As If I Am Not There (2010)
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92% of critics liked it
(12 reviews) -
84% of users liked it
(537 ratings)
Filmmaker Juanita Wilson paints a harrowing portrait of a woman subjected to unrelenting horror in the midst of war in this powerful drama based on a true story. A lovely young woman in her twenties, Samira (Natasha Petrovic) was born and raised in a middle-class household in Sarajevo and has… More Filmmaker Juanita Wilson paints a harrowing portrait of a woman subjected to unrelenting horror in the midst of war in this powerful drama based on a true story. A lovely young woman in her twenties, Samira (Natasha Petrovic) was born and raised in a middle-class household in Sarajevo and has studied to be a teacher. Samira takes a job at a school in a country village, even though she's been warned that this will put her close to the fighting in Bosnia's civil war. Not long after Samira has settled in, the village is invaded by Serbian troops, and she and the rest of the women in town are rounded up and locked up in a holding facility while all the men are shot. Hours later, Samira is gang raped by a gang of soldiers and she and most of the other women are made the sexual slaves of the troops, only let out of their lock up when the soldiers want their services. Samira finds herself watching the violence inflicted on herself and the others from a physical and emotional distance, and isn't sure how to react to the few soldiers who show her any kindness. Adapted from a book by Slavenka Drakulic, As If I Am Not Here received its North American premiere at the 2010 Toronto International Film Festival. ~ Mark Deming, Rovi
- Directed By
- Juanita Wilson
- Genres
- Art House & International, Drama
Unrated,
- In Theaters
- Jul 26, 2010 Wide
Critic Reviews
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David Jenkins, Time Out
A suitably harrowing, close-quarters account of the mass rape committed by Serbian rebel fighters during the Balkan wars of the early '90s.
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Keir Roper-Caldbeck, The Skinny
The story is told with a studied spareness. Dialogue and characterisation are minimal, the violence graphic.
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Allan Hunter, Daily Express
The plot never quite adds up and starts to drift aimlessly in the closing stages.
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Jason Solomons, Observer [UK]
In her unblinking recounting of the story, director Wilson displays admirable restraint in the face of horror.
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Priscilla Eyles, Little White Lies
An unforgettable central performance, but could be more dramatically engaging.
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