Featured Audience Ratings

• Emil K

  
  Hypnotic and visually very good looking sci-fi film from one of the Japan's greatest directors Mamoru Oshii. Avalon is a journey worth to take. It might be too much for impatient viewers and honestly a little more trimming in editing room would not harm this film, but overall it… More
  Hypnotic and visually very good looking sci-fi film from one of the Japan's greatest directors Mamoru Oshii. Avalon is a journey worth to take. It might be too much for impatient viewers and honestly a little more trimming in editing room would not harm this film, but overall it is a curiosity and of the rare examples of experimental sci-fi at it's most innovative. Avalon is all about atmosphere. Without Kenji Kawai's outstanding score and Oshii's ability to create hallucinatory images and worlds from scratch this film would only be nothing more than a hollow and cold vision of roleplay gaming in the future. I recommend Oshii's film to be approached more as an mood piece. It might take time to get into it's oddly beautiful world, but as i earlier stated that it is journey worth to take. Those who are bored to see more conventional sci-fi, Avalon serves a perfect entry into somewhere we have never been before. Avalon is not in the same level as his best films like The Sky Crawlers or Innocense, but it is a gorgeous piece of art like all of Oshii's work.

• Dean M

  
  This Mamoru Oshii's first live-action sci-fi motion picture is familiar as <i>Blade Runner</i> meets <i>The Matrix</i> and I thought this is worse and bloody dull I ever watched because it seemed not much exciting to me and bit confused. I suppose that… More
  This Mamoru Oshii's first live-action sci-fi motion picture is familiar as <i>Blade Runner</i> meets <i>The Matrix</i> and I thought this is worse and bloody dull I ever watched because it seemed not much exciting to me and bit confused. I suppose that you when you don't understand what the characters are talking about. Horrible, horrible, horrible acting kept distracting me all the time.

• _kelly .

  
  Was not at all disappointed. The key here is that in scenes set in the game, it feels set in a game and scenes set in "real realities" look real (though both the game and real worlds utilize the same effects palette, just producing starkly different results). The story is… More
  Was not at all disappointed. The key here is that in scenes set in the game, it feels set in a game and scenes set in "real realities" look real (though both the game and real worlds utilize the same effects palette, just producing starkly different results). The story is also tops, but the intrigue of falling deeper into the game ultimately overshadows what the script props up as the character's real motivation. I'm really suprised this film doesn't have more of a cult following. I highly recommend it to scifi fans, dystopia fans, gaming fans, technophreaks, VFX freeks, philosophy phreeks, animator/animation junkies, film-makers and just film fans.

• Tsubaki S

  
  Mr Oshii, the next time write a book about the subject, or let someone else direct.

• EightThirty .

  
  This Movie is not 4 everyone ^_^

• Drew S

  
  Pretty, but also pretty stupid. No one in this movie can act worth a damn, especially Ash, who displays a range of emotions from A to A. She has the same blank stare on her face throughout the entire movie, no matter what happens; it might be to show that she's distanced from… More
  Pretty, but also pretty stupid. No one in this movie can act worth a damn, especially Ash, who displays a range of emotions from A to A. She has the same blank stare on her face throughout the entire movie, no matter what happens; it might be to show that she's distanced from reality, but it's not a good directorial decision. The plot manages to make some sense, but is told very poorly, such as with massively long and pointless shots of Ash riding a train or making food. And the ending really sucks. As I said before, the only vaguely interesting part about this movie is the visual presentation. Avalon is quite a neat-looking film.

• Ross C

  
  Weird Polish movie about a virtual reality computer game

• Robotbling -

  
  Avalon was released in 2001, so given its similarities to The Matrix it's all too easy to write off as one of several rip-offs hoping to ride the coat tails of that film. Actually, it's only fair that Mamoru Oshii took some ideas from The Matrix as payback, since many… More
  Avalon was released in 2001, so given its similarities to The Matrix it's all too easy to write off as one of several rip-offs hoping to ride the coat tails of that film. Actually, it's only fair that Mamoru Oshii took some ideas from The Matrix as payback, since many elements of that film were inspired by Oshii's version of Ghost In The Shell. Shot in Warsaw, Poland, the film's sepia-drenched scenes paint a bleak portrait of gritty urban city life. Ash, the heroine, is a single woman with not much of a life making a modest living by playing a futuristic massively multiplayer online shooter called Avalon. Players enter a totally immersive digital world via helmet-like BCIs that look like they could suck your brains out -- and sometimes do. Rumors of a secret level inaccessible to all but the highest ranking players leads Ash on a mission to find one of the game's star players, who has disappeared from the regular game. She joins a group of other high ranking players to find the way in, but rumor has it that when you cross over you have only two options: finish it, or die for real. Avalon, like a poor man's Matrix, asks the audience which is better: to live in a stifling reality or in an imaginary world where nothing is real. But while the Matrix is controlled by sentient machines, Avalon is much more down to earth in an art mimics life sort of way. We've all heard about the Korean gaming cafés where people literally play video games to the point of exhaustion (and in some cases, death); about shameless parents who neglect their children to play popular MMORPGs (with tragic results); gold farmers in China selling digital currency for real money; or "professional gamers" who earn upwards of $150, 000 at gaming competitions. The world presented here isn't so far-fetched. James Cameron called it "the most artistic, beautiful, and stylish sci-fi film", and while I'm not prepared to echo that statement, the visuals, particularly inside the game but also the general urban atmosphere are very well done -- shot on a shoestring or not. He lavished similar praise on Ghost in the Shell, so perhaps Cameron will one day produce Oshii's dream project using some of that Avatar cash (commenting recently on Avatar's Japanese release, Oshii seemed a bit envious of Cameron's toy box of special effects). I think what Avalon has to say about video games and video game addiction is worth checking out if you're a gamer, especially considering most game-to-movie adaptations have been downright awful and have had nothing to say about the medium at all. This review is a repost from my site: www.plasticpals.com

• alan j

  
  This is a Japanese movie set in Poland of all places with pollish actors. I saw the english spoken version, and right away I could tell with their thick eastern european accent this movie was a bit strange. terrific visuals and similar in many ways to "the Matrix" and even… More
  This is a Japanese movie set in Poland of all places with pollish actors. I saw the english spoken version, and right away I could tell with their thick eastern european accent this movie was a bit strange. terrific visuals and similar in many ways to "the Matrix" and even a bit of "Tron". The acting is indeed wooden but at an hour forty minutes and interesting story, its worth watching. The ending is a bit opaque, however I believe its done purposely for you to decide what is reality and what is not.

• Anthony V

  
  Wow. A truly powerful movie.

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