"They finally really did it. You maniacs! You actually made a sequel!" No, it's not that bad, but man, Charlton Heston made a pretty good decision not returning for a major part in this. Not because it's a sequel and that ended up getting bad reviews, as you would… More
"They finally really did it. You maniacs! You actually made a sequel!" No, it's not that bad, but man, Charlton Heston made a pretty good decision not returning for a major part in this. Not because it's a sequel and that ended up getting bad reviews, as you would imagine, but becuase, well, man, the years have just not been flattering on his performance out of the first one. I opened this review with a joke on the line that unveiled one of the biggest twists of all time: the legendary Charlton Heston screaming is horror does not hold up, or at least it doesn't for anyone that's not Eric Bana. Okay, maybe I went a little overboard, comparing a legend like Heston to Eric "Please, Don't Play Elvis" Bana, who couldn't act his way out of a paper bag... that was soaked... in acid... and wasn't actually on him, but the point is, Heston didn't really stand the test of time, but then again, a lot of things didn't hold up from "Planet of the Apes", and yet, that film looks like it came out yesterday, compared to the sequel.
Okay, so this film's aging isn't as bad as the aging in "The Planet of the Apes", partially because even back then, Ed Wood looked at the visual effects and said "Man, that's spotty." Now, I'm not looking for "Lord of the Rings", but I know that the visual effects of any average film from the '70s were not this bad, let alone a "Planet of the Apes" film. Still, as luck would have it, the visual effects don't show up a whole lot, but what does, and is also spotty, is the writing. Now, the writing isn't terrible, but it's still covered in cliches that they try to cover up with by having them involve simians, which only makes it sillier. Something else really offputting about the writing is the lack of development and forced character personality changes in it, and that is a problem that hits even harder with weak, sometimes hollow storytelling. Now, his direction isn't consistently terrible, but there comes many points, especially after the development segments, where Post doesn't provide enough punch or tension in the action, or drama, making the film feel rather inconsequential. Still, although the film makes its deal of faults, and doesn't quite provide enough tension to power the compellingness, there's still plenty to this film - including things that have survived the test of time - that do leave this film to be, if nothing else, entertaining.
The film is quickly paced; perhaps too much so for a film this lacking in impact, but the film still comes in and does its job in a certainly imperfect, but still rather entertaining fashion. Perhaps what makes this film so entertaining is the eye-candy, because although there's little that's too terribly inventive, the production designs are still rather elaborate and breathe much life into this world. What further gets you invested in this world is, of course, the makeup, which still isn't perfect, but still retain that life and believability they had in the original. Something else to enjoy is the action, which may be spotty on occasion, yet consistently bordering on devoid of compellingness, but still has enough slickness and boom in the choreography and staging, that although it's hard to invest yourself in what they're fighting for, you still find yourself entertained. Of course, to me, what carries this film the most is leading man, James Franciscus, who many not be a powerhouse, but is at least better than Heston. No, but seriously though, to me, Franciscus plays the Brent character with a strong presence and aura of mystery that's strong enough to brush past his lack of devlepment. I'm not saying that Brent is as compelling of a character as Taylor, but still serves as an interesting character, played fairly well enough by Franciscus to support the entertainment value in the film.
When it's all said and done, there's plenty of spot in the technical value and writing, as well much vacancy of impact in Ted Post's direction, which, when mixed with his overly fast pacing, makes this film brief and forgettable, but for the time that you do spend in this world again, you still get plenty of entertainment value and dazzle out of the still fairly impressive production designs, as well as a reasonably charismatic lead performance by James Franciscus, ultimately leaving "Beneath the Planet of the Apes" to stand as an easily inferior, but still decently enjoyable follow-up to the classic.
2.5/5 - Fair