Critic Reviews
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Dan Zak, Washington Post
An earnest, fictional coming-of-age story is squeezed from a bitter, true-life local tragedy. And it works.
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Claudia Puig, USA Today
The title sums up the bland, unimaginative and cliche-laden thriller/coming-of-age tale.
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Betsy Sharkey, Los Angeles Times
There are scenes that work here and there, but regrettably not nearly enough to hold the film together. In the end, this affair is definitely not one to remember.
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Ben Lyons, At the Movies
Painfully contrived
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Ben Mankiewicz, At the Movies
Start to finish, [the film] makes absolutely no sense.
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MaryAnn Johanson, Film.com
It's all presented so earnestly... that you barely realize at the time how preposterous it all is. Intrigue! Cubans! The Bay of Pigs! JFK! It's the coming-of-age tale filtered through the mind of Oliver Stone,
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Kevin Carr, 7M Pictures
gets in its own way by not knowing what kind of story it's telling, and by not knowing whose story it's telling
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Kam Williams, Sly Fox
A flick for Kennedy assassination conspiracy buffs which puts a whole new spin on the phrase 'grassy knoll' courtesy of the flamboyance of a nearly-naked Gretchen Mol.
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Bill Gibron, Filmcritic.com
so absurd and convoluted that even JFK's legacy can't subdue its preposterousness
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Prairie Miller, NewsBlaze
A dash of Ingmar Bergman and Oliver Stone in this Capitol Hill noir, as kinky DC sexual politics collide with flaky JFK conspiracy theories, and Bay of Pigs CIA boozer masterminds wonder if communists are having more fun.
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Bob Strauss, Los Angeles Daily News
Out of its mind at a deep, essential level, An American Affair plays its dubious scenario with a straight face that makes the silly thing quite watchable.
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Cynthia Fuchs, PopMatters
Before An American Affair is over, you can be sure that Adam will learn a very familiar life lesson.
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Tricia Olszewski, Washington City Paper
Turns out An American Affair needed more than a name change to save itself from embarrassment.
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Cole Smithey, ColeSmithey.com
Even the famous M Street stairs from "The Exorcist" are out of place in the climax of this lightweight movie.
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Geoff Berkshire, Metromix.com
The most compelling moment comes from archival footage.
Read all 15 critic reviews
Featured Audience Ratings
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In "An American Affair," teenaged Adam(Cameron Bright) goes through several rites of passage in Washington, DC in 1963. The first is a fight with his best friend Jimmy(Jimmy Bellinger) when he chips a tooth. The second is spying Catherine(Gretchen Mol), an artist and his… More
In "An American Affair," teenaged Adam(Cameron Bright) goes through several rites of passage in Washington, DC in 1963. The first is a fight with his best friend Jimmy(Jimmy Bellinger) when he chips a tooth. The second is spying Catherine(Gretchen Mol), an artist and his new neighbor across the way, not only smoking, but also half naked. So instead of listening as President Kennedy boldly proclaims his solidarity with jelly donuts everywhere, his attention is focused on her, as he also manages to get a job working on her garden. But then it turns out that he is not the only one with the same viewing habits...
While covering some very familiar ground, "An American Affair" does have a couple of great moments. It also manages to get the mood right, especially around insular Georgetown, implying the details which allows for a certain level of creepiness to set in, not to mention a little erotic frisson. This works well with the movie being a coming of age tale, as Adam learns a lot about how the adult world works with their lies and myths. And I am more impressed with Mark Pellegrino's acting each time I see him in something. However, the Catholic school seems a little too integrated for the time and place, both racial and gender.(A friend of mine once pointed out that Washington, DC is a southern city.) And is that staircase the one I think it is?
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A potboiler in which the Girl Next Door meets Conspiracy Theory. Catherine Caswell (Gretchen Mol), a Marilyn Monroe lookalike who is having an affair with JFK, grabs the attention of her school boy neighbor across the street, Adam Stafford (Cameron Bright). The friendship between the… More
A potboiler in which the Girl Next Door meets Conspiracy Theory. Catherine Caswell (Gretchen Mol), a Marilyn Monroe lookalike who is having an affair with JFK, grabs the attention of her school boy neighbor across the street, Adam Stafford (Cameron Bright). The friendship between the unlikely pair develops slowly and feels genuine. Adam is dealing with raging hormones and a natural curiosity, while Catherine is trying to balance political forces that are about to come crashing down on her and with repercussions that we still feel today. Noah Wylie and Perrey Reeves, as Adam's parents, are just self-absorbed enough to be clueless regarding Adam's conflicts, and annoying enough that we understand Adam's sense of helplessness in the face of grownup emotions and grownup problems. A coming of age story with dark, political overtones that this viewer found to be a rewarding film experience. The use of archival footage gave this fictional tale a sense of immediacy. The story is fairly straight-forward, without trying to disguise where it is inevitably heading, but it is not meant to be a mystery. The viewer begins to care for these two people who are helpless to escape the confines of their relative situations. Adam because of his youth, and Catherine because of her choices, are both the victims of their present circumstances. It didn't actually happen this way, but it certainly might have.
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