Catherine Deneuve, Jean Sorel, Michel Piccoli

Severine (Catherine Deneuve) is a wealthy young newlywed who's eager to live life to the fullest. Although she loves her husband, Severine can't bring herself to be intimate with him. To sate her phys...( read more  read more... )ical desires, she indulges in erotic daydreams, often blurring the line between reality and fantasy. When that's not enough, she begins frequenting a classy Parisian brothel, working as a prostitute while remaining celibate within her marriage.

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87% liked it

1,309 ratings

Critics

94% liked it

35 critics

R, 1 hr. 39 min.

Directed by: Luis Buñuel

Release Date: April 10, 1968

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DVD Release Date: January 22, 2002

Stats: 121 reviews

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Flixster Reviews (121)


  • September 23, 2009
    This is a great film, one of many Luis Buñuel classics, erotic with the usual symbolic undertones, with the ever wonderful Catherine Deneuve.
  • February 7, 2009
    It's awfully hard to imagine how earth-shattering a film like "Belle de Jour" was upon it's release. In 1967, it certainly wasn't common to see a film as erotic as this one, which could even make some modern movie-goers uncomfortable with it's depiction of shameless fetishes, suc...( read more)h as a man who demands his women to step on, spit on, and verbally chastise him. The cliche "years ahead of it's time" has never been so appropriate - not only was this cutting edge for the time it was released, but by today's standards it still takes risks modern filmmakers don't even begin to bother with. Perhaps one of the most well known erotic films of all time, Luis Buñuel's "Belle de Jour" hasn't lost any of it's bite over 40 years after it's release.

    The plot is simple enough. Séverine (French legend Catherine Deneuve) is in a seemingly happy marriage with a successful young surgeon. Under the covers, however, Séverine has masochistic fantasies - in the first scene of the film, she dreams of riding in a carriage lovingly with her husband until he orders the drivers to sexually assault her. A family friend, Henri (Michael Piccoli) tells Séverine of Paris brothels where housewives work while their husbands are at work. Séverine seems appalled at first, but sure enough the curiosity eventually drives her to the apartment that the operation is run out of.

    She's greeted by Madame Anais (Genevieve Page) and two prostitutes. She runs away at first, and still continues her reluctance when she meets the first couple of clients. Later in the film, two gangsters walk into the apartment, one of whom has teeth of steel and a cane, Marcel (Pierre Clementi, who very much resembles Cillian Murphy). Séverine is so turned on by Marcel that she allows him her services free of charge, simply thrilled to be living out her sexual fantasies with a no-nonsense ruffian.

    The film is incredibly surrealistic - such as the scene where a man lives out his fantasy by making Séverine pretend she's dead in a casket while he satisfies himself below. In another, and perhaps the most talked about of the film, a burly Chinese man reveals what's inside a box to the prostitutes. They act appalled, but all we hear is a buzzing noise. People say it's anything from a bumblebee to a vibrator - but the point is that it's his fantasy. Make of it what you will. Much of the film, especially the ending, is so off-putting that you wonder if the whole film was in the head of Séverine. It's certainly challenging material, but unlike anything you've ever seen.

    The gorgeous Deneuve has a magnetic screen presence that captivates audiences to this day. That reason alone is reason enough to see "Belle de Jour" - her charisma goes virtually unmatched in film history and this is perhaps one of her most well known roles. I very much enjoyed this.
  • December 31, 2008
    Sèverine is perfect, she's Catherine Deneuve. She consciously inhabits her subconscious and the comings and goings are tinted with pristine, erotic decadence. Her perfection includes outrage without rage, panic without fear. Having or not having is the question she never asks. He...( read more)r husband Pierre, the exquisite Jean Sorel, is like one of her garments. There, stunning, understated, reliable, existing without existing. Marcel, in the other hand, the riveting Pierre Clementi, seems determined to provoke. Provoke what? Where is that need creeping from? I love to meander through "Belle de Jour" allowing Luis Bunuel to have his fun. He deserves it. His puzzle is just that, a puzzle and his genius, challenge us to find the non existent pieces. The pieces are ours coming from our own wishes, wantings and longings.
  • November 3, 2009
    I've just been reading all the reviews and ratings of my Flixster friends who had seen Belle de Jour, and some of them had rated this movie very high. I am unable to share the same rating because I did not like the movie and I could not waste a good review on it.This movie was no...( read more)thing special. It was actually boring. Some scenes pretend to be real but it was not defined She did not wanted to be intimated with her husband, but then she want to prostitute.huh? I never could understand this part. I never could trace when she was dreaming or when it was real in the movie.I have to say, maybe someone more familiar with Bunuel's work could understand this movie. I think even if Bunuel could have thrown any crap on the screen, his fans would find it brilliant.Sorry I did not.
  • September 18, 2008
    Classic Bunuel! Symbolism runs deep in a movie that will leave you a fan of Catherine Deneuve.
  • November 5, 2009
    from the masterpieces of great great LOUIS
    BUNUEL
  • October 31, 2009
    Very special reflective and sexy
  • October 10, 2009
    Impudent strumpet
    Daydream through our desires
    Salacious milieus
  • August 4, 2009
    One tends to forget Buñuel these days, but he was no less a giant than Antonioni, Felini or Bergman. And this is one of his very very best films... a playful reflection on bourgeois morality.
  • June 29, 2009
    Lo que me molesta es que no es explícita si-no más bien artística. Pero upongo que esta bien.

Critic Reviews


July 1, 2006
Roger Ebert, Chicago Sun-Times

It is possibly the best-known erotic film of modern times, perhaps the best. full review

View more Belle de Jour reviews at RottenTomatoes.com

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  • What do the following characters have in common? Greta Garbo in Anna Christie (1930) Marlene Dietrich in Shanghai Express (1932) Catherine Deneuve in Belle de Jour (1967) Jane Fonda in Klute (1971) Elizabeth Shue in Leaving Las Vegas (1995)   Answer »

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