Audrey Long, Claire Trevor, Elisha Cook Jr.

Meeting aboard a train bound for San Francisco, Helen Brent (Claire Trevor) and Sam Wilde (Lawrence Tierney, in a menacing performance) strike up a conversation. Unaware of an existing connection betw...( read more  read more... )een them -- Helen found a pair of corpses, courtesy of Sam's murderous hands -- they embark on a depraved affair that leads straight to hell. Walter Slezak and Elisha Cook Jr. provide first-rate support in director Robert Wise's hardboiled gem.

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73% liked it

429 ratings

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Directed by: Robert Wise

Release Date: May 3, 1947

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DVD Release Date: July 5, 2005

Stats: 47 reviews

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Flixster Reviews (47)


  • November 14, 2009
    Finally, a noir film where the title actually makes sense! Classic psychopath meets girl love story. If you can find it on DVD be sure to check out the commentary from author and noir expert Eddie Muller. Muller's insight into the character and personality of Lawrence Tierney ...( read more)is priceless.

    It wasn't so long ago that I couldn't even tell you who Robert Wise was. Now I find myself, like a sponge, wanting to soak up every film he ever directed. If I come across one I dislike I'll let you know.
  • December 13, 2007
    two ambitious psychopaths hook up and all hell breaks loose. claire trevor is awesome as the soulless manipulator who destroys everyone around her to be near laurence tierney's brutal thug
  • November 19, 2007
    Lawrence Tierney is superb as the overly-confident pit bull alpha dog sociopath who draws the same rotten qualities out of Claire Trevor who gives an equally jarring performance. Robert Wise's direction is also great as he directs one of the most grisly murders during the golden ...( read more)age of Hollywood. Slezak is great as the private dick and Esther Howard is nothing short of grotesque as his alcoholic client.
  • November 12, 2007
    What happens when sociopaths fall in love
  • September 20, 2007
    a story enhanced by murder and deceit. and the best thing in this movie shall be claire trevor's performance as the ambitious, complicated seductress who is in eternal struggle between the crave of peace and security and the longing for strength, excitement and corruptness. natur...( read more)ally this ambivalence is anchored by her choices of men: the rich loyal fred and the shrewd ferocious sam(lawrence tierney). besides the warobe of miss trevor in this movie is dynamically femme fatale to delineate the iceberg women with the coldest surface and rottenest inside. one of the pleasure for the film noir aficinados is the savor of its dialogues of cynical wisecrackers which reflects the simmering irony of life. and this one shall have one of the best scripts. for example. "life is coffee, the aroma is always better than its actuality"....besides it's also the best chance to take a glance over the young lawrence tierney (one of the coolest original tough guys)whose youthful dashing looks matches his razor-sharp toughness.
  • September 5, 2009
    i love how awful the lead characters are! they're really bad people! in film noir i usually see main characters that do bad things but at their heart are very good people with the best intentions. Neither Helen Brent nor Sam Wilde ever seemed truly remorseful for the things they ...( read more)did. that was very nice to me. i also like that the old woman was determined to find WHO KILLED LAUR(y) PALMER! hello twin peaks.
  • March 30, 2009
    Qu'est-ce qui arrive dans un film noir pur et dur quand la femme fatale rencontre un homme encore plus fatal? Une spirale imparable de manipulation, de corruption et de meurtre, présentée ici dans tout son éclat par le toujours habile Robert Wise.

    Ici, il n'y a rien d'autres que...( read more) des personnages véreux; personne avec qui sympathiser, personne sur qui compter, juste des êtres tout à fait détestables. On est pas mal dans le plus noir du film noir. Lawrence Tierney suscite de plus en plus de mépris à chacune de ses apparitions, de même pour Claire Trevor.

    Tout ça fait de "Born to Kill" un film particulier, mais majoritairement dans le bon sens du terme. L'absence complète de "bon gars" déroute le spectateur moderne qui s'attend toujours à trouver un point d'appui quand il regarde un film, particulièrement quand il est produit à Hollywood des les années 40. J'ai bien aimé.
  • September 8, 2008
    Comes well recommended.
  • June 12, 2008
    Another example of great 40's Film Noir.

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