms if you disapprove.) There is the real Pekar, the Pekar interpreted by Paul Giamatti, the Pekar interpreted by the guy in a play in the film, the various Pekars drawn by the numerous artists who drew the comics. (And then there are those other two Harvey Pekars in the phonebook, but nobody knows who they were and they died within six months of each other, until a fourth Harvey Pekar showed up.) Directors Shari Springer Berman and Robert Pulcini use all those Pekars to get at the real one, like so many convergent approximations.

    One film that used similar deconstructionist tools in the service of biography was Stanley Kwan's "Yuen Ling-Yuk", a.k.a. "Center Stage", which was about Chinese actress Ruan Ling-yu, and about Maggie Cheung interpreting her. If you liked either film, you're bound to like the other.

    "American Splendor" is funny and original, but despite its underground origins it never gets dark or disturbing the way "Crumb" or other similar films do. There is some strong language but not too much, one scene of pre-marital sex (but then they get married and stay married), and Crumb does get carried on a woman's back in a bookstore, but that's about it. The film is more about sketching life's oddities and little tragedies than about exploring the sewer of the human unconscious.

    The filming of "American Splendor" has even been turned into a comic book: "Our Movie Year." I hope this one gets adapted to the screen too. And the shooting gets documented in a comic. And...

Critic Reviews


August 28, 2003
Colin Covert, The Minneapolis Star Tribune

The most amazing, colossal and fantastic comic-inspired movie in years. full review

August 22, 2003
Mick LaSalle, San Francisco Chronicle

It's a humane and witty treatment of an average life that, incidentally, speaks to the worth and inherent drama of average lives. full review

August 22, 2003
Moira MacDonald, Seattle Times

That rarity: a true original. full review

August 22, 2003
Roger Ebert, Chicago Sun-Times

Magnificently audacious movie, in which fact and fiction sometimes coexist in the same frame. full review

August 17, 2003
Stephanie Zacharek, Salon.com

One of those rare, inventively made movies that isn't so taken with its own novelty it loses sight of its characters. Its warmth is for real, and it enwraps you. full review

August 15, 2003
Liam Lacey, Globe and Mail

It's an inventive, mind-expanding exercise in heart and soul. full review

August 15, 2003
David Edelstein, Slate

Proof that ordinary guys can hold the comics, and the screen, as well as superheroes. This Halloween, I want to be Harvey Pekar. full review

August 11, 2003
Edward Havens, FilmJerk.com

One of the most uniquely inventive cinematic experiences of the decade thus far. full review

August 8, 2003
Peter Travers, Rolling Stone

You're in for a scrappy, free-form blast. full review

July 26, 2003
Nick Schager, Slant Magazine

An act of unabashed postmodern self-commentary employed to deliberately blur the distinction between the authentic Harvey Pekar and actor Paul Giamatti's faithful recreation. full review

View more American Splendor reviews at RottenTomatoes.com

Comments


  • panchof28
    September 24, 2006
    the thin line between life and fiction.... this movie is really something special...

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  • Movie based on a comic, starring Paul Giamatti.  Answer »
  • Paul Giamatti plays a file clerk who becomes famous through underground comics in which film?  Answer »
  • In American Splendor, which movie is Toby Radloff very excited about seeing?  Answer »
  • Which of the following films is NOT based off of a comic book?  Answer »

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