Barbara Rush, James Mason, Walter Matthau

A seriously ill schoolteacher becomes dependent on a "miracle" drug that begins to affect his sanity.

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79% liked it

212 ratings

Critics

94% liked it

17 critics

Unrated, 1 hr. 35 min.

Directed by: Nicholas Ray

Release Date: August 2, 1956

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Flixster Reviews (85)


  • October 6, 2008
    Bigger Than Life is a movie I've looked forward to for a few years since seeing Martin Scorsese's Journey Through American Movies. Seeing James Mason in the throes of psychosis about to murder his son and claiming GOD WAS WRONG for not having Abraham kill Isaac was enough to add ...( read more)this to my must see list. Bigger Than Life is a hell of a lot like a Douglas Sirk movie with less saturated colors and slightly less melodrama. Mason is great as the All-American dad who goes nuts after getting addicted to cortisone and Walter Matthau as his plot device/friend. As good a job as Mason did in his decent into madness, Nicolas Ray's direction was the real standout here. Worth the ride if you can get your hands on it.
  • July 4, 2009
    Great movie with James Mason excellent as a man who takes a new drug to save his life only to have the side effects turn him into a raving psychotic. Wonderful performances by Mason and Barbara Rush as his long-suffering
    wife. Widely regarded as Nicholas Ray's finest film.
  • July 2, 2009
    Nothing to do with Biggy Smalls, this movie is occasionally-grating cheese with a shrieky performance from Christopher Olsen. Rush, Mason and Matthau do OK all things considered, but I think it would have been better if the doctors had prescribed him extasy instead.
  • May 30, 2009
    The French went crazy over this at the time, just as they had of anything made by Nick Ray, but really, it's kind of an embarrassment.
  • May 18, 2009
    A touching reflection on the effects of drug addiction. Bold and daring for tackling the bleak issue of addiction, especially for a film of the 1950s.
  • October 22, 2008
    A brilliant dissection of life in the 50s. Cortosone in the film is really just the catalyst that unleashes Ed Avery's deep-seated dissatisfaction with his lot. The movie looks like a 50s magazine ad for the perfect middle class existence. But those glossy surfaces and split l...( read more)evel homes disguise regret, anger, fiduciary crises, and the neverending grasp for the perfect picture wish fulfillment fantasy that 50s America was taught to want to live in, but which always lies frustratingly out of reach to most.
  • April 10, 2008
    This movie is guaranteed to be horrible so here is some Billy Squire for your amusement:

    "Now everybody, have you heard
    If you're in the game, then the stroke's the word
    Don't take no rhythm, don't take no style
    Got a thirst for killin' - grab your vial... "

    First pers...( read more)on to name that song will get an invisible bowl of rice.
  • March 9, 2008
    You could either look at this film and be amazed or see it as completely ridiculous. It has a lot of both. A massive melodrama held back from being looked at to seriously today by the dated quality given to it by the portrait of 50's domesticity.

    You could love it or hate it, b...( read more)ut either way, you will be awestruck by just how far this film dares to go. It truly is bigger than life. Shocking, heart wrenching, and suspenseful, this film is quite the emotional roller coaster.

    James Mason seems a bit out of place in his role as modest school teacher and father(I only ever found him to be well cast in A Star is Born as the alcoholic failing movie star). Barbara Rush is a surprise treat. I haven't seen her in much, but she was great I thought. Like a prettier Jane Wyman. She pulls off ideal housewife, but then surprises with her feisty outbursts. I found this movie to be mainly surprising and a bit crazy, but still effective. Noone can deny Ray's power over his audience.

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