Art Garfunkel, Theresa Russell

The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her lover, an Am...( read more  read more... )erican psychology professor. As doctors try to save her life, the detective interrogates the professor, and through flashbacks we see the events leading up to the woman's overdose; her stormy and intensely sexual relationship with the professor, her heavy drinking and numerous affairs, and her estrangement from her Czech husband. A darkly erotic study of several rather unsympathetic characters.

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79% liked it

3,154 ratings

Critics

60% liked it

R, 122 min.

Directed by: Nicolas Roeg

Release Date: January 1, 1980

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DVD Release Date: September 27, 2005

Stats: 177 reviews

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Flixster Reviews (177)


  • September 30, 2009
    Don't believe the hype! I bet Roeg loved it when it was called 'A sick movie for sick people'. It?s not, it?s a beautifully filmed and well acted (by Russell anyway) pretentious journey through all of life's little buggers EG. Jealousy, obsession, sex, addiction, etc. Style over ...( read more)content and very up its own bottom but it is worth watching this 'Classic'
  • March 25, 2009
    Infamously called "a sick film made by sick people for sick people", Nicolas Roeg's "Bad Timing", indeed has moments that one may call disgusting, but putting them in a context of the story and its main theme - that is, obsession - it shouldn't be so shocking that constant misund...( read more)erstandings, egoism and finally mistrust can create one of the most awful situations people can put themselves through.

    It is well said by Nietzsche that from one point on, man rather loves his/her desire than the object he/she desires and that seems to be the case of Dr. Alex Linden (somewhat wooden yet mostly convincing Art Garfunkel) who, at the end, nearly causes his girlfriend, Milena (terrific Theresa Russell) to die from pill overdose, being certain that it's one of her desperate acts to get his attention after another split. Before he decides to call the hospital he undresses her and have sex "to" her...

    Prior to it, they were getting more and more confused over arguments, breaking up with each other and coming back many times, creating toxic and painful area from which they couldn't escape. Alex longed for the time how it was between them at the beginning, having wild sex and small talk when Milena wanted to clean herself out from various romances she had on the side when they were apart but he only made her feel guilty. He might've been teaching psychoanalysis at the university but he's as helpless as Alice in Wonderland when it came to found himself out in the chaos of what he really felt. She searched relief in alcohol, which she abused heavily. Nothing was resolved and it couldn't be because language simply isn't enough and "another chance" is a strong narcotic that quickly makes you forget about the price.

    It is not an easy film to watch but Roeg masterful directing skills makes it strangely poetic, with vibrant camera work, rich lighting and - of course - brilliant, unsettling editing. One can't also forget to mention an excellent supporting role from the great Harvey Keitel.

    After all, good, healthy relationship mostly consists of good timing, with right gestures and right words from one to another at any given time but that's an ideal rarely achieved or sustained and Roeg's brutal statement of how far mankind can drive off from this ideal is emotionally as strong as intellectually Bergman's "Scenes from the Marriage" are.
  • October 21, 2007
    I will have to watch this film more than once to understand it. Art Garfunkel is cast as Alex -- an aloof psychoanalyst professor in a relationship with Milena (Theresa Russell). This is a turbulent relationship with flawed characters. Most of the reasons behind Milena's suici...( read more)de is depicted to us in flashbacks. The film flips between the doctors trying to save Milena and Alex's thoughts as he contemplates what went wrong.
  • August 7, 2007
    Slow disorientating dissection of a destructive relationship with stunning performance by Theresa Russell
  • October 11, 2006
    An incredible experience. Roeg's last masterpiece after a phenomenal run charts a sensual love story from start to finish and the two parties' futile attempts to recreate their lust for one another after a massive split. Garfunkel and Russell are prefect, and embody the obsessed ...( read more)lovers with devastating emotional impact. The tale is told in an inventive and unorthodox style, flitting back and forth throughout the relationship, highlighting each other's paranoia and pursuit of sexual satisfaction. Harvey Kietel gives great support, and the third act's a belter. The soundtrack is essential as well.
    I consider this a large influence on Eternal Sunshine Of The Spotless Mind, which is in itself ace, but this earlier effort is just as worthy, and is definately more unsettling. Experience.
  • August 20, 2009
    Roeg likes this movie a lot, as an organic, experimental project and a dark journey he took the actors on. His unlatched-from-sequential-time style of editing is in good form here, as are some zooms he aims at the periphery of the characters, shots worthy of The Long Goodbye. The...( read more) highest achievement of Bad Timing is how Keitel's part builds into a theatrical climax, a Dostoevskyan soliloquy, that you rarely see in film.

    But Roeg cultivates performances from Russell and Garfunkle that are alternately stilted, affected and believable, which is not helped by dialogue that actually gets pretentious in its simplicity. This weighs down the movie b/c it's already committed to not showing the fullness of a "real" relationship, but one's that only plausible as a halting, fitful mutual obsession. That's fine, though Russell's obsession is not anatomized at all (except that she needs someone whose disapproval slows her down) and Garfunkle's is.

    The movie often shares the male lead's perspective, and decides that women are a dangerous mystery and men are dangerous in their predictability, being brutish or venal creatures. Yet Roeg and his hero are so in love with themselves deep-down, they believe this great, dangerous female mystery preternaturally needs one man, for no other reason than his mastery
  • August 6, 2009
    Slow moving suspense/erotic story about unlikable characters well cast by AGarfunkel & TRussell. Art is still too sexy & Theresa still cant act. See PETULIA or THE MAN WHO FELL TO EARTH.
  • July 16, 2009
    The film takes the form of a detective mystery, in which the crime is only revealed gradually, as Roeg painstakingly guides us through the tortured relationship between Alex (Art Garfunkel) and Milena (Theresa Russell), from the optimism of its beginnings to the brutality of its ...( read more)ending. As a result, the revelations at the end of the film seem not merely shocking but inevitable.

    Abandoning chronology, Roeg jumps around, taking cues from objects, pieces of music, habitual gestures and various artworks, all of which link one moment in time to another. This makes the film a little disjointed at first, but also gives the relationship more of a sensory impact, as we go from highs to lows with little warning. The explicit sex, a Roeg commonplace since Performance, is interesting here for how un-erotic it is. There is a disgust throughout, about sex and about the human body, frequently distorted in mirrors, glass and paintings - the key moment being the intercutting of a bloody operation on Milena's throat with a particularly passionate sexual encounter.
  • December 22, 2008
    I have to hand it to Roeg, the guy doesn't opt for the easy option and this flick is a prime example.

    As an exploration of obsessive relationships this is a tough watch. Our main characters are not likeable making it very difficult to connect with what we are seeing. Where t...( read more)he film is effective is in the use of flashbacks, the editting of which is excellent. Starting with the overdose of one character, the flashbacks create a tapestry leading you to what has happened which has a pretty repellent outcome. Garfunkel does surprisingly well in the lead and he gets good support from Theresa Russell and Harvey Keitel.

    I don't see myself revisiting this one all that often as there is some pretty nasty stuff in here. It's technical acheivements in terms of the way that the story has been told can't be denied though.
  • September 12, 2008
    "a sick film made by sick people for sick people" according to one Rank executive.

    For me, I think another viewing is in order to fully appreciate it. Though Theresa Russell's performance was great.

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  • In what movie would one here this line: "Good luck with that at the Bad Timing Awards..."   Answer »
  • Name the famous musician whose only starring role as an actor was in the 1980 film Bad Timing: A Sensual Obsession.  Answer »

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