Blood and Wine (1997)

61% of critics liked it
(31 reviews)
36% of users liked it
(3,051 ratings)

Wine merchant Alex Gates seems to have it all: a fancy shop, a beautiful wife, Suzanne, a sexy Latin mistress, Gabriella, and a hot car. He enjoys the best vintages of the goods he sells. In truth, Alex Gates' finances are stretched to the limit, his marriage is in a shambles and his… More Wine merchant Alex Gates seems to have it all: a fancy shop, a beautiful wife, Suzanne, a sexy Latin mistress, Gabriella, and a hot car. He enjoys the best vintages of the goods he sells. In truth, Alex Gates' finances are stretched to the limit, his marriage is in a shambles and his relationship with his stepson Jason is toxic. Alex's business caters to a wealthy clientele, whose riches prove all too seductive: particularly a certain $1 million diamond necklace. Alex joins with Victor Spanksy, an emphysemic safe-cracker, in a conspiracy to steal the necklace. Rather than the key to their freedom, the hot necklace proves to be the beginning of the end. While Alex is seduced by the jewels, his stepson is both sucked into the crime and drawn to Gabriella, unaware of her liaisons with his stepfather. As their passion grows, she is increasingly torn by the two of them, and by the temptations of money and love.

Directed By: Bob Rafelson, George Bud Davis
Written By: Nick Villers, Alison Cross
Genres: Mystery & Suspense, Drama

In Theaters: Feb 21, 1997 Wide
On DVD: Feb 6, 2006

Critic Reviews

David Rooney, Variety
An amusingly caustic, straight-up serving of film noir staples spiced with star charisma.
Nigel Floyd, Time Out
An engrossing thriller - and one sparkling with intelligence, with the surprising twists grounded in credible human behaviour.
Stephen Holden, New York Times
When Bob Rafelson decides to get nasty, he really means it.
Roger Ebert, Chicago Sun-Times
It's a morality play, really, but dripping with humid sex and violence.
Mike Clark, USA Today
The movie's own payoff is compelling enough, but the project has a weightless feel that limits involvement. Better you give it an hour-and-a-half on video someday, surrounded by wine and snacks.
Edward Guthmann, San Francisco Chronicle
Rafelson is so true to his sour vision of crime, deception and a rottenness at the core of our natures -- he's as cheerful as a Jim Thompson potboiler -- that we never get a chance to like or care about his characters.
Dennis Schwartz, Ozus' World Movie Reviews
As lifeless as a flat wine.
Frederic and Mary Ann Brussat, Spirituality and Practice
A noir thriller about greed.
Dragan Antulov, rec.arts.movies.reviews
Rafelson shows that he can't handle noir themes as easily as the real masters of the genre.
Nick Davis, Nick's Flick Picks
Bob Rafelson sends this movie out like a hissing flare from the island of the nearly-forgotten, and if justice had prevailed, moviegoers would have answered the call.
Dwayne E. Leslie, Boxoffice Magazine
The director benefits from a powerhouse duo in Nicholson and Caine. It's like watching two cats fight for the same mouse, because both characters are corrupted to the bone.
Leslie Rigoulot, Film Scouts
Screenwriters Nick Villiers, Alison Cross, and Rafelson were trying too hard.
James Kendrick, Q Network Film Desk
A slowly-plotted, mostly uninvolving modern-day Miami film noir...
Barbara Shulgasser, San Francisco Examiner
Let's just say that Blood & Wine is a good idea badly executed.
Marty Mapes, Movie Habit
To borrow a phrase from the Simpsons, it's just a bunch of stuff that happened.
Scott Renshaw, rec.arts.movies.reviews
It might have helped a bit if there had been a hero worth rooting for.
Steve Rhodes, Internet Reviews
The film takes several surprising turns and evolves into a decent thriller. Still, the script by Alison Cross and Nick Villiers too often gets mired in its own material.
Madeleine Williams, Cinematter
Blood and Wine is a murky attempt at film noir that has a couple of good twists, but overall it wastes its talent.
Tom Meek, Boston Phoenix
Blood & Wine is rewarding for its performances and the material it explores, but ultimately it's messy.
Urban Cinefile Critics, Urban Cinefile
Bob Rafelson uses the themes of greed, lust and betrayal coupled with riveting ingredients to bring an emotionally satisfying, biting thriller.

Read all 21 critic reviews

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Featured Audience Ratings

Conner R

Honestly, Bob Rafelson should've just not made this third entry in his trilogy of Jack. While there's unsurprisingly great performances from Jack Nicolson and Michael Caine, the performances from Stephen Dorf and an incredibly ethnic Jennifer Lopez completely destroy the… More
Honestly, Bob Rafelson should've just not made this third entry in his trilogy of Jack. While there's unsurprisingly great performances from Jack Nicolson and Michael Caine, the performances from Stephen Dorf and an incredibly ethnic Jennifer Lopez completely destroy the movie. The isn't all that unique, but given better talent it could have been a lot more entertaining and worthwhile. While you can certainly go worse, this just doesn't deliver the way that Five Easy Pieces and The King of Marvin Gardens do. It doesn't have anything particularly important to say about the American dream aside from the greed aspect. In the end it's just a poorly done heist movie.
Coxxie M

J-Lo can instantly ruin any viewing experience even if shes only in a film for like 10 minutes, which sucks cause shes in a few movies i wanna see. Put all that aside though, its actually pretty good. Stephen Dorff is a great actor and i could probably just watch him look for his car… More
J-Lo can instantly ruin any viewing experience even if shes only in a film for like 10 minutes, which sucks cause shes in a few movies i wanna see. Put all that aside though, its actually pretty good. Stephen Dorff is a great actor and i could probably just watch him look for his car keys and be entertained. J-Lo has one line that sums up how ive felt about her since shes been acting "Baby, you aint that stupid." ".... yes. i am!" CLASSIC.
Anthony L

The acting was good but the story is slow and a little boring.
John B

Not even a reminder about how gorgeous J-Lo was in the nineties can save this film. Nicholson and Caine are wasting their time here collecting a paycheque for making nothing out of a B grade thriller.

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Blood and Wine (1997)

Critic Reviews

Featured Audience Ratings

Conner R

Coxxie M

Anthony L

John B

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