Carey Mulligan, Peter Sarsgaard, Alfred Molina

A coming-of-age story about a teenage girl in 1960s suburban London, and how her life changes with the arrival of a playboy nearly twice her age.

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82% liked it

10,197 ratings

Critics

94% liked it

146 critics

PG-13, 1 hr. 39 min.

Directed by: Lone Scherfig

Release Date: October 9, 2009

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Flixster Reviews (526)


  • November 3, 2009
    Carey Mulligan is a Sensation, this girl is the real dead, totally encompassing her role, creating a vividly luicd character. A lock for a nomination, perhaps even a winner. All told An Education is an excellent film, beautiful to watch, with great poigancy in its social commenta...( read more)ry and ulimate ending.
  • October 31, 2009
    When Carey Mulligan flips up her hair and goes out for a night on the town in "An Education", it's hard to not think of Audrey Hepburn. That praise has been sung by many of the world's top critics and cinephiles alike - potentially deadly hype for such a young actress, indeed. Bu...( read more)t Mulligan, only 22 when the film was shot, is fully deserving of her accolades. Last seen as glorified backdrop in "Pride & Prejudice" and "Public Enemies", Mulligan, with "An Education", bursts onto the scene with a performance that'll ensure her a long career to go along with a surefire Oscar nomination.

    Mulligan plays a 16-year-old English girl, Jenny, in director Lone Scherfig's highly celebrated new film. Like Wendy Hiller in 1945, she knows where she's going - her future, fully designed by her parents (Alfred Molina & Cara Seymour), entails attending Oxford University once she graduates private school. But that was before the maroon Bristol pulled up alongside her on one rainy afternoon.

    The driver is David (Peter Sarsgaard), a handsome middle-aged man with an abundance of charisma. Although twenty years her elder, he soon wins her trust - she's swept away by his confidence, his riches, his lack of restraint. David is so thoroughly likable, in fact, that he is able to talk Jenny's parents into allowing the two to go on a few holidays together. But, as things progress, Jenny begins to catch glimpses of the predatory side behind David's charming facade.

    As much praise as Mulligan has garnered, her performance wouldn't be nearly as effective without Peter Sarsgaard's support. Both performers have challenging parts, changing drastically throughout the picture, but yet both actors seem to have perfect control over where their relationship is at any given moment. Jenny and David are both full of contradictions - Jenny naive and wise, David delicate and reptilian, and yet neither character seems overwrought or contrived.

    Adapted by Nick Hornby from a short memoir by British journalist Lynn Barber, "An Education" is a pitch-perfect coming-of-age story. The wry humor in the dialogue and the exquisite camerawork contribute to a film that simply bursts at the seams with life. By the end of the film, I felt that Scherfig probably could've taken a few more risks with the material, but most can be forgiven in a film as delectable as this.
  • October 29, 2009
    Coming-of-age drama set in 1961, when a British teen is swept off her feet by a sophisticated older man. The first half of the film is a charming as it celebrates art and culture through the eyes of a young girl who is experiencing it for the first time. Newcomer Carey Mulligan...( read more) who plays our heroine, Jenny, has a sweet innocence that recalls Audrey Hepburn at times. Raises some interesting questions about the value of education, before it culminates in a moralizing finale.
  • October 22, 2009
    If it feels slightly exaggerated, its only to illuminate its ideas. You don't feel uncomfortable about the relationship until it turns sour. And that it never exploits the situation to the point of uncomfort lends itself to the fact that there is romance at its heart. Its a feeli...( read more)ng that extends throughout the movie, and makes it better for it. It's definatly a lesson worth indulging in.
  • October 31, 2009
    Early in this decade a movie came out called High Fidelity, which got very strong reviews but was avoided by myself for a very long time. The idea of a romantic film starring John Cusack did not appeal to me, but eventually I did see it and was surprised to find it was a very we...( read more)ll thought out story made more endearing by the fact that it uses a music fanatic as its main protagonist. This film was based on a novel by a man named Nick Hornby, and while the way that Stephen Frears and his team of writers adapted the film certainly had a lot to do with its success, I?d be willing to bet that the heart of what that made the film special was in the pages of Hornby?s book. Ever since that production Hornby has been a pretty hot commodity in Hollywood, adaptations of his work include About a Boy and Fever Pitch (which was made into an English version about soccer and an American version about baseball). But now the tables are turned, and now Nick Hornby has become a screenwriter adapting someone else?s work, in this case a memoir of a British journalist named Lynn Barber about her coming of age.

    The film is set in suburban London circa 1961 and focuses on a sixteen year old girl named Jenny (Carey Mulligan) who is both beautiful and the smartest girl in her class. Her parents (Alfred Molina and Cara Seymour) have her on a strict regimen that will hopefully result in her being accepted to Oxford. One part of this regimen is that she?s taken up the cello, and this leads to a chance encounter after a band rehearsal with a man in his thirties named David (Peter Sarsgaard) who offers her a ride home. After this encounter David begins to romance Jenny and invites her on extravagant outings with his friends Danny (Dominic Cooper) and Helen (Rosamund Pike). Jenny?s teacher (Olivia Williams) and headmistress (Emma Thompson) become concerned with this affair and warn that it will threaten her future education, but a life with David is beginning to seem like just as viable a future to Jenny as Oxford, after all he?s able to bring her into high society without having to waste time with a bunch of petty students for three years.

    Perhaps the thing this film will be most remembered for is that it introduced the world to Carey Mulligan. Mulligan has heretofore mostly accumulated credits for small parts on English television and is probably most noted for a small role alongside Keira Knightley in the Joe Wright adaptation of Pride & Prejudice. Her work here has been championed as a breakthrough and I will not disagree, she has real star potential. For this role Mulligan must be a teenager who thinks she?s wiser than she really is and has an energy that makes her standout amongst her peers. In this sense the role is not unlike the title role in the 2007 film Juno, albeit in a completely different time and place and without the Diablo Cody-isms. Like Page before her she is able to walk that line between appearing naïve while outwardly trying to exude sophistication and spunk.

    She is however just one part of a very strong ensemble. Peter Sarsgaard has the difficult task of making the audience forget that he is a thirty-something creep trying to sleep with a teenager so as to show why said teenager would fall for him. He needs to be charming and pleasant, while also having a bit of that dark side beneath the surface. Alfred Molina is also going to get a lot of attention for his work here, and this is well deserved. His character is pretty funny in his often silly values, and this could have played pretty fake if the actor wasn?t up to the task. Molina makes the father character seem like a real person, even when he?s places the value of knowing a famous author above being a famous author. Actors in smaller roles like Cooper, Pike, Williams, and Thompson also nicely fill out the cast.

    Like Mulligan, director Lone Scherfig has emerged from obscurity as an important talent out of this project. I?ll bring up Juno again as a point of comparison, because like Jason Reitman she seems able to give an ambitious directorial edge to her work without suffocating the material with overwhelming style. She?s able to emphasize the glamour of Jenny and David?s outings in a way that makes it seem as intoxicating to the viewer as it does to Jenny in a way that is essential to the believability of the story. Of course this would all be wasted were it not for the solid script by Nick Hornby who further proves that he has a knack for creating endearing and likable characters while giving them really clever, but not overly stylized dialogue.

    As I?ve established, there was a lot of talent put behind this and it shows up onscreen, but I ultimately couldn?t help but feel a bit underwhelmed by the end result. I can?t help but think that Lynn Barber?s story was perhaps not worthy of all this talent. It?s clear from the beginning that this relationship is heading for disaster and that Jenny is walking into a trap, so this isn?t really much of a romance. And while there are some good giggles throughout I wouldn?t really recommend it simply as a comedy, so how is this going to stand on its own merely as a story? This is where the house of cards falls down, because as a story this is actually a pretty simplistic work preaching the moral that younglings shouldn?t try to grow up too fast, they should stay in school, and not try to take shortcuts. Sound familiar? Yeah, it?s basically the best written, best acted, and best crafted afterschool special ever made. This shortcoming is made worse by a twist towards the end which prevents the character from learning something for herself and instead has the truth thrust upon her.

    If ever there has been a movie that more toughly challenges Roger Ebert?s adage that ?it?s not what a movie is about, but how it?s about it that matters? in my mind. The ?what? that this movie is about is rather boring to me, but the ?how? it?s about it is very strong. Ultimately, I?m going to have to split the difference and recommend that people see this movie in order to enjoy it in the moment, enjoy the acting, enjoy the script, enjoy the filmmaking, but the whole affair is more shallow than it first appears and it avoids a lot of the tougher questions involved in favor of light-handed moralizing.
  • November 22, 2009
    Quite superb; I kept finding myself smiling at this really likable film. Carey Mulligan was quite brilliant and if she does become a great actress then something is wrong with the media.
  • November 20, 2009
    I don't quite understand the hype around this movie. Yes it's fine, yes the direction is, in a way, competent, the interpretations are good (Molina shines as always and Carey Mulligan is promising), Sarsgaard is not specially interesting, but gosh, what's new in this? It,s so.. S...( read more)oft and, like she would say in my position *déjà vu*.
  • November 16, 2009
    carey mulligan's performance is as good as advertised. she's definitely getting a best actress nomination.
  • November 16, 2009
    Based on Lynn Barber's memoir, the movie tells a coming-of-age story of a teen girl, Jenny, living in the suburbs of London in the 1960s. As a smart, intelligent girl she seems to have a bright future ahead of her, but her life changes after meeting an older playboy who is nearl...( read more)y twice her age.

    This is certainly a talent-driven drama and both Peter Sarsgaard and newbie Carey Mulligan deliver fabulous performances. I think this film will certainly help launch Mulligan's acting career (especially if it lands her an Oscar-nom). She was perfectly cast as young Jenny, a girl exploring her own desires and learning who she is. "Mulligan is the film's headline, pulse and revelation," wrote TIME Magazine's Richard Corliss. "In its blithely subversive way, her starmaking performing is a co-conspirator with the movie. Both of them win you over with smart talk and pretty feelings, then kick you in the heart."

    The film currently has an impressive 93% on Rotten Tomato and has received rave reviews. In fact, Oscar buzz is already circulating. Caludia Pulg of USA Today called the story "fresh and thoroughly captivating," while LA Time's Kenneth Turan said it was "invariably funny and inexpressibly moving." Overall, this was a great story that examined women's roles in the world of the 1960s. I thought the ending could have been slightly stronger, but this is a minor complaint. Don't miss this one
  • November 14, 2009
    i was defs very reluctant going in2 this film.....but it was a VERY plesant surprise....carey mulligan was such a breathe of fresh air....great story and great per4mnce

Critic Reviews


October 30, 2009
Nigel Andrews, The Financial Times

Mulligan has a sit-up-and-watch talent. full review

October 29, 2009
Colin Covert, The Minneapolis Star Tribune

An Education is a vibrant portrait of England on the cusp of its postwar rebirth. full review

October 28, 2009
Nick Schager, Lessons of Darkness

A teen-targeted public service announcement. full review

October 23, 2009
Liam Lacey, Globe and Mail

An Education is, as the title suggests, about Jenny exploring her own desires and shortfalls, and it's too smart a film for easy answers. full review

October 22, 2009
Roger Ebert, Chicago Sun-Times

[Mulligan] makes the role luminous when it could have been sad or awkward. She has such lightness and grace, you're pretty sure this is the birth of a star. full review

October 16, 2009
Mick LaSalle, San Francisco Chronicle

Hornby's humane and humorous screenplay is true to the film's title: In short order, young Jenny finds out important truths about identity, glamour and how adults really think and live. full review

October 9, 2009
Joe Morgenstern, Wall Street Journal

No movie I've seen in a very long time has touched me so deeply, or bestowed so much pleasure. full review

October 9, 2009
A.O. Scott, The New York Times

It's a pleasure -- which I don't mean entirely as a compliment. full review

October 9, 2009
Kurt Loder, MTV

The movie has a distinctively modulated tone. None of the period touches are overdone, and the central issue of Jenny and David's gaping age difference is never addressed by any of the characters -- a... full review

October 9, 2009
Kyle Smith, New York Post

Despite the lingering aroma of Victorian rot shrouding 1961, An Education is excitingly young. full review

View more An Education reviews at RottenTomatoes.com

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An Education Trivia


  • I am a star in an upcoming movie about showing kids they deserve a chance of education, a quote, "We can't make them want an education, but we can try!" Who am I?  Answer »
  • In what movie do the students make a fake college so that their parents think they are getting an education?  Answer »
  • "You're labourers, so labour. That's what you get for not having an education." What film is this quote from?  Answer »
  • (2000) A fifteen-year-old boy is hired by ‘Rolling Stone’ magazine to go on tour with, and write about the up-and-coming group Stillwater. He gets more of an education than he bargained for, as he’s exposed to ‘sex and drugs and rock and roll’, and the fragile egos of the band.   Answer »

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