Critic Reviews
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Alan G. Artner, Chicago Tribune
On your deathbed you will want back the time it takes to see this one.
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Michael Hardy, Boston Globe
One of the year's best documentaries.
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Kenneth Baker, San Francisco Chronicle
The film's score, by Money Mark, is an entertainment in itself.
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Gary Goldstein, Los Angeles Times
An absorbing look at how a circle of dispossessed young artists from the 1990s eventually found its way to mainstream success.
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Andrew O'Hehir, Salon.com
[An] alternately winsome and irritating documentary about the art scene that grew out of the Alleged Gallery on Manhattan's Lower East Side in the 1990s.
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