Delayed for much, much longer than any passionate horror fan can care for, Amusement sports a trailer than makes it look like a classy though ordinary take on the clown killer pitch. If it were just that, I believe I could have called it worthy of its terminal straight-to-DVD release.… More
Delayed for much, much longer than any passionate horror fan can care for, Amusement sports a trailer than makes it look like a classy though ordinary take on the clown killer pitch. If it were just that, I believe I could have called it worthy of its terminal straight-to-DVD release. But alas-- the film we have here, beloved genre fans, is a complete disaster, an embarassing mishmash of ideas, a few of them new, a shitload of them stolen, but all of them good for the garbage bin.
Good god, where to start? Screenwriter Jake Wade Wall-- oh, hey, Jake! I didn't know you could pen anything worse than When A Stranger Calls!-- drives the film through a commendable trick : splitting up the whole thing in three separate stories, each possessing distinct characters and a distinct menace, only to have them culminate in a last act that should explain everything. In practice, that could be fine-- and I guess none of these segments are truly THAT fuckawful viewed on their own. But piled on top of one another, it is just deadening. Amusement contains WAY TOO MUCH lousy plotting (and not in a fun way) to pass as breezy genre entertainment, even at a brisk 85 minutes.
Let's see : act one is a subpar Joyride that features the worst acting of the bunch (the boyfriend is especially atrocious), act two, undeniably the less shitty of the three, still feels especially stretched for the sole minute-and-a-half of pounding pulses it offers (oh, there it is, as a promo clip all over the web-- yep, that's the one with the clown, and you *wish* there was a better moment in the whole damn film), and finally, act three is a straight-up comedy. 'Uneven' is a word that HAD to be invented for Amusement. Add to that a climax that is morbidly stupid (the 'Reason Why' ends up being one of the lamest of the decade), last-minute revelations that end up patching nothing at all and a closing voiceover that I CANNOT believe was meant to be taken seriously.
Even if the absolute worst element of this dreck is the shockingly stale screenplay, there is much, much more crap to dig out of it. Starting with... The Wretched Music. Now, I understand a horror film needs a tense, effective score to channel whatever fear a character feels directly to us viewers, but here, it is completely out of control. The Wretched Music seriously tries wants to steal our attention from the movie : strings kick in waaayyyyy before anything remotely creepy happens, and it never, ever lets up until the much-anticipated ''SHREEEE!!!'' occurs.
But even in the ''SHREEEE!!!'' department, Amusement is seriously lacking. Hear me out : scares are scarce, and the gore is a bore. While it tries punching up some 'twisted' graphic moments in the last twenty minutes, my, oh my, they are not affecting as much as they feel out of context. But they will prove to be the closest to any kind of satisfaction a horror fan can get out of this puppy.
And the performers? Well, the men (roles and actors) unanimously suck, so as usual, it's up to the females to provide 'surrogates' for the screaming teenybopper audience that Amusement is aimed at. It's hard to tell if the three lead actresses are good at anything at all with the surprisingly minimal character development that's given, but I'm totally not convinced any of them gave it their all on the set. They aren't noticeably bad (I take that back-- Breckinridge is kind of bad, more often than not), but they leave much to be desired. Then again : cardboard. Only pros can build something worthy out of cardboard.
There's plenty more bad to cover here (shots that come dangerously close to plagiarism, unsurprisingly flat dialogue, and the interview segment, which for instance, just plain sucks), but you get the idea-- this turd was delayed for all the right reasons. And while I do like abysmal horror films as entertainment, this one is more infuriatingly bad than joyously bad.
Incidentally, I recommend you to skip it. Shocker.