Nurgul Yesilcay, Baki Davrak, Tuncel Kurtiz

The fragile lives of six people connect on emotional voyages toward forgiveness and reconciliation in Germany and Turkey. Nejat disapproves of his widower father Ali's choice of prostitute Yeter for a...( read more  read more... ) live-in girlfriend. But changes his mind when he discovers she sends money home to Turkey for her daughter's education. Yeter's sudden death distances father and son. Nejat travels to Istanbul to find Yeter's daughter Ayten. However, political activist Ayten is already in Germany, having to flee the Turkish police. There, she meets Lotte who invites rebellious Ayten to stay in her home, a gesture not pleasing to her conservative mother. When Ayten is eventually arrested, she is deported and imprisoned in Turkey. Lotte travels to Turkey, where she gets caught up in the seemingly hopeless situation of freeing Ayten.

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89% liked it

11,505 ratings

Critics

89% liked it

71 critics

Unrated, 2 hrs. 2 min.

Directed by: Fatih Akin

Release Date: May 23, 2007

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Flixster Reviews (1,304)


  • May 31, 2009
    A great follow-up to Fatih Akin's Head-On. The interweaving storylines are thoughtful and deeply emotional yet seem unforced.
  • February 7, 2009
    Six characters are drawn together by circumstances- an old man and a prostitue forging a partnership, a young scholor reconcling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together. The Edge of Heaven flirts with close-to...( read more)-the-vest perceptions of culture, sexuality, and identity. Hanna Schygulla, delivers a by turns serene and shattering performance as a mother struggling with loss, conscience and the first glimmers of unexpected connection. Though the plotting is unconventional, it in no way ever begs audience indulgence or tests a viewer's patience. The contingencies and coincidences that animate their lives would be the stuff of outlandish contrivance were it not for the film's effortless, unforced style. The temptation with a movie like this is to talk too much about plot, if only as a way of identifying the relationships between the various characters. But if you discover those relationships as the movie unfolds, you'll have a more rewarding experience of the film.
  • November 13, 2008
    The fragile lives of six people connect on emotional voyages toward forgiveness and reconciliation in Germany and Turkey. Nejat disapproves of his widower father Ali's choice of prostitute Yeter for a live-in girlfriend. But changes his mind when he discovers she sends money home...( read more) to Turkey for her daughter's education. Yeter's sudden death distances father and son. Nejat travels to Istanbul to find Yeter's daughter Ayten. However, political activist Ayten is already in Germany, having to flee the Turkish police. There, she meets Lotte who invites rebellious Ayten to stay in her home, a gesture not pleasing to her conservative mother. When Ayten is eventually arrested, she is deported and imprisoned in Turkey. Lotte travels to Turkey, where she gets caught up in the seemingly hopeless situation of freeing Ayten.
  • October 18, 2008
    Very rarely do you find a film as alive and full as "The Edge of Heaven". Echoing Kieslowski's "Three Colors" trilogy with a narrative structure that resembles a film like "Babel", writer-director Fatih Akin (who won best screenplay at Cannes for this film) masterfully illustrate...( read more)s an extremely political and personal film. A favorite musician of mine, Eric Bachmann, stated in an interview that politics are most fascinating when they're addressed personally - and that's certainly the case here. The film centers around the conflict between Turkey and Germany, however one with little to no interest of the setting will be fully happy to just tag along with the characters in an unpredictable and weaving plot.

    The film opens with a title screen that reads "Yeter's Death". We're then met with a Turkish widower, Ali (Runcel Kurtiz), who selects a fellow Turkish prostitute, Yeter (Nusel Kose). After a few of their meetings, Ali finally makes her an offer that he will give her a month's pay and a place to live in exchange for her to be his sole customer. She's reluctant at first, but is then met with Muslim fundamentalists telling her to repent and threaten her if they see her selling herself again. Yeter then agrees to Ali's deal, and she lives with Ali and his visiting son, Nejat (Baki Davrak). After hearing of Yeter's daughter struggling through college, Nejat takes great sympathy with Yeter... which is conceived as flirtatious by Ali. In a fit of rage, Ali slaps Yeter and she is murdered.

    The next title that appears on the screen is "The Death of Lotte". In Istanbul, we meet Ayten (Nurgül Yesilçy), who is revealed to be Yeter's daughter. She's not hard-at-work in schoolwork, rather she's involved in an anti-government group that's considered a terrorist threat. She eventually flees to Germany and meets Lotte (Patrycia Ziolkowska), and the two instantly fall in love. Ayten is eventually caught and sent back to Turkey, and Lotte follows in hopes to protect her. The other significant character is Lotte's mother, Susanne (Hanna Schygulla), who is not entirely pleased that her daughter is involved with Ayten. The last chapter of the film, entitled "The Edge of Heaven", deals primarily with Nejat, who has come to Germany to find Yeter's daughter, Ayten.

    "The Edge of Heaven" is a hyperlink film, much like "Magnolia" or "Babel". We're introduced to a set of characters who are related and not related, and we question why they are compared and contrasted. In the majority of these hyperlink films, the characters will meet at crucial moments in the film where all the paths cross. Fate and coincidence does bring these characters together, but not in a typical Hollywood way. While some of the characters never meet (some of them cross paths unknowingly), the impact of each of their actions is felt universally. The characters simply exist and keep on living, and there is no higher power that knows just where they'll end up. It's fascinating to follow such an elaborate and weaving story such as this one.

    The joy of "The Edge of Heaven", however, is that although it's plot can be fairly overbearing and confusing, it's the characters that are the driving force of the film. None of them are presented as a three-dimensional character in a typical fashion, we're simply meant to follow along and observe them. We learn who these people are based on how to react to the series of unpredictable circumstances that are placed in their path. This is enhanced especially by a wonderful ensemble cast, especially Hanna Schygulla's.

    After watching the film once, my head was spinning and trying to break up every little scene and every characters. This is a film so rich with content that it's impossible to leave, and it's certainly worthy of greater study. But, upon first viewing, one can simply perceive it as a film about cultural boundaries, love, and forgiveness. There's so much under the surface here but it's not enough to completely muffle the strongest moments of the film. This is masterfully directed and written, and certainly one of the better films of 2007.

    The most innovative technique in "The Edge of Heaven" is the spoilers it gives as it goes on. We know Yeter and Lotte are going to die as soon as they're introduced, and it forces the audience to watch carefully and try and figure out when and how they'll meet their demise. While you would think this creates too much dread and bogs down the film with expectations, it simply serves as a way for us to become even more enthralled with what we're watching. The dread isn't there because we're living vicariously through the characters - I wasn't thinking one step ahead, I was absorbing as much information as I possibly could in each frame. This is an absolutely fascinating and visionary masterwork, and it's certainly something that everyone should see.
  • August 16, 2008
    Gorgeously shot tale with sumptuous locations and a pleasing symmetry to the narrative. A variety of atypical actors and scenarios give it a real freshness.
  • November 15, 2009
    Sad, yet lovely..... requiem for dreams.
  • October 18, 2009
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  • October 5, 2009
    LETTERBOX. Llega tan lejos como su impecable presentación se lo permite, pero hace evidente que es la historia misma la que fabrica las condiciones para autosatisfacerse emocionalmente. / Gets as far as its impeccable presentation allows it to, but makes evident that it's the sto...( read more)ry itself which fabricates the conditions for emotional self-satisfaction.
  • September 14, 2009
    A thought provoking and emotional drama. Six lives are intertwinned in a remarkable tale of love, lose, and tragedy.
  • August 20, 2009
    Remarkable cast. Profound, heart breaking script. Effortless to watch.

Critic Reviews


September 5, 2008
Amy Biancolli, Houston Chronicle

What we don't suspect, going in, is that a film of such plain-speaking admonitions can exploit the element of surprise. Yet this heartfelt and precisely assembled drama does just that. full review

August 8, 2008
Colin Covert, The Minneapolis Star Tribune

Loneliness, loss and capricious love guide the fortunes of three families in this powerful, beautifully realized drama by German-Turkish writer/director Fatih Akin. full review

June 13, 2008
Roger Ebert, Chicago Sun-Times

Akin's purpose, I think, is a simple one: He wants us to meet these people, know them, sympathize with them....I found them fascinating. full review

May 30, 2008
Joe Morgenstern, Wall Street Journal

An exquisitely mysterious feature by the German-born Turkish filmmaker Fatih Akin. full review

May 27, 2008
Marcy Dermansky, About.com

With The Edge of Heaven, the marvelously talented Fatih Akin, a German filmmaker of Turkish origin, continues to explore questions posed in Head On. full review

May 21, 2008
A.O. Scott, The New York Times

In the course of the extraordinary film The Edge of Heaven children are lost, lost parents are never found, and generational and geographical distances grow wider. full review

May 19, 2008
Anthony Lane, The New Yorker

The Edge of Heaven is about something more exasperating than crossed paths; it is about paths that almost cross but don't, and the tragedy of the near-miss. full review

View more Auf der Anderen Seite (The Edge of Heaven) (On the Other Side) reviews at RottenTomatoes.com

Comments


  • mao365
    December 17, 2008
    A mesmerizing film whose storytelling is masterful in both form and content.

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