Georges Poujouly, Jean Wall, Jeanne Moreau

Louis Malle's debut feature was arguably the first film of the French New Wave. Jeanne Moreau stars as a woman waiting for her lover to return from murdering her husband. Their "perfect crime," howeve...( read more  read more... )r, goes spectacularly awry.

Flixster Users

92% liked it

4,362 ratings

Critics

95% liked it

40 critics

Unrated, 1 hr. 28 min.

Directed by: Louis Malle

Release Date: June 24, 2005

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DVD Release Date: April 25, 2006

Stats: 369 reviews

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Flixster Reviews (369)


  • July 25, 2009
    Exquisite crime drama that kept me in suspense from beginning to end. It's really three stories seamlessly interwoven and simultaneous, topped off by a Miles Davis score that's just fantastic.
  • December 1, 2008
    One of the craftiest films in the history of cinema, Elevator to the Gallows marked the start of the French New Wave.

    This film is just cool, not only visually but in the sound department. The legendary score was composed by none other than Miles Davis. The sound of his tru...( read more)mpet dancing around Jeanne Moreau in the dark Parisian night provided the perfect ambience as she wanders, searching for her accomplice.
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  • September 24, 2008
    Great film noir with a great soundtack by miles davis.
  • January 16, 2008
    After 50 years, 24 year-old Malle's debut still remains fresh, enjoyable and moving. While its great story lacks proper climax, leaving ending to be a bit rushed, we can't deny its cleverness in delivering every other major plot turn at the right time. Gorgeous black & white cine...( read more)matography rarely gets any better than it is here and it's always a pleasure to see young Jeanne Moreau, especially when she walking during the night among white lights on the streets of Paris with accompaniament of Miles Davis' trumpet whom she took like a sad wet dog for her wandering after her lover, desperate and lonely...
  • August 10, 2007
    Many elements of this film were breakthroughs - and it is a wicked cool film. But... I can't help thinking it was a little slight and really relied on those very elements - Jeanne Moreau's haunting performance, the brilliant camerawork and Miles' genius score to carry it. Wh...( read more)at am I saying? Never mind.
  • June 13, 2009
    Soundtracks also fantastic!!
  • June 4, 2009
    This movie drastically changed cinema history in 1958. It triggered 'La Nouvelle Vague' (author's theory, fast montage, more realism, filming on location, hand held camera's,...), it also contains my favorite film soundtrack (by Miles Davis). The shots of Paris at night are marve...( read more)lous and the plot doesn't fail. Must see film-noir.
  • March 24, 2009
    'Ascenseur pour l'échafaud' is gorgeous to the eyes and the ears. Every frame of Henri Decaë's cinematography is indeed pretty enough to frame and the Miles Davis soundtrack is superb. Moreau puts in a great performance, the scenes of her walking through Paris really are a joy t...( read more)o watch. Malle succesfully blended Film Noir with the coolness of the Nouvelle Vague and created and truly original and thrilling masterpiece.
  • February 23, 2009
    Great Movie with a great soundtrack.
  • January 10, 2009
    No thankyou - Not interested.

Critic Reviews


October 5, 2006
Colin Covert, The Minneapolis Star Tribune

A suspense thriller with a tense, jazzy score and a rich undercurrent of fatalistic irony. full review

September 15, 2005
Roger Ebert, Chicago Sun-Times

These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as... full review

June 11, 2005
Nick Schager, Slant Magazine

Incapable of spreading Moreau's passion and sadness to its crime-thriller narrative. full review

View more Ascenseur pour l'échafaud (Elevator to the Gallows) (Lift to the Scaffold) (Frantic) reviews at RottenTomatoes.com

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