Critic Reviews
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Charles Gant, Variety
Willfully exploitative...
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James Plath, Movie Metropolis
Worth watching, but the whole just isn't nearly as effective as some of the parts.
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Rich Cline, Shadows on the Wall
Based on the same true story previously told on film with skill (2000's Essex Boys) and without (2007's Rise of the Footsoldier), it's kind of difficult to understand why there's yet another movie version. Especially one as uninteresting as this.
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Emma Dibdin, Total Film
Everything from script to performances goes through the motions, with only Vincent Regan's Mickey registering in more than one dimension.
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Jack Thursby, Film4
Though director Sacha Bennett's effort is well shot and evokes its mid-nineties setting well, its disjointed structure makes for a weak narrative, and only in the third act does it finally come together with any sort of momentum or urgency.
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