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[color=darkred][font=Arial]An Unfinished Life[/font]- Einar (Robert Redford) is a gruff… More
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[color=darkred][font=Arial]An Unfinished Life[/font]- Einar (Robert Redford) is a gruff [font=Arial]Wyoming[/font][font=Arial] rancher living with his long-time friend and ranch hand, Mitch (Morgan Freeman), who has been recovering from a bear mauling. Jean (Jennifer Lopez) and her young daughter (Becca Gardner) have run away from her abusive boyfriend and seeking temporary refuge with Einar. There?s still a lot of tension and unspoken anger between the two. Einar blames Jean for the death of his son from a car accident. As their stay continues each member imparts wisdom to the other, hard exteriors get warmed, and lessons about forgiveness are learned.[/font][/color]
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[color=darkred][font=Arial][/font][/color][color=darkred][font=Arial]This is melodrama with a capital M. [i][font=Arial]An Unfinished Life[/font][/i] is clunky, the movie hasn?t the foggiest idea when it comes to subtlety, the characters all shout out their feelings all the time, and worse yet, it?s also incredibly transparent. A scene where Lopez breaks a dish and [/font][font=Arial]Redford[/font][font=Arial] goes nuts is just embarrassing. Of course they?re talking about his dead son but the moment is played to the hilt that I half expected every line to end in a wink (?It?s just a dish? [i][font=Arial]wink[/font][/i] ?Maybe it?s more than a dish to me!? [i][font=Arial]wink[/font][/i] ?Maybe that was my favorite dish!? [i][font=Arial]wink[/font][/i]). Honestly, it was at this point that the film lost me. The metaphors are another symptom of the film?s over ramped obviousness; [/font][font=Arial]Redford[/font][font=Arial] might as well be pointing at the bear to pantomime that it?s supposed to represent his pain and anger. And Freeman?s eventual forgiveness of his attacker is meant to encroach upon [/font][font=Arial]Redford[/font][font=Arial] to do likewise to the source of his pain, and many other moviegoers, Jennifer Lopez. I cannot find a movie emotionally involving when it doesn?t even bother to mask its grand statements.[/font][/color]
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[color=darkred][font=Arial][/font][/color][font=Arial][color=darkred]Seriously, this movie is brimming with sprawling earnestness meant to cover the narrative shortcomings. This is a simple tale that could have suckered the audience in with its framework to showcase complex characters and their personal interactions, like a [i][font=Arial]Million Dollar Baby[/font][/i], but even though [i][font=Arial]An Unfinished Life[/font][/i] is simplistic it still manages to beat you over the head. Every line of significance is underlined so you get it. It?s like director Lasse Hallstrom was making a seething parody of these overarching, small-town, large cast, homesy feel-good flicks he?s specialized in for a decade.[/color][/font]
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[font=Arial][/font][color=darkred][font=Arial]The acting is all fine. [/font][font=Arial]Redford[/font][font=Arial] is fun to watch and get his Jeremiah Johnson back on. Lopez makes you forget how much you hate her in other movies. Freeman is settling into a weird groove as a disfigured narrator, and the young Becca Gardner gave me shudders of Jake Lloyd. Every line of hers is flat and monotone, though I?ll give her another shot before writing her off. The acting of the ensemble really isn?t the issue with [i][font=Arial]An Unfinished Life[/font][/i].[/font][/color]
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[color=darkred][font=Arial][/font][/color][font=Arial][color=darkred]Despite all its earnest intentions and lush scenery, [i][font=Arial]An Unfished Life[/font][/i] is too much melodrama squeezed into such a small space. It?s an old fashioned tale that feels too convenient, too simplistic, too perfunctory, and too unhappy with being any of those things. This feels like a Hallmark card turned into a movie by someone who has no grasp for human emotion. Everything is shouted when it needs to be a whisper and explained when it needs to just be experienced. And yet there will be an audience for this slow burn small-town tale of forgiveness and accountability. It may please people immensely, but I prefer a little subtlety to my drama. I won?t say the film is bad but I?ll never say [i][font=Arial]An Unfinished Life[/font][/i] is particularly good, even as melodrama.[/color][/font]
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[font=Arial][/font][font=Arial][color=darkred]Nate?s Grade: C[/color][/font]
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[font=Arial][/font][color=darkred][font=Arial]Stay- This is a movie that piles on the mystery and clues but once the finish does arrive I was left saying, ?That?s all there is?? There?s so little to this film that, in retrospect, it?s simply blowing off the dust on [i][font=Arial]An Occurrence at Owl Creek[/font][/i] (I may have said too much). The trickery Stay throws at you is slightly intriguing but mostly confounding and, once the reveal tidies everything up, wholly unsatisfying. Part of the problem is that I didn?t care about any of the characters, so I didn?t really care about their plight. Yes I get it that there is a reason for how shallow they are, but the only thing [i][font=Arial]Stay[/font][/i] had to keep me going was my waning interest in what the hell is going on with everything. I?m not the biggest fan of Marc Forster ([i][font=Arial]Monster?s Ball[/font][/i], [i][font=Arial]Finding Neverland[/font][/i]) as a director, and he serves [i][font=Arial]Stay[/font][/i] to good and harmful effect. Forster gooses the film with all sorts of visual trickery like jump cuts, using twins and triplets as extras in backgrounds, repeating scenes, playing around with blocking, and lots and lots of spiral staircases (hello, [i][font=Arial]Vertigo[/font][/i]). And you do realize that most of these disorienting stylistic decisions have a seemingly coherent reason in retrospect, but it also effectively pushes the audience away from the story, aided by the fact that no one can get into the characters. The entire affair seems pointless and empty but it is pretty to look at. I'm sure I'd garner more from a second look, but I really just don't want to see [i][font=Arial]Stay[/font][/i] again.[/font][/color]
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[color=darkred][/color][font=Arial][color=darkred]Nate's Grade: C+[/color][/font]
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[font=Arial][/font][font=Arial][color=darkred]Howl?s [/color][/font][font=Arial][color=darkred]Moving[/color][/font][color=darkred][font=Arial] [/font][font=Arial]Castle[/font][/color][color=darkred][font=Arial] - The flick is wonderfully imaginative, as to be expected from [/font][font=Arial]Miyazaki[/font][font=Arial]. The Pixar people really do an excellent job of bringing these films to an American audience and treat the English dubs with reverence. I?m not someone who?ll bemoan an English dub when it comes to anime but it?s nice to see effort and respect. The story is a bit similar to [i][font=Arial]Princess Mononoke[/font][/i] with the warring factions, the mystic and the industrial, and [/color][/font][font=Arial][color=darkred]Miyazaki[/color][/font][font=Arial][color=darkred]?s refusal to paint in black and white. There are so many delightful touches here from the fire demon to the door portal to one segment that just involves two old ladies ascending stairs for three minutes. And yet it?s the spirit [/color][/font][font=Arial][color=darkred]Miyazaki[/color][/font][font=Arial][color=darkred] infuses and the attention to story and character that sets his films apart. There?s a genuine sense of magic while watching his films and [i][font=Arial]Howl[/font][/i] is no different. The only bit of contention I had with the movie is how abrupt the ending is. [i][font=Arial]Howl?s Moving Castle[/font][/i] is a bit soaked with confusion and some narrative cop-outs (?Surprise! I?m the prince responsible for the war!?). I would have loved another 30 minutes in this world as well as a better opportunity for [/color][/font][font=Arial][color=darkred]Miyazaki[/color][/font][font=Arial][color=darkred] to bring his story down with a smoother landing. Still, saying this is a slightly lesser [/color][/font][font=Arial][color=darkred]Miyazaki[/color][/font][font=Arial][color=darkred] film is like saying a million dollars is less awesome than 2 million dollars. [i][font=Arial]Howl?s Moving Castle[/font][/i][/color][color=darkred] is another sterling addition to a master storyteller.[/color][/font]
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[font=Arial][/font][font=Arial][color=darkred]Nate's Grade: A-[/color][/font]