[size=3]"Broken English" is a lovely little film, reminiscent of Sofia Coppola's magical and under-stated "Lost in Translation." It also reminds me of Woody Allen's films from the 1970s.[/size]… More
[size=3]"Broken English" is a lovely little film, reminiscent of Sofia Coppola's magical and under-stated "Lost in Translation." It also reminds me of Woody Allen's films from the 1970s.[/size]
[size=3][img]http://www.availableimages.com/images/previews/Broken%20English%20(2007).jpg[/img][/size]
[size=3]Writer/director [b]Zoe Cassavetes[/b] (daughter of John Cassavetes and Gena Rowlands, who has a supporting role in the film), in only her second film, has established herself as one of the most serious, funny [/size][size=3]and compassionate new filmmakers in America. She's not yet 40, so presumably we'll be seeing many more films from her in the years to come. I certainly [/size][size=3]hope she sticks to filmmaking.[/size]
[img]http://theenvelope.latimes.com/media/photo/2006-11/26652837.jpg[/img]
[size=3]Like Sofia Coppola, Cassavetes is an explorer [/size][size=3]of life's nooks and crannies. There is [/size][size=3]a certain main stream to life. At any given moment, one is doing a specific thing. But on the margins of that task there are all sorts of little pockets where other things occur, if fleetingly.[/size]
[size=3]You could be seeing a movie, for example, and thinking mostly about the film. Bu[/size][size=3]t yo[/size][size=3]ur mind wanders a few times during the film [/size][size=3]and you [/size][size=3]contemplate in an inchoate way something relatively profound about your [/size][size=3]life.[/size]
[size=3]Those asides are where Cassavetes focuses her attention. The quiet little moments when we break from the main stream of life and have a fleeting feeling that penetrates to the core of our being, without us even realizing it sometimes. This focus on the interstices of life, in my view, is one of the hallmarks of any great artist working in fiction, whether it be film or literature. The little asides we have are most often far more interesting than the main stream of daily life.[/size]
[size=3][img]http://cdn.channel.aol.com/pmms/productpagemovies/0e/01/2401550[/img][/size]
[size=3]The main character in "Broken English" is Nora, a college-educated, thirysomething woman who works in a posh Manhattan hotel. The asides she experiences, where she ponders her life, are getting deeper, more troubling, and harder to shake off. She often walks around New York seeming stunned, lost in some kind of vaguely disturbing reverie. She uses alcohol and tobacco to try to bring herself back to a normal functioning life. When sober, she sometimes gets overwhelmed with anxiety.[/size]
[size=3][b]Parker Posey[/b] plays Nora in a beautiful and tender way, revealing her fragility in at times a powerfully naked way. Seeing Nora have an anxiety attack was something I'll not soon forget.[/size]
[size=3]The biggest thing that troubles Nora is that she's in her thirties and still single. She also has not had a serious boyfriend since college. We watch her go through some humiliating experiences with men that are played for laughs on one level (at times Posey is absolutely hilarious) but heart-breaking on other levels.[/size]
[size=3]At a dull party, after experiencing a few brief humiliations, Nora meets a French man named Julien, who hits on her very aggressively but also sweetly. Watching Nora decide how to handle Julien's advances was uproarious and poignant.[/size]
[size=3]Through the process of getting to know Julien, Nora comes to learn a lot of things. She even ends up in Paris with her best friend (played very nicely by [b]Drea de Matteo[/b]) tracking Julien down but also on a quest for herself. There is a spectacularly beautiful scene in Paris where Nora meets an older man in a bar and has a conversation with him about love that causes her to sob. At that moment, Nora's wounds are so completely exposed that Posey sobs in a way you rarely see in movies. It's so real that it seems more like a documentary than a fiction film.[/size]
[size=3]The happy ending with Julien is rather trite, but overall the film is uncompromising in its view of contemporary loneliness. It looks into the abyss with both eyes open and doesn't come to banal conclusions. [/size]
[size=3]I recommend this fim, and I feel it deserves a lot more attention than it has gotten. Cassavetes deserves consideration as an Oscar nominee for Best Director, as does Posey for Best Actress.[/size]