Besieged (1998)
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75% of critics liked it
(48 reviews) -
78% of users liked it
(3,536 ratings)
Bernardo Bertolucci directed this Italian drama co-scripted by Bertolucci and Clare Peploe from a story by British-born writer James Lasdun (co-scripter of Jonathan Nossiter's Sunday). In Rome, reclusive British composer Jason Kinsky (David Thewlis) lives in the building he inherited from his… More Bernardo Bertolucci directed this Italian drama co-scripted by Bertolucci and Clare Peploe from a story by British-born writer James Lasdun (co-scripter of Jonathan Nossiter's Sunday). In Rome, reclusive British composer Jason Kinsky (David Thewlis) lives in the building he inherited from his aunt, while his cleaning woman Shandurai (Thandie Newton) resides in the basement, studying medicine. One day, Kinsky tells Shandurai that he loves her and will do anything for her, so she asks him to free her husband, a political prisoner back in Africa. To acquire funds for the man's release, Kinsky begins selling his possessions, including his piano, while Shandurai hangs out with her friend Agostino (Claudio Santamaria), a man angling to get her into bed. Location filming took place in Italy and Kenya. Shown at the 1998 Toronto Film Festival and the 1998 San Sebastian Film Festival. ~ Bhob Stewart, Rovi
- Directed By
- Bernardo Bertolucci
- Written By
- Bernardo Bertolucci, Clare Peploe, James Lasdun
- Genres
- Drama, Romance, Art House & International
- In Theaters
- May 21, 1999 Limited
- Studio
- Fine Line
Critic Reviews
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Derek Elley, Variety
Bertolucci and co-writer Clare Peploe seem intent on deconstructing the story's interesting elements at every turn, substituting woolliness for clarity, atmospherics for real emotion and an often condescending, armchair-liberal naivete for real political
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, Time Out
It's a film about the limits of art, about civilization at this moment of flux, and about a gentle connection between a man and a woman.
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Jeff Millar, Houston Chronicle
This is a deeply engrossing, often exquisite film by someone who knows visuals. It's sensory, sensual, handmade.
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Rick Groen, Globe and Mail
What an unexpected gift.
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Daniel Mangin, Salon.com
Given Bertolucci's impish leanings, the self-referential sequences may merely be gags. If so, they're among a half-dozen others that backfire.
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