Gaspard Manesse, Raphael Fejtö, Francine Racette

As World War II rages on, two students at a boarding school, the French-Catholic Julien Quintin (Gaspard Manesse) and the Jewish Jean Bonnet (Raphael Fejto), form an unlikely friendship in director Lo...( read more  read more... )uis Malle's powerfully moving drama based on events from his own life. Although the boys begin as adversaries, they soon find common ground, especially when it becomes clear that Jean is merely trying to survive the tyranny of the Nazis.

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PG, 1 hr. 44 min.

Directed by: Louis Malle

Release Date: August 29, 1987

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DVD Release Date: March 28, 2006

Stats: 645 reviews

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  • August 9, 2009
    Writer-director Louis Malle's ("My Dinner With Andre", "Murmur of the Heart") 1987 masterpiece, "Au revoir les enfants", is a tragically autobiographical story from Malle's own childhood. Although what was taken from fact has remained a mystery, Malle was so haunted by this deepl...( read more)y personal work that he was in tears during it's screening at the Telluride film festival. One might wonder why he didn't make the film earlier, as he was reaching the end of his career in 1987 - but, at the same time, one has to wonder how a man worked up the sort of courage it takes to release a film so revealing.

    The film, with a title translated to "Goodbye, Children", takes place in a Catholic boarding school in 1944 Nazi-occupied France. The children are just returning from their Christmas holidays, and a mother of two boys (Francine Racette), Julien (Gaspard Manesse) and Francois (Stanislas Carre de Malberg), wishes her children farewell. Upon arriving back at school, the boys discover that there are three new enrollments this semester. Although the staff keeps it hidden from everyone, including the students, it's not long before we can gather that these are Jewish children taken in for their own safety.

    Julien begins a rivalry with one of these boys, Jean Bonnet (Raphael Fejto), and doesn't quite understand his mysterious past or his refusal to eat pork. The rivalry eventually blossoms into a friendship, and Julien remains oblivious to just how much danger Jean is in. He asks his brother what Jews are and why they're bad, and is told that they were Christ killers. He still doesn't get it. It's very much a coming-of-age story, but a very dark one in that Julien's growth and maturity stems from his introduction to the nonsensical brutality of man.

    It's clearly assumed that Julien is the alterego of Malle, and although Malle never revealed whether or not he had sparked a friendship with a Jewish boy, it's not hard to draw that conclusion. In the film's most tragic scene, Julien unknowingly reveals Jean's identity to the Gestapo and watches as all of the Jewish students are taken from the school and placed in concentration camps. Only then did Julien realize what was at stake.

    We see dozens of films about this dark period in history, but "Au revoir les enfants" stands on it's own by telling the story through the confused eyes of a child. This isn't played for pathos, nor is Malle attempting to manipulate us, rather he knows that the horrors of war are illustrated most appallingly through the eyes of an innocent outsider. This is a powerful film with tremendous performances and a great script, and definitely one that hasn't lost it's effect some twenty years later.
  • July 11, 2009

    If you watch Au Revoir Les Enfants knowing that it is autobiographical, the experience is almost cathartic.


    The Holocaust has been explored, done and re-done in cinema and television for many years. A film about it that goes a little further than distressing and infuri

    ...( read more)ating is a rare find. Louis Malle, one of the better known and most respected French filmmakers, made just that. In one film, he was able to portray the incertitude of adolescence, the incertitude of war, and the incertitude of solidarity. The characters of this film are boys who attend a Catholic boarding school in the French countryside during the German occupation. Rather than only dealing with the physical and psychological changes of their stage, they must also confront the alien situation of being under the surveillance of foreign soldiers, and at this very young age must begin to form principles and opinions. We discover their innocence in their confusion: Why are Jews bad? Why are Frenchmen cooperating with the Germans? Why do we have to stop being what we are?

    Julien is a high-middle-class boy. He's one of the most popular boys of his class, and one of the best students. As he settles in for the beginning of school year, a new boy arrives at the dormitory: Jean. Immediately, he becomes the target of teasing, punching, and bad jokes. However, he enjoys reading, and pulls out a Sherlock Holmes novel from his suitcase; Julien takes instant interest in him, but keeps his distance from the new boy. Later, they antagonize in class, because Jean proves to as brilliant as Julien.


    With time, Jean's background and character become more and more of a mystery. One night, Julien wakes up and sees him wearing a kippah and praying in Hebrew. This knowledge interests but mortifies the boy, for he knows that Jews are being persecuted. Jean doesn't know he's been discovered, and continues claiming to be a Protestant. He and Julien become better acquainted now, discussing books, playing the piano, and even getting lost in the forest for a night -and being rescued by Nazis-. Without really meaning to, Jean and Julien simply become friends. Solidarity springs up in a natural way, it can't be helped. I loved to see that unfold.


    The Nazis later on find out that there are Jewish boys hiding in the school under false identities. They take away the students and the Principal. Julien's incredulous gaze follows them through the gate.


    Louis Malle was haunted by the memory of his Jewish friend throughout his life until, in 1987, he decided to pay homage to him and to his headmaster. It is obvious that every scene was written and filmed with great care, love, and compromise. Malle understands the importance of what he is saying but he doesn't want to be Baroque or effectist in his storytelling; on the contrary, he knows that what can touch us most deeply is what we comprehend through subtleties and suggestions. His approach is very clear, but not raw.


    Ultimately, Au Revoir Les Enfants addresses the senselessness of the Holocaust and of cruelty and discrimination in general. How did Jean become less, how did Jean become less human once he wrote a Jewish last name on the dotte line? Children won't understand it even if someone tried to explain it. So why should anyone else? The film speaks about bewilderment, regret, confusion, but also friendship and loyalty. And what I found most remarkable: The way Malle showed how Julien, by befriending Jean, began to feel solidarity towards him, without thinking about it. It's instinctive, it surfaces naturally. It just seems obvious. Every person has the potential to be loved and cared for because he/she is human. It is only necessary to take an interest.


    Malle surely utilised this film to exorcize his guilt, or at least his sadness. The emotion invested in it is tangible. Everyone must see this film.

  • May 22, 2009
    If you might be thinking that you've seen one too many movies about Hitler and the Nazi regime -- I'm sorry to hear that. That horror story never gets old, and you must now encourage yourself to watch one more. This one.

    The fact that this is based on Louis Malle's own expe

    ...( read more)rience living under Hilter's reign of terror gives this particular film a good deal more power than your average Nazi nightmare narrative. And power is what this film is all about. It's visually powerful, first and foremost, and the story is overwhelmingly heartbreaking. The acting is excellent, especially with the children chosen.

    I've read and seen more than my fair share of stories about the Holocaust, and this one ranks as one of the best. This is a film that must be seen. We must never forget one of the most tragic chapters in human history.

  • December 13, 2008
    Tender autobiographical chapter of Louis Malle's childhood in his native france, dealing with intolerance and sacrifice.
  • July 27, 2008
    a fantastic, somewhat autobiographical film by louis malle about youth, guilt, friendship, and loyalty.
  • November 7, 2009
    This was a great movie about two boys at a Catholic boarding school in France. The boys all look sweet and innocent but really they are a bunch of rich, spoiled, snot-nosed little brats (or at least most of them.) They smoke, beat each other up, curse, and are always thinking abo...( read more)ut girls. The movie showed a lot about the politcal views of the French during World War II. I love how all of the boys are stick skinny and there is one really fat boy. I can't believe they had to wear those little shorts when it was freezing cold outside. I liked the part when Julien and Jean came back from the Boy Scouts trip and they were making up that there were 50 wild boars and the Nazis shot at them a few times. I was glad that Jean was not made at Julien when he looked back and the Nazis found, I was glad that they were still friends. I really wanted Julien to hug him and telll him he would miss him, or do something affectionate! It was sad when the mean nun told on the other boy and the Nazis took him from the infimary. It was so cute when all the boys told the Father goodbye and he said "Good-bye, Childred. See you soon." This was a great informational film about the World War II in France.
  • October 12, 2009
    very beautiful and honest film
  • September 24, 2009
    Touching without being odd. There´s no music telling you it´s time to cry. Everything is just suggested and the storyline takes place in a perfect timing. The cruelty of those times is "covered" by the friendship of the boys (that grows in a very natural and convincent way), but...( read more) it is still there. Malle perfectly shows the nonsense of the nazism and the innocence of the kids when Julien asks his older boy what is exactly a Jewish and what they had against them. Brilliant!


  • August 20, 2009
    World War II has seemingly infinite possibilities for movies.
  • August 14, 2009
    A very strange situation:the book was based on the movie.

Comments


  • kijanacarlson
    January 29, 2009
    its so nice it make me fill am not alone.
    its has alot of meaning,and teaches

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Au Revoir Les Enfants Trivia


  • I directed the following films: Atlantic City Damage Au Revoir les Enfants Who am I?  Answer »
  • "Au Revoir, les Enfants" and "Europa, Europa" take place during what war?  Answer »

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