Featured Audience Ratings

• 5 o´clock coffee .

  
  After following Antoine Doinel as a young boy in Les quatre cents coups and his désamours in L'amour à vingt ans, in Baisers Volés we see the life and lovers of an "akward" young man. Then it comes the great Domicile Conjugal where Antoine and Christine are married… More
  After following Antoine Doinel as a young boy in Les quatre cents coups and his désamours in L'amour à vingt ans, in Baisers Volés we see the life and lovers of an "akward" young man. Then it comes the great Domicile Conjugal where Antoine and Christine are married and where we see a kiss scene from Baiser Volés, and L'amour en fuite, the last film of this serie. You don't need to watch these films in order. Actually, it could be interesting to begin from the end and then back to the first one, to understand Antoine's life. <br> <br>

• Pierluigi P

  
  Truffaut homages Henri Langlois, Laurel and Hardy. Hitchcock and Balzac, and brings back his alter ego, Antoine Doinel. Now at the doors of adulthood, he was kicked out from the army, and struggles to find a job, first as a night porter, shoe seller, tv repairing engineer and even as… More
  Truffaut homages Henri Langlois, Laurel and Hardy. Hitchcock and Balzac, and brings back his alter ego, Antoine Doinel. Now at the doors of adulthood, he was kicked out from the army, and struggles to find a job, first as a night porter, shoe seller, tv repairing engineer and even as a private eye for a detective agency. But don't get confused, this is a pleasant, charming comedy, where all the sorrow and rebelliousness of his childhood is gone for good, and now his only concern is to win the heart of the girl he likes. Nostalgic stroll through the beautiful Paris, in company of a magnificent auteur who always knew how to gather the sweetest moments of life into a film; Jean-Pierre Léaud's likeable absent-mindedness; Claude Jade's natural beauty; and Charles Trenet's sweetest ballad.

• Alice S

  
  Hilarious and romantic. Jean-Pierre Leaud IS Antoine Doinel Antoine Doinel Antoine Doinel Antoine Doinel Antoine Doinel...

• Eric B

  
  Francois Truffaut's third Antoine Doinel film has a happenstance feel of just dropping in to see what's new with our boy. He's freshly bounced out of the military, and is casually skipping from mediocre job to mediocre job without success. Meanwhile, he courts a past… More
  Francois Truffaut's third Antoine Doinel film has a happenstance feel of just dropping in to see what's new with our boy. He's freshly bounced out of the military, and is casually skipping from mediocre job to mediocre job without success. Meanwhile, he courts a past girlfriend, the stunningly photogenic Claude Jade. The light, episodic story doesn't have much of a point, and this frustrated me for awhile. But eventually, the film's romantic charm won me over. There are some surprisingly funny moments, and the gentle resolution surely influenced Woody Allen.

• Alex H

  
  Truffaut's second best film of his career. Which just happens to be the second feature in the infamous Doinel series.

• Emily B

  
  The third in Traffaut's semi-autobiographical series following the life of Antoine Dionel. The first time the character hit the screens was in the 1959 masterpiece The 400 Blows. Stolen Kisses sees Antoine now as a young man and follows him in his journey into adulthood. This… More
  The third in Traffaut's semi-autobiographical series following the life of Antoine Dionel. The first time the character hit the screens was in the 1959 masterpiece The 400 Blows. Stolen Kisses sees Antoine now as a young man and follows him in his journey into adulthood. This does not compare to The...(read more) 400 Blows, but is still an entertaining and thoughtful piece of cinema. There are some lovely scenes in this film such as the breakfast scene with Antione and Christine, and also some rather comedic scenes. Overall, not as though provoking as The 400 Blows but highly watchable and entertaining.

• Tom S

  
  One of the greatest lines in cinema history: "You can hang up now. Mr. Henri is dead." That scene alone--not to mention the several other Truffaut touches throughout--are reason enough to see and treasure this film.

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