Augustine (2013)
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77% of critics liked it
(22 reviews) -
58% of users liked it
(201 ratings)
After suffering an inexplicable seizure which leaves her paralyzed on her right side,19-year-old illiterate kitchen maid Augustine (27 year-old singer-turned-actress Soko in a break out performance), is shipped off to Paris' all female psychiatric hospital Pitié-Salpêtriere which specializes in… More After suffering an inexplicable seizure which leaves her paralyzed on her right side,19-year-old illiterate kitchen maid Augustine (27 year-old singer-turned-actress Soko in a break out performance), is shipped off to Paris' all female psychiatric hospital Pitié-Salpêtriere which specializes in detecting the then-fashionable ailment of 'hysteria'. Augustine captures the attention of Dr. Charcot (Vincent Lindon, Mademoiselle Chambon, Welcome) after a seizure which appears to give her intense physical pleasure. Intrigued, he begins using her as his principal subject hypnotizing her in front of fellow doctors - as she displays her spectacular fits in lecture halls - and eventually blurring the lines between doctor and patient. (c) Music Box Films
- Directed By
- Alice Winocour
- Written By
- Alice Winocour
- Genres
- Art House & International, Drama
- In Theaters
- May 17, 2013 Limited
- Studio
- Music Box Films
Critic Reviews
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Richard Brody, New Yorker
Vague conjurings of mood take the place of insight, sentiment takes the place of complexity, and a clumsy and superficial attention to the rigid script keeps the movie from coming to life.
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Stephen Whitty, Newark Star-Ledger
A dark, and rather disturbing debut.
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Farran Smith Nehme, New York Post
Winocour skillfully films Augustine being exhibited for other doctors in several disturbingly erotic scenes, but elsewhere Soko's stolid, one-note demeanor takes a toll.
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John Anderson, Wall Street Journal
Soko is terrific, but it is Mr. Lindon who delivers the performance of the film, his internalized consternation amounting to an eloquent dispatch from the war between the sexes.
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A.O. Scott, New York Times
Ms. Winocour is not inclined to turn "Augustine" into a neatly moralized fable of a predator and his victim. Rather, the film is what might be called a melodrama of transference ...
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