Daniel R. Christian, Debbie Doebereiner, Decker Moody

Set against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.

Flixster Users

61% liked it

1,699 ratings

Critics

71% liked it

99 critics

R, 1 hr. 13 min.

Directed by: Steven Soderbergh

Release Date: January 27, 2006

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DVD Release Date: January 31, 2006

Stats: 387 reviews

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Flixster Reviews (387)


  • May 18, 2009
    Jesse: So your sayin' she's dead, not breathing anymore?
    Detective: That is correct.
    Jesse: Man...I got to make some calls.

    Director Stephen Sodebergh remains one of my favorite filmmakers because he manages to move back and forth between making high budget, entertaining flicks ...( read more)like his Ocean's films and the low budget, experimental type films that he makes such as this one. Working with no-name actors, improvised dialog, and a simplistic premise, I could easily rate this lower because I have no desire to see it again and because it wont be an attractive film for everyone, but it is well made and I found myself very engaged in what was happening in this film, even if it is mostly just people talking for a little over an hour.

    The story is set somewhere in the midwest. A young man and an older woman carpool to work everyday at a doll factory. A new girl is hired on and makes friends with these people. About midway through, after a date with a co-worker, a twist occurs that gives this film a plot to follow through with.

    The plot is extremely straight forward with no real surprises, but the way this film is handled held my attention,. The actors are all pretty much improving their conversations, and a few mumbled deliveries aside, they do their parts well. The acoustic guitar score in various moments was also fitting. And Soderbergh's visual style pops in now and again.

    Its certainly not a film that everyone will enjoy, but I enjoyed it more than I though I would, and I give that credit to Soderbergh's craft.

    Detective: Well you seem to be passionate about your work...
  • March 19, 2009
    Strange, absorbing, hypnotic. It's not something I can talkabout; just something you have to see.
  • September 16, 2008
    The shots of doll parts was the best thing about this film.I guess Soderbergh had a break between "Ocean's Twelve" & "The Good German",so thought he'd shoot this super low-budget thing with non-actors(I'm assuming they were home-grown),about a repressed factory worker,her dope-sm...( read more)oking co-worker,and a cleptomaniac who gets hired on with them at the town's doll factory.The dialogue's all improvised(I'm hoping),the characters stare complacently into non-space a lot,and react to shocking news like zombies.I suppose Soderbergh is making a sociological statement about suburban America,the day-to-day endless grind of small-town existence,and the looming subconscious,repressed rage that can rear its ugly head from time to time.For me,it came off as a pretty good student film.I feel it would have worked better as a black comedy,in the satirical vein of the stuff Paul Morrissey and Warhol were doing in the 70's,"Trash","Bad","Heat","Mixed Blood".I only say that because I was thinking of how quirky & funny "Schizopolis" was.Anyhow,I'd advise you skip it.
  • October 6, 2007
    Bubble earns its rating because as an experiment, it succeeds. The movie is cast entirely with unprofessionals and the dialogue is improvised and yet it still feels like one of the most believable films I've seen in a long time. Steven Soderbergh really pulled this one off.

    It'...( read more)s not the most fast-paced film in the world, but we continue to learn more and more about our characters as the narrative progresses, and in a character piece, that certainly doesn't hurt. At times the film seems to dwell on petty, unimportant things, but that is really just a reflection of these characters' lives; Martha is possibly one of the most pathetic characters I've ever seen. This entire movie is just flat-out depressing in that way - living in a small town is an emotional sinkhole, is what Bubble seems to say.

    Bubble's final offering, the murder mystery, offers a view of the effects of change on such an undisturbed atmosphere. The title of the film is appropriate simply because when that bubble pops, hell breaks loose (hell being a comparative term because this film's dramatics barely rise above a whisper).

    At only 73 minutes, Bubble is informative and fascinatingly different. I recommend it.
  • January 7, 2007
    This actually was quite good. It's shot really well. Seemed authentic enough.
  • September 2, 2009
    Here Soderbergh illustrates why extreme forms of realistic acting never really caught on...it's depressing. Even "real" people in documentaries are generally extraordinary in some way or another (which is why they're being filmed). French New Wave even has a somewhat exotic quali...( read more)ty when viewed in retrospect. In Bubble however we get a rare glimpse at what we see every day in our own lives; demure, uncharismatic midwestern folks. People seemingly sucked of life by the mundane-ness of their lives.
    Since it IS such a conceptual novelty I think the result is overall a success. We as viewers are so trained to sit back and be entertained by clownish and or greek god-like overbearing personalities...In Bubble our perceptions change as we are forced to pull out the microscope and watch the fabric slowly unravel from these tightly wound personas. In the end Soderbergh and the stars of this feature deliver a rewarding and touching experience on the (rarely explored) more subtle side of drama.
  • August 31, 2009

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    Bubble, 2005. A factory town detective must conduct gritty interviews with rustic and sometimes unsavory suspects to solve a sordid local murder. Directed by Steven Soderbergh. With Misty Wilkins, Debbie Doebereiner, Dustin James Ashley, Kay Smith and Thomas Davis.

    Rose gets a job working late at night in a doll factory where she meets Martha and Martha's possible secret obsession, the younger Kyle, who Rose begins to 'date'. She hires Martha to babysit her domestic partner's daughter one evening, while she steals money from Kyle. When she returns, her domestic partner berates her for stealing money and marijuana. The next morning she is found strangled.

    Thomas Davis plays Don Taylor, the detective assigned to the case, who must unravel what happened. The film is shot in a semi-documentary fashion. The line is blurred between the satire of class mores and folkways, and the sordid, unglamorous realities of everyday, small town police work. Certain class values and aspects of human nature almost can't be satirized; they speak for and indict themselves. Prima facie, the film may appear to be a low budget, experimental work, In actuality I believe that the film is an attempt to be grim, darkly satirical, depressing, and compelling all at once. Rather than being a fast paced mystery, this picture is a socially indicting, pensive anguish and despair piece. It is for fans of unconventional and unusual movies.

    "A strangely haunting slice of heartland noir." -William Arnold, Seattle Post-Intelligence
  • August 6, 2009
    i love this type of film - completely grounded in reality. the non-professional actors and improvised dialogue worked perfectly - these characters reminded me so much of some people i know, and i imagine it's the same for most who view this movie. it all just feels so real, so na...( read more)tural. against the creepy backdrop of a doll factory, where we make plastic copies of ourselves, i interpreted this as a very interesting commentary on the eccentricities of human behavior.
  • June 17, 2009
    Recommended by KevinTheMovieManiac
  • June 15, 2009
    (2006 Director: Steven Soderbergh) I want to see this based on Kevin's review of unknowns being the perfect cast for this tale.

Critic Reviews


February 7, 2006
Kurt Loder, MTV

Bubble is an 'art movie' in that it values a certain kind of
content and execution that may not be of great interest to a mass
audience. [I]t's a character study in the form of a noir-type murder
myst... full review

January 27, 2006
Moira MacDonald, Seattle Times

The result is haunting and often creepy in its realism. full review

January 27, 2006
Ty Burr, Boston Globe

Soderbergh has made an experiment worth seeing, but how much do you want to bet his actors have richer lives than the characters they're playing, even if those lives look just as ordinary? full review

January 26, 2006
Claudia Puig, USA Today

A haunting film, made all the more intriguing by the use of ordinary people, not actors, in all the roles. full review

January 26, 2006
Colin Covert, The Minneapolis Star Tribune

Soderbergh set out to make a movie about shallow people, but wound up delivering a shallow movie. full review

January 26, 2006
Roger Ebert, Chicago Sun-Times

The characters are so closely observed and played with such exacting accuracy and conviction that Bubble becomes quietly, inexorably, hypnotic. full review

January 25, 2006
Peter Travers, Rolling Stone

... a potent and provocative look at life unhinged. full review

September 26, 2005
Nick Schager, Lessons of Darkness

Slyly unfurls in ambiguous, multiple-interpretation fashion. full review

View more Bubble reviews at RottenTomatoes.com

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