Andrew Loviska, Cathleen O'Malley, Erik Steffen Maahs

Canadian director Guy Maddin's "Brand Upon the Brain" is a silent film that reveals the shocking truth about his hellish childhood on a remote island under the watchful eye of a crazed mother hellbent...( read more  read more... ) on restoring her youth and a diabolically distant scientist-father, proprietors of a mom-and-pop orphanage that surreptitiously operate within the dank confines of the family lighthouse.

Flixster Users

85% liked it

3,135 ratings

Critics

91% liked it

46 critics

Unrated, 1 hr. 35 min.

Directed by: Guy Maddin

Release Date: October 15, 2006

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DVD Release Date: August 12, 2008

Stats: 283 reviews

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Flixster Reviews (283)


  • July 22, 2009
    Awesome blend of retro, avant garde, and camp. Although this recycles a lot of imagery and ideas from Cowards Bend the Knees and is not as complexly edited as that, it feels more personal due to the point of view being that of Guy's memories. I love how it's mostly silly kitsch b...( read more)ut sustains the kind of atmosphere in many of the silents I love. The mother character is adorable with her complaints like "Nobody Loves Me!" and "Dirt is Wrong!"
  • June 27, 2009
    The films of Guy Maddin seek to reinvent the silent movie - they purposely look antique, with their black-and-white aged film stock and frantic editing creating mesmerizing flickering images. Such techniques could easily result in films of pure gimmickry, but Maddin's films are t...( read more)remendously unique, intelligent, and unmasturbatory exercises in film-making. "Brand Upon the Brain!" is only the second i've seen of his work (after "My Winnipeg"), but i'm sold. I can't remember the last time i've been so startled, so moved and so entranced whilst simply laughing my head off.

    The lead character is a young Guy Maddin (Sullivan Brown), as seen through the memories of his older self. He's been sent to his childhood home, an orphanage on the island of Black Notch, by his dying mother. She requests two fresh layers of paint on the island's lighthouse.

    Guy lives with his controlling mother (Gretchen Kirch) and inventor father (Todd Moore) along with his sister (Maya Lawson). One of father's inventions is an "aerophone", a wireless device that allows people to communicate over great distances by speaking into a horn. Sometimes the message of the aerophone skips, and young Pavlovian Guy marches back home for the call of dinner after he's already had it. The aerophone assures that mother can always contact Guy, however she can also always see him. The lighthouse has been transformed into a watchtower in which mother sits in a spinning chair on spies on the children. A searchlight follows her gaze as if it were the Eye of Sauron.

    One day, a teenage sleuth, Wendy Hale (Katherine E. Scharhon), makes an appearance on the island to investigate some strange occurrences. The mysteries involve everything from holes in the heads of the orphans to Guy's mother who appears to be aging backwards. Guy falls in love with Wendy, but Wendy has her sights set on Sis. To win her heart, she disguises herself as her own twin brother, Chance. Guy, heartbroken after the disappearance of Wendy, develops a crush on Chance. Forbidden desire is clearly one of the dominant themes.

    The film only gets stranger, becoming a sort of Freudian Frankenstein. It's wonderfully bizarre and campy, but it's successful in that behind such absurd symbolism we sense that the tale is remarkably personal. In a way, it's a sort of companion piece to "My Winnipeg", both dealing with haunting memories of childhood and the need to please mother.

    "Brand Upon the Brain!" is a tremendous achievement - a film that's at once unsettling, hilarious, and profound. The Criterion release of the film allows the viewers to select a variety of narrators to listen to (Isabella Rossellini is the default), a wonderful feature that only tempts you to revisit the film more.
  • June 16, 2009
    I love this. And not only because it features my favorite cinematic namesake, Savage Tom.
  • July 3, 2009
    Odd, but the recreation of silent film was different to say the least. I'm still surprised that the actors involved aren't dead or old and wrinkly.

    It's repetitive and the ideas aren't all too interesting. With lesbianism, incest, heteroflexibility depicted at its most tame and ...( read more)included as a last resort to get your attention. The fast editing hurt my eyes. The son returning to his past was a better story to focus on than the past itself.
  • June 18, 2009
    Perfectamente visual. Más no efectiva en ámbitos dramáticos.
  • February 23, 2009
    The second part in Maddin's "autobiographical" trilogy, is a strange tale about a family who live in a light house/orphanage. The Mother is a domineering monster, the father is a mad scientist, and the son and daughter, along with the help of the Lightbulb Kids (a "pair" of fict...( read more)ional child detectives) are trying to figure out what the hell their parents are up to with the orphans. Beautifully made. Guy Maddin really knows how to fuck with your head in wonderful ways.
  • January 17, 2009
    I have to admit, I loved this film because of the style. It reminded me of how my boyfriend makes films.
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  • October 9, 2008
    Guy Maddin constructs cinematic carnivals. But sometimes the rides break.
  • August 31, 2008
    It's not really innovative--in fact, it's just the opposite--but the silent movie approach is as good as any, since Guy Maddin's ideas are so elaborately perverse that a less antiquated spin on the material would hardly do it justice.

Critic Reviews


October 4, 2007
Colin Covert, The Minneapolis Star Tribune

The deliciously unhinged Guy Maddin makes films that are funny, sinister and mysterious at the same time. full review

June 29, 2007
Ty Burr, Boston Globe

No matter how much the director disguises the tale in flickery symbolism, the emotions feel painful and personal. full review

May 18, 2007
Roger Ebert, Chicago Sun-Times

An astonishing film: weird, obsessed, drawing on subterranean impulses, hypnotic. full review

View more Brand Upon the Brain! reviews at RottenTomatoes.com

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