Anna Magnani, Walter Chiari, Tina Apicella

A mother enrolls her child in a competition for a film part.

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88% liked it

480 ratings

Unrated, 1 hr. 48 min.

Directed by: Luchino Visconti

Release Date: December 22, 1951

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Flixster Reviews (34)


  • September 24, 2008
    "Can't you see? She's picking strawverries!"

    Anna Magnani is a true delight!

    *Review coming soon*
  • June 28, 2009
    I've watched only five Visconti films,and I loved them!
    Anna Magnani is terrific as a mother who wants her daughter to become an actress. "Bellissima" criticizes the cinema industry in a dramatic way that only a director like Visconti could have done.
  • June 27, 2009
    http://library.thinkquest.org/28490/data/inglese/film/bellissima.htm
  • September 13, 2008
    A brilliant film on the idea of film-making. My favourite scene was the one in the house where the husband confronts her and we see how amazingly badass the acting of Magnani is. I loved the way the entire situation plays into these idea of what you honour most and shows how flaw...( read more)ed even the most innocent are, how guilty and damaged and how bad ideas are in everyone of us.
  • February 2, 2007
    I love all the films with Anna Magnani. She had not a conventional beauty but I think she was the most beautiful actress I've ever seen!But most of all is one of the greatest actresses in the cinema's story.
  • December 19, 2006
    One of Viscontii;s neo realist films. This film is not as well know as Ossesione or The Leopdard. But is a wonderful film all the same. The film has Magnanai as a mother determined to get her six year old daughter into a film a Romes famous Cincinatti Studio. She plays the uber ...( read more)pushy mother and the child almost silent as opposed to her loud mum attend screentests and auditons. The film have much to say about postwar Italy in the fifties. The influence of Amercian films and their promise of escapism. As opposed to the realist films. Essentially the film operates as ecapism against realtity. Through her daughter the mother is tyring to escape poverty and in some respect escape into the magic of the cinema. Here represented by the hermtic world of Cinciinatti, a studio cut of seemingly from the povertiy of post war Italy. The images of the child are reminiscinent of American depression era silent film, a shot of the child crying tells you so much of the wrongness of the mothers ambition to make her a star. Through her involement with the cinema studio the mother finds a welcome escape from her brutish husband and has a flirtatious relationship with a small time actorr. Onec again some escape.

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