Daniel Gimenez Cacho, Fele Martínez, Gael García Bernal

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 60's. Father Manolo, director of the school and its professor of literature, is witness ...( read more  read more... )to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

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85% liked it

39,956 ratings

Critics

89% liked it

131 critics

NC-17, 1 hr. 49 min.

Directed by: Pedro Almodóvar

Release Date: November 19, 2004

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DVD Release Date: April 12, 2005

Stats: 2,091 reviews

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Flixster Reviews (2,091)


  • September 2, 2009
    So, Ssabee, I notice nothing in your comments that answers the most important question in the movie: beard or no beard? As Gael Garcia's number-one fan club president, I figured this would be the first thing you'd comment on : )

    There is no doubt in my mind that Gael Garc

    ...( read more)ia is a good-looking young man, but after seeing this Almodóvar outing -- no pun intended -- I can definitely affirm that Gael Garcia is also absolutely one of the most frighteningly beautiful young women Almodovar has delivered to the screen.

    Hey, if you're young and have all the time in the world to wade through this narrative morass, more power to you. Me, I'm way too old to care that much about something this ugly. I don't know if Almodovar's treatment of homosexuals is worse than his treatment of transvestites in this project, but I really don't care. It's beyond grotesque.

    Miss this one if you don't have all the time in the world left to watch movies.

  • May 31, 2009
    My second Almodovar film. His narrative style, which seems largely akin to Spanish film, is interesting, volleying between slightly soap opera-esque and art house. There is something kind of cartoonish about his works which can be kind of endearing but sometimes falls a little...( read more) short on emotional impact.
  • May 19, 2009
    Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 60's. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few de...( read more)cades, their reunion marking life and death.
  • February 10, 2009
    A bizarre tale, which was a little confusing at times, but of course all makes sense eventually. It possibly requires more than one viewing though to really put the pieces of the puzzle together correctly.

    Very typical in the sense of Almodovar though, to bring us an unusual ...( read more)topic, which many Directors wouldn't have delved into.
  • January 16, 2009
    La Mala Educacion is a fascinating, dark crime film by Pedro Almodovar, in which he once again confirms that he is the master of style, pure and simple. Everything in La Mala Educacion is stylized, even though everything and everyone is rather seedy and obscure. Almodovar makes e...( read more)xcellent use of bright colors that pop from the screen, a Hitchcockian score, and excellent cinematography to lead his audience into this mysterious, bizarre world created by the characters.

    Ignacio and Enrique meet in a religious boarding school in the 1960s. One of the heads of the school, Father Manolo, "falls in love" with Ignacio and is also very much aware of the two boys' love for each other. He does his best to keep them apart. Enrique is taken out of school, and the two continue to lead separate lives until, twenty years later, Ignacio seeks out his old friend, who now owns a film studio, to show him a script he's been working on. It's the story of their lives, and the revenge they ultimately inflict on Father Manolo. Enrique is somewhat excited to have found again the first love of his life, but for some reason he isnt' very convinced. Something has changed; Ignacio seems very different.

    Among the many layers there is to Bad Education and the various dimensions of the story, there is an interesting dynamic between the two leads. Once they re-unite after all the years of separation, the natural thing to them appears to be starting from where they left off. So they spend time together, and even sleep together, but neither of them is very convinced. Almodovar has described them as a romantic union without attraction, two people who have sex but are not attracted to each other. They relate to the ghosts of what they once were, or what they think the other was.

    I loved the storyline because Almodovar incorporated the movie-in-a-movie sub-plot and it works very well. I wonder if it says something of his own opinion about filmmaking. It's impossible to get lost in the story because he augments the width of the image to mark when we are watching the movie and when we are watching what is really happening; it is obvious that his objective isn't "to blur the line between fiction and reality"... don't think you're getting Inland Empire-style or anything. Other than that, the plot is very noir, it's very classic but with certain Almodovar touches to make it even darker. The style is heavy but it doesn't choke the substance.

    Gael Garcia Bernal is great as Ignacio/Juan/Zahara. He plays eccentric characters, or characters with secrets, and he does it with great talent and credibility. For such a small person, he has immense screen presence and magnetism. His appearance and his attitude justify Enrique's incomprehensible desire to resume their relationship in spite of his doubt. But Fele Martinez plays a much more "ordinary" character and manages to make him much more extraordinary. I've always thought him a very versatile actor, but terribly underrated. Both actors deliver incredible performances, and they're the highlights of the film.

    The ending was rather abrupt for me, I think it needed a clearer closure, but the rest of the movie is a fantastic noir film in bright colors, definitely worth a watch, or several.
  • November 18, 2009
    An amazing mystery/revenge story. I was totally blown away with the complex nature of the film. Almodovar's style really shines in this, due to the fact that he strayed from his usual upbeat tone and really went with something dark. Gael Garcia Bernal was great and made the movie...( read more) all the more enjoyable, convincing me that his character was much less horrible than he should've been. I really appreciate the bold choices used, if only more filmmakers were this brave.
  • November 5, 2009
    lies deception and not so innocent sex is only a little of what Angel is doing to keep Ignacio's secret past from his friend Enrique.
  • November 3, 2009
    mixed feelings, eu acho.
  • October 27, 2009
    As much as people hate this film, to me, this is just like a older Almodovar film. It's like his return to form. I love film-noir and I love films about filmmaking, and this just satisfied me in a million different ways. It's his best looking film, it's his most heartbreaking, it...( read more)'s one of his darkest, it's his most fierce, and it's the most challenging. The plot was so fascinating to watch unfold and the twists were just crazy. I can't love this film enough! It's my favorite Almodovar film!
  • October 27, 2009
    Sensibilidade é com Pedrito.

Critic Reviews


January 15, 2005
Liam Lacey, Globe and Mail

His films are set-designed to the teeth, fastidiously framed and filled with beautiful bodies across the gender spectrum. full review

December 22, 2004
Moira MacDonald, Seattle Times

A dazzling exercise in storytelling -- and a loving tribute to the power of cinema. full review

December 22, 2004
Roger Ebert, Chicago Sun-Times

Almodovar wants to intrigue and entertain us, and he certainly does, proving along the way that Gael Garcia Bernal has the same kind of screen presence that Antonio Banderas brought to Almodovar's ear... full review

November 19, 2004
David Edelstein, Slate

It's best not to spill too many more beans -- only to say that Gael García Bernal is the real thing. full review

November 18, 2004
Peter Travers, Rolling Stone

A rapturous masterwork. full review

November 6, 2004
Nick Schager, Filmcritic.com

pulses with florid passion... it may be the best film of the year. full review

View more Bad Education (La Mala educación) reviews at RottenTomatoes.com

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